Shred With Shifty
Chris Shiflett
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Goodpods has curated a list of the 10 best Shred With Shifty episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Shred With Shifty for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Shred With Shifty episode by adding your comments to the episode page.
Foo Fighters’ Dave Grohl, Pat Smear, and Chris Shiflett Reveal Their Triple-Guitar Recipe
Shred With Shifty
11/14/24 • 59 min
The moment you’ve all been waiting for has finally arrived. That’s right: Shred With Shifty is back, and your beloved host Chris Shiflett is kicking off season two of the podcast with a super-special episode.
Shifty’s Foo Fighters shredders-in-arms Dave Grohl and Pat Smear join him for this season premier that reveals some of the magic and maneuvering behind the Foos’ triple-guitar attack. The three friends and bandmates start off with some history lessons, discussing their earliest influences and how they learned to play before covering Grohl’s early days with Nirvana, Smear’s time in the Germs, and Shiflett’s invitation to join Foo Fighters—followed promptly by a trip to a guitar store to build out his arsenal, courtesy of Grohl’s AmEx. (Plus, Dave tells how he conned his mother into buying his first distortion pedal.)
The trio cover their current and historical favorite pieces of gear—like Dave’s famed Gibson Trini Lopez, Mesa Boogie's Rectifier series, and Fender's all-tube, '90s-era Tone-Master amps—before getting into how they apply those tools in the studio between three players. “I think it took 15 to 20 years to figure out the recipe of what we do,” admits Grohl.
Running through tunes like “Rope,” “Hey, Johnny Park!,” “La Dee Da,” and “A Matter of Time,” Shiflett, Grohl, and Smear demonstrate the evolution of the band’s rhythmically unique and tonally tiered guitar arrangements. From Melvins-inspired drop-D slammers to delay-driven, polyrhythmic riffs, Grohl likens the band’s 6-string components to the various elements of a drum beat. Once a drummer...
Tune in for tons of hilarious stories (including Grohl’s “worst tour ever”), fascinating tidbits, and Dave’s guitar-store riff when he’s trying a new axe. It might sound familiar.
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudion
Video Editor: Addison Sauvan
Graphic Design: Megan Pralle
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Learn the “Last Child” Solo With Aerosmith’s Brad Whitford
Shred With Shifty
05/02/24 • 57 min
The Aerosmith axeman recounts how he ripped the blazing lead on the Rocks hit, dishing some critical history along the way.
Behind Steven Tyler’s unhinged howls, Aerosmith’s twin-guitar attack with Joe Perry and Brad Whitford cemented them as one of the greatest hard-rock bands of the ’70s. “Last Child,” the street-strutting, hard-blues hit off their breakout 1976 record Rocks, is one of the greatest demonstrations of this dangerous duo’s interplay. While Perry holds down the funky rhythmic chord stabs, Whitford burns through a volcanic, first-take solo. Did any pedals help snare that screaming tone? Nope. Just a ’57 goldtop Les Paul and a 100-watt Marshall.
That combo just “makes you play real good,” Whitford says with a grin on this week’s episode. Whitford gives Shifty the background story on how Rocks came together between the band’s Massachusetts rehearsal space and the Record Plant in New York. They dig deep on Aerosmith’s influences and the guitar players that shaped Whitford’s lead style, including the shredders that knew when to pause. “Whatever you play, you’re still replicating the human voice for the most part, and you have to take a breath,” Whitford notes.
Later on, Brad’s son Graham—an established player in his own right—joins the episode to talk about raiding his dad’s guitar and amp vault, and Brad muses on a big question: Will Aerosmith’s upcoming tour be their last?
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Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudoin
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Joe Bonamassa: Bursts, Dumbles, and the Blues
Shred With Shifty
03/20/24 • 96 min
If you can’t figure out how to play Joe Bonamassa’s solo from “Blues Deluxe,” don’t worry. It all changes when Shifty sits down with Bonamassa for this special episode of Shred With Shifty. No surprise that both of them reach for their Les Pauls, and Bonamassa even reveals why he switched from Strats to Gibsons in the early 2000s.
