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Visual Delight
03/31/23 • 6 min
Some of our listeners – especially the lucky ones who got hold of our postcards – have asked us about the beautiful illustration accompanying Spatial Delight. What exactly does the colourful image depict? How does it connect to Doreen Massey’s work? And, last but not least, who made it?
This bonus episode features a conversation between host Adèle Martin and Bose Sarmiento, the artist who designed the illustrations for Spatial Delight. Bose discusses the main themes and symbols in her work, and how they connect to Massey’s work, revealing the process behind her aesthetic choices.
Episode Credits
Host: Adèle Martin
Guest: Bose Sarmiento
Writer: Adèle Martin
Producer: Agata Lisiak
Senior Editor: Susan Stone
Sound Producer: Adèle Martin
Music: Studio R
Artwork: Bose Sarmiento
Funded by: Volkswagen Foundation
Find more about Spatial Delight at The Sociological Review.
Episode Resources
Doreen Massey’s work quoted or mentioned in this episode:
- Mexico City, BBC2 documentary about Mexico 1999
- Space, Place and Gender (Polity Press, 1994)
- Luna, J., & Galeana, M. 2016. Remembering Coyolxauhqui as a Birthing Text. Regeneración Tlacuilolli: UCLA Raza Studies Journal 2(1): 7-32.
- Anthropology Museum of Mexico City
- Scale model of Tenochtitlan
- La Gran Tenochtitlan, a mural by Diego Rivera, 1945
Some of our listeners – especially the lucky ones who got hold of our postcards – have asked us about the beautiful illustration accompanying Spatial Delight. What exactly does the colourful image depict? How does it connect to Doreen Massey’s work? And, last but not least, who made it?
This bonus episode features a conversation between host Adèle Martin and Bose Sarmiento, the artist who designed the illustrations for Spatial Delight. Bose discusses the main themes and symbols in her work, and how they connect to Massey’s work, revealing the process behind her aesthetic choices.
Episode Credits
Host: Adèle Martin
Guest: Bose Sarmiento
Writer: Adèle Martin
Producer: Agata Lisiak
Senior Editor: Susan Stone
Sound Producer: Adèle Martin
Music: Studio R
Artwork: Bose Sarmiento
Funded by: Volkswagen Foundation
Find more about Spatial Delight at The Sociological Review.
Episode Resources
Doreen Massey’s work quoted or mentioned in this episode:
- Mexico City, BBC2 documentary about Mexico 1999
- Space, Place and Gender (Polity Press, 1994)
- Luna, J., & Galeana, M. 2016. Remembering Coyolxauhqui as a Birthing Text. Regeneración Tlacuilolli: UCLA Raza Studies Journal 2(1): 7-32.
- Anthropology Museum of Mexico City
- Scale model of Tenochtitlan
- La Gran Tenochtitlan, a mural by Diego Rivera, 1945
Previous Episode

Geographical Imaginations
Host Agata Lisiak meets with artist and academic Heba Y. Amin at the Zilberman Gallery in Berlin. Professor Amin gives us a tour of her exhibition, When I See the Future, I Close My Eyes, and discusses how colonial and imperialist violence continues to shape our present. Her art demonstrates that technologies – even, or perhaps especially, those that appear to be “objective” – are inherently biased in favour of some populations and actually violent against others. Her art practice involves meticulous research and rigorous, subversive engagement with archives. She uses simulation, appropriation, restaging and humour to contest and disrupt dominant geographical imaginations.
We'd love to hear how art inspires you to question geographical imaginations. Is there an art piece that made you reflect on how you imagine the world and your place in it? A performance, photograph or film that has prompted a shift in your perspective? Please take a moment to fill out this form and share your thoughts with us.
Episode Credits
Host: Agata Lisiak
Guest: Heba Y. Amin
Writer and Producer: Agata Lisiak
Senior Editor: Susan Stone
Sound Producer: Reece Cox
Production Assistant: Adèle Martin
Music: Studio R
Artwork: Bose Sarmiento
Special thanks to: Zilberman Gallery
In partnership with: The Sociological Review Foundation
Funded by: Volkswagen Foundation
Find more about Spatial Delight at The Sociological Review.
