Songcraft: Spotlight on Songwriters - Ep. 94 - ROBERT EARL KEEN ("The Road Goes on Forever")

Ep. 94 - ROBERT EARL KEEN ("The Road Goes on Forever")

07/24/18 • 69 min

PART ONE Scott and Paul talk about Randy Poe, Texas, and their favorite songwriters from the Lone Star State. PART TWO - 20:52 mark Robert Earl Keen comes by Songcraft World Headquarters to chat about the Marty Robbins song that set him on his path as a kid; why he wants his songs to be provocative; the book Lyle Lovett gave him that jump started his career; what Steve Earle said that convinced Robert to move to Nashville; how having only $20 in his pocket led to writing his most classic song; which of his albums made him feel like he’d been accepted into the mainstream; and why he kept delaying making a bluegrass album. ABOUT ROBERT EARL KEEN Regarded as one of the purest singer-songwriters in the Texas tradition, Robert Earl Keen is a true pioneer, and one of the most consistent practitioners of the Americana genre. While studying English at Texas A&M University, Keen linked up with fellow aspiring songwriter Lyle Lovett. The pair analyzed songs and worked on their craft together, writing tunes such as “Front Porch Song” which each included on his respective debut album. After the release of the West Textures album in 1989, Keen hit the road with songwriting giants Guy Clark and Townes Van Zandt. It was another Texan, Joe Ely, who recorded two of Robert’s songs on his highly lauded 1993 release Love and Danger that brought Keen to the attention of a wider audience. With a canon of classic songs that includes “The Road Goes on Forever,” “Corpus Christi Bay,” “Gringo Honeymoon,” and “Merry Christmas From the Family,” Keen built a diverse following that ranges from rowdy college kids to dyed-in-the-wool folkies. Live performance has been an important foundation of Keen’s artistry, as illustrated on the modern day classic live album No. 2 Live Dinner that was issued in 1996. With a dozen studio albums and seven live albums under his belt, Keen has continued to explore new musical ground with a string of charting albums that includes 2015’s Happy Prisoner: The Bluegrass Sessions. Reaching the Top 10 on the country chart and #1 on the bluegrass rankings, Happy Prisoner demonstrates that Keen’s track record as an artist is just as strong as the respect his songs have earned from other performers. Those who’ve covered his material include Nanci Griffith, Eddy Raven, Kelly Willis, The Highwaymen, Jack Ingram, Montgomery Gentry, Shawn Colvin, Gillian Welch, and George Strait. In 2012, Robert Earl Keen was inducted into the Texas Heritage Songwriters Hall of Fame.

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Ep. 93 - MARK D. SANDERS ("I Hope You Dance")

IN THIS EPISODE: PART ONE Scott and Paul catch up on the latest Songcraft news and chat about some of their favorite songs about Nashville. PART TWO - 16:06 mark Wanna learn how to be like Mark D. Sanders? You can start with Patreon. The guys tell you where to check it out. PART THREE - 18:13 mark Scott heads over to Mark's house in Nashville to get the inside scoop on how music helped him survive a troubled home life growing up; why he had trouble co-writing with people who had more success than he had; the co-writer who taught him he could have fun and write a song at the same time; his battles with severe depression; the demo singer he credits with boosting his career; the famous song that inspired the chord progression of "I Hope You Dance;" and the ethical reason he decided to walk away from commercial country music culture after decades of success. ABOUT MARK D. SANDERS

Southern California native Mark D. Sanders moved to Nashville just before turning 30 and began building a career as a professional songwriter that eventually spawned 25 Top 10 hits, including more than a dozen #1 singles. His list of chart-topping hits includes “Mirror Mirror” by Diamond Rio, “Money in the Bank” by John Anderson, “Daddy’s Money” by Ricochet, “It Matters to Me” by Faith Hill, “No News” by Lonestar, “Heads Carolina, Tails California” by Jo Dee Messina, “Blue Clear Sky” by George Strait, “(This Ain’t) No Thinkin’ Thing” by Trace Adkins, and “That’d Be Alright” by Alan Jackson. Other artists who’ve recorded Mark’s songs include Garth Brooks, Reba McEntire, Vince Gill, Martina McBride, Tracey Lawrence, Trisha Yearwood, and Guy Clark. Sanders was named Songwriter of the Year by the Nashville Songwriters Association in 1995 and 1996, and ASCAP Country Songwriter of the Year in 1997. Lee Ann Womack’s recording of “I Hope You Dance” earned him Song of the Year honors from NSAI, ASCAP, the ACM and the CMA, as well as a Grammy for Best Country Song and a Grammy nomination for Song of the Year across all categories. He was inducted into the Nashville Songwriters Hall of Fame in 2009.

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Ep. 95 - JOHN JORGENSON ("Souvenirs de Nos Pères")

EPISODE DETAILS: PART ONE Scott and Paul chat about genres of music that are virtually represented by a single artist. PART TWO - 8:23 mark Find out how you can win a signed John Jorgenson CD and hear some great bloopers and outtakes from our interview! PART THREE - 10:41 mark John stops by Songcraft World Headquarters to talk about why he asked his school band teacher to assign him to the hardest instrument; how Disneyland became his musical proving ground; the "slightly devious" way he got Chris Hillman to co-found the Desert Rose Band; how his group the Hellecasters navigated the writing process with three guitar-slinging superstars; what he learned from watching Elton John write songs; why he turned down auditions to tour with Bob Dylan and Bruce Springsteen; how he ended up collaborating with Brad Paisley, Rodney Crowell, JD Souther, Peter Frampton, and other greats; and how his Django Reinhardt obsession led to his becoming the American master of gypsy jazz. ABOUT JOHN JORGENSON Named “one of the most respected guitarists in the world” by the Los Angeles Times, John Jorgenson is a musician and composer who is not easily pigeonholed. The three-time ACM Guitarist of the Year first rose to prominence as a founder of The Desert Rose Band, which landed eight Top 10 singles on the Billboard country chart between 1987 and 1990. He went on to co-found The Hellecasters, an instrumental guitar trio whose debut release earned Album of the Year honors from Guitar Player magazine. In the 1990s Jorgenson spent six years touring and recording in Elton John’s band and released a collaborative instrumental album with Elton’s longtime guitarist Davey Johnstone. In the following decade Jorgenson firmly established himself as a preeminent interpreter and innovator in a different genre, earning the official designation as the “US Ambassador of Gypsy Jazz.” The John Jorgenson Quintet has released a handful of highly regarded gypsy jazz albums while John has continued to record with artists such as Bonnie Raitt, John Prine, Bob Seger, Barbra Streisand, Kenny Chesney, Earl Scruggs, Luciano Pavarotti, Amy Grant, Lionel Richie, and many others. In 2006 Peter Frampton won the Best Instrumental Album Grammy for Fingerprints, which featured a song performed and composed with Jorgenson called "Souvenirs de Nos Pères (Memories of Our Fathers)" In 2009 Jorgenson took home a Grammy for Best Country Instrumental Performance for his work alongside fellow pickers James Burton, Vince Gill, Albert Lee, Brent Mason, Redd Volkaert, and Steve Wariner on Brad Paisley’s “Cluster Pluck.” “If there’s one guitar player I’d like to be,” Paisley has said, “it would be John Jorgenson.” In 2015, John released Divertuoso, a three disc album that features his three current performing bands: The John Jorgenson Electric Band, The John Jorgenson Bluegrass Band, and the gypsy jazz of the John Jorgenson Quintet.