Bonamassa is known for his dazzling collection of vintage guitars—which he says has become a target for haters—but he explains that you don’t need a ’58 Les Paul to get the goods. “It’s also the mystique,” he says. “If Jimmy Page played a Tokai, everyone would want a Tokai.” A guitar made two weeks ago, he says, is just as good as a classic.
Bonamassa’s lightning-quick soloing style, which conjures a hurricane of major and minor pentatonic notes with some phrygian flair, is the stuff of legend, and his tricks on “Blues Deluxe” are plenty. Even though he tries to adhere to a “divide by two” rule to simplify his phrasings, he still stumps Shiflett with a volume swell trick he learned from Roy Buchanan and Danny Gatton.
This solo is no walk in the park. Any brave takers up for giving it a shot? Share it and tag us so Shifty can have a look! Most importantly, remember to have fun. “Do whatever you want with the damn thing,” says Bonamassa. “It’s just a guitar.”
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudion
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
“KISS” Shiflett Takes on Fan Solos and Issues a Challenge
Shred With Shifty
02/29/24 • 34 min
It’s time for Chris Shiflett to rip another solo—solo episode, that is. During this first season of Shred With Shifty, our host has been keeping an eye on fan submissions of the lead parts explained in each episode, hand-picking sharp renditions to share. This time, he spotlights takes on the guitar theatrics from “Alive” by Pearl Jam, “Stay a Little Longer” by Brothers Osborne, and “The Waiting” by Tom Petty and the Heartbreakers, plus a snippet of a Hendrix classic that inspired a listener to pursue lead guitar. The question on everyone’s mind: Will anyone be brave enough to tackle Brent Mason’s brain-melting shred on “Southbound Train?” Step right up, brave soul. It’s your moment.
Stick around for some choice cuts from this season’s interviews, including Mason laying out his signature pickup arrangement, Ace Frehley sharing how his bodyguard helped him recharge after days of partying, and Mike Campbell running down his old studio rig.
Stay tuned for the next episodes of Shred With Shifty featuring Joe Bonamassa and Wolf Van Halen.
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudoin
Video Editors: Dan Destefano and Addison Sauvan
Free-Wheelin’ Ace Frehley Fires Up His “Shock Me” Solo
Shred With Shifty
02/01/24 • 66 min
Shifty’s biggest guitar hero joins the podcast to run down his unique lead picking on the 1977 Love Gun hit.
Ace Frehley is the reason Chris Shiflett picked up a guitar in the first place, so it’s only natural that Shifty invites his original tone teacher onto the pod to recap one his iconic solos. Frehley, saddled with a classic black-and-cream triple-humbucker Les Paul, shares that “Shock Me” was the first KISS track on which he took lead vocal duty. The first time he sang it live, he remembers, was in front of 18,000 screaming fans at Madison Square Garden. As Frehley explains, that was quite a step up from how he recorded the vocals in the studio for Love Gun: lying flat on the floor on his back, racked with stage fright.
Frehley recalls that he ripped most of his solos through a dimed Marshall stack, and always on the bridge pickup. Turns out, he never went for pedals or boards because he’d trip over them onstage. “Wearing those boots?” he snorts. “Forget about it. It’s like a minefield!” His signature sauce, he says, is in the way he picks the strings: He holds his picks loose, but plucks in such a way that his thumb often hits the string at the same time, producing a sound just shy of a pinched squeal, but more spunky than a regular strike.
Frehley drops tons of golden bits of KISS history: the engineering behind his famous “smoke bomb” effect, the time he woke up in Paris with his eyes swollen shut from makeup, how he accidentally roadied for Hendrix, the shared genealogy between his technique and Eddie Van Halen’s, and which KISS member smelled the worst after shows.
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudoin
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Mike Campbell’s Electric Spontaneity
Shred With Shifty
01/19/24 • 52 min
Tom Petty and the Heartbreakers’ lead guitarist shows Shifty how he bottled an electric reaction to “The Waiting” on the song’s simple, iconic solo.
Mike Campbell knows how to write the perfect parts to a song, and records them with the perfect guitar, amp, and tone to match. That’s why Shifty has the Heartbreakers’ lead man on this episode to get a look under the hood at what drives Campbell’s solo on “The Waiting.”