Episode Resources
Doreen Massey’s work quoted or mentioned in this episode:
- The Shape of the World (The Open University, 1995)
- A Place in the World, edited by Doreen Massey and Pat Jess (The Open University, 1995)
- World City (Wiley, 2007)
Heba Y. Amin’s work:
- Windows on the West, hand-woven Jacquard textile, 2019
- Marseille’s Pyramid, sculpture and video work, 2019
- Atom Elegy, miniature model and live photo reconstruction, 2022
- Operation Sunken Sea, installation, performance, video, 2018
- The Earth is an Imperfect Ellipsoid, photography, text, projection, 2016
- The General’s Stork, mixed media, 2016 - ongoing
- The General’s Stork (Sternberg Press 2020)
- As Birds Flying كما تحلق الطيور video, 2016
- Heba Y. Amin’s website
- Zilberman Gallery website
Find more about Heba Y. Amin's work at The Sociological Review
Next Episode
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Political Engagement
Doreen Massey was a geographer and public scholar concerned with how political action takes place not only on the level of policy, but also on the level of activism and everyday discourse. Host Agata Lisiak speaks about Massey’s political engagement with Jo Littler, Professor of Social Analysis and Cultural Politics at City, University of London. Jo is part of the editorial collective of Soundings, the journal of politics and culture Massey co-founded in 1995.
Jo and Agata meet with James Marriott from Platform, a London-based collective of artists, activists and researchers working on social and environmental justice issues. James tells us about Massey’s involvement with Platform, her “bad behaviour” – her love of challenging the system – and her lasting impact on his thinking and action.
We also discuss Jo’s recent publications: The Care Manifesto, written with the Care Collective, and Left Feminisms, a collection of interviews with feminist activists and theorists politically engaged across a variety of issues and locations.
We’d love to hear from you: what inspires your political engagement? When do you decide to act and what formats, tools, or tactics do you use? What are the joys and challenges of political collaborations that you’ve encountered? Please fill out this form to share your thoughts with us.
Episode Credits
Host: Agata Lisiak
Guests: Jo Littler, James Marriott
Writer and Producer: Agata Lisiak
Senior Editor: Susan Stone
Sound Producer: Reece Cox
Production Assistant: Adèle Martin
Music: Studio R
Artwork: Bose Sarmiento
In partnership with: The Sociological Review Foundation
Funded by: Volkswagen Foundation
Find more about Spatial Delight at The Sociological Review.
Episode Resources
Doreen Massey’s work quoted or mentioned in this episode:
- World City (Wiley, 2007)
- Space, Place, and Gender (Polity Press, 1994)
- After Neoliberalism? The Kilburn Manifesto, with Stuart Hall and Michael Rustin (Lawrence and Wishart, 2015)
- When Theory Meets Politics, Antipode: A Radical Journal of Geography 40.3 (2008): 492-497.
Also mentioned:
- Left Feminisms: Conversations on the Personal and Political, Jo Littler (Lawrence and Wishart, 2023)
- The Care Manifesto: The Politics of Interdependence, Care Collective (Verso, 2020)
- Crude Britannia: How Oil Shaped a Nation, James Marriott and Terry Macalister (Pluto Press, 2021)
- Platform London
- Take Back the City
- The Doreen Massey we knew, Jo Littler and Jeremy Gilbert, Open Democracy, 2016
- European Social Forum
- Massey, D., Hall, S., Rustin, M., et al. 1995. Uncomfortable Times, Soundings 1 (1995): 5-18.
Spatial Delight - Visual Delight
Transcript
Adèle Martin 0:03
Hello and welcome to Spatial Delight, a podcast about the politics of space. I'm Adèle Martin and I will host today's bonus episode about the artwork for the Spatial Delight podcast made by Bose Sarmiento.
Bose Sarmiento 0:18
Hi, my name is Bose. I am originally from Mexico City, but I have been living in Berlin and other places for the last five years. I have a background in arts -- be it visual, plastic arts and more performanc
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