Soundcheck

The duo of Marc Ribot, the New York guitarist, and Leyla McCalla, the New Orleans cellist and banjo player, may seem unlikely at first. Ribot is known for his work with Tom Waits, Elvis Costello, his own avant-noise trio Ceramic Dog, and much more; McCalla writes songs that draw on the African-American string band tradition, Cajun music, and her own Haitian heritage. But Ribot was also a student of the Haitian classical guitarist/composer Frantz Casseus, and the two musicians share a strong genre-agnostic streak. Together they play a set at the 25th Annual New York Guitar Festival, recorded in June of 2024 at Kaufman Music Center and co-presented by the World Music Institute.

Set list: Kamen Sa Ou Fe (trad Haitian); Petro (Frantz Casseus); City Called Heaven (trad American); Lavi Vye Neg (Gesner Henry); Sun Without The Heat (Leyla McCalla); Non Fon Bwa (Casseus); Peze Café (trad Haitian); Tree (Leyla McCalla)

Marc Ribot has released over two dozen records on his own, ranging from Cuban dance music to free jazz, Haitian classical guitar to political avant-folk. His playing – elegant, edgy, and sometimes, somehow, both at once – has made him the go-to guitarist for artists like Robert Plant & Alison Krauss, Tom Waits, Laurie Anderson, McCoy Tyner, and so many others. He has been a regular part of the New York Guitar Festival over the years.

Leyla McCalla was the cellist in the Grammy-winning string band Carolina Chocolate Drops, before moving on to writing her own songs. She is a member of Our Native Daughters, a quartet of Black women who all play the banjo (and other instruments), and has recorded four albums on which she also plays guitar. Her new record, Sun Without The Heat, came out in April.

The singer, songwriter, and multi instrumentalist Joan Wasser is "not a cop" and has been recording for the past twenty years under the name Joan As Police Woman – a saucy reference to the 1970s cop show that starred Angie Dickinson. She’s also collaborated with a huge range of musicians, from the worlds of rock, funk, folk, and experimental music. Her new album, called Lemons, Limes and Orchids, has a mostly nocturnal, understated quality while it celebrates joy and love in the face of extremely difficult times. Joan plays some stripped down versions of some of the songs, including the extraordinary title track, in-studio.

Set list: 1. Full-Time Heist 2. Lemons, Limes and Orchids 3. Remember the Voice

The NYC group Zelenaya mixes traditional folk music with heavy metal in ways that are both surprising and convincing. Haunting three part harmonies, doom-laden guitars, pummeling drums – somehow it all comes together in Zelenaya’s debut album, called simply, Folk Songs. The band has both confused and carried away audiences at campground diasporic folk festivals and at death metal shows; serving up music for those who are into Ukrainian choirs, Mussorgsky, math rock and Tuareg guitar bands, Black Sabbath, and Bolt Thrower. In what is likely the first instance of a blast beat and a wall of amps in the Soundcheck Studio, Zelenaya sculpts Eastern European folk tunes into doom metal-laden arrangements, sung in Ukrainian and Georgian, in-studio. (-John Schaefer/Caryn Havlik)

Zelenaya plays a FREE show with Gamelan Yowana Sari, and Antinomie in Forest Park, Queens at the Seuffert Bandshell on June 23 at 4PM AND in Brooklyn on June 27 at Our Wicked Lady.

Set list: 1. Hora Za Horoyu (Ukrainian) (Mountain Beyond Mountains) 2. Okro Mch’edelo (Georgian) (Goldsmith) 3. Oy Letilo Kupailo (Ukrainian) (Oh, Kupalo Flew)

English singer-songwriter and folk-rocker Mike Rosenberg, formerly of the band Passenger, might be best known for his song “Let Her Go.” Originally from Brighton & Hove, Rosenberg busked his way through England and Australia in the early 2000’s and worked with a five-piece band until 2009, when he decided to continue under that name as a solo artist. He’s played giant stages and summer festivals in Europe, opening for old friend Ed Sheeran. Mike Rosenberg, aka Passenger, plays songs from his 2018 record, Runaway, in-studio. (From the Archives.)

Watch the individual songs below:

The sounds of American roots music – folk ballads, fiddle tunes, early blues, New Orleans second line grooves – may seem like they belong to another century. But the NY-based collective called Too Sad For The Public takes those old songs and remakes them, often in surprising ways. Too Sad For The Public’s arranger and producer Dick Connette, along with a sextet version of the band featuring vocalist Ana Egge, play some of the tunes from the latest album, Vol. 2, Yet And Still, in-studio.

Set list: 1. Railroad Bill 2. Old Forty

Watch "Railroad Bill":

Watch "Old Forty":