The song, from 1981’s Hard Promises, was tracked at Sound City, where Campbell recalls the band had “every amp in the world lined up across the room, every amp you can imagine.” After miking and testing each, Campbell says they settled on a Fender Twin, which he brought to life with a white Les Paul he got from a pawn shop. Shifty notes the song’s music video led him to believe the solo was tracked with a Rickenbacker, but Campbell snickers that it was just for show: “I did that different just to fuck people up,” he grins. (“I hate that video, I think I look like a total idiot,” he adds.)
Campbell, who started playing guitar by ear at 16 on an “unplayable” Harmony acoustic, says he didn’t labor over the solo for “The Waiting,” favoring spontaneity and instinct instead. “I like to come in fresh and capture as I’m discovering what it is, there’s some electricity in that moment,” he explains. “The listener can hear that you’re discovering it as they’re discovering it at the same time.” That approach applies to his songwriting experience in general, too: “I don't even wanna talk about it too much, because its mysterious,” he says. “It comes to you when it wants to.”
Later, Campbell lays out how he and Petty balanced their guitar parts, and why Campbell favored “droning” open notes over complexity for many of his leads. And stick around to hear how he figured out Lindsay Buckingham’s guitar parts for Fleetwood Mac’s 2018 tour, the difficulty of backing Bob Dylan, and why original Heartbreakers drummer Stan Lynch almost got in a fight with Johnny Rotten.
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudoin
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
John Osborne’s Tele-Style Spank on “Stay a Little Longer”
Shred With Shifty
12/21/23 • 84 min
“I think it’s safe to say John Osborne is a fuckin’ beast!”
That’s how Chris Shiflett kicks off this episode of Shred With Shifty, featuring bearded Brothers Osborne shredder-in-chief John Osborne. Osborne joins Shifty to dissect his blistering country-rock ripping on the band’s breakout single, “Stay A Little Longer.”
Osborne tells Shifty about failing miserably at guitar in college, where he learned to read and play bass clef but never got the hang of the treble clef. It’s no surprise when Osborne admits he’s taken notes from players like Stevie Ray Vaughan, Dickey Betts, Eric Johnson, and Skynyrd shredders Allan Collins and Gary Rossington, but his very first guitar influence? Kurt Cobain, and the Nirvana frontman’s anxious energy. “I’m a little bit awkward, and I have social anxiety, but I can talk to people through music,” says Osborne. As far as technicality, though, he and Shifty agree that bluegrass guitar playing is “the Usain Bolt of musicianship.”
To recap the “Stay A Little Longer” leads, Osborne plays a stock blackguard 1953 Fender Telecaster that he scooped from Carter Vintage Guitars. (Listen in to learn why it and some other Fenders from that era have an abnormally thick “Friday neck.”) He explains that he wanted the solo to have the same philosophy as legendary solos like those in “Free Bird” and “Hotel California”: hooky, repetitive, accented, and not too shreddy. Plus, he reveals the “un-Photoshopped” blips in the solo that stayed on the record.
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudoin
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Odds & Ends and Q&A Vol. 2
Shred With Shifty
12/07/23 • 50 min
This time on Shred With Shifty, Chris Shiflett steps out on his own. Shiflett starts up with a video montage of fan-submitted solo takes on leads from Charlie Starr, Rivers Cuomo, Mike McCready, and others. Some are more faithful than others, and Shifty celebrates the originality. “Learn it kinda, and then put your own twist on it,” he encourages. Next, he’s cued up clips from his sit-downs with Paisley, Starr, McCready, and one of his favorite guitarists, Jawbreaker’s Blake Schwarzenbach.
Then it’s time for a round of questions from the listeners. Fans probe Shifty about anything and everything: his favorite Van Halen deep cut, whether he still woodsheds scales, his opinion on modelers, and what makes him nervous during his biggest shows. When someone asks the secret to band-life longevity, Shiflett answers earnestly. “I always say the trick to being in a band isn’t always necessarily how you play whatever instrument it is,” he explains. “It’s how well can you sit in tight quarters with a bunch of other people and not annoy the fuck out of them.”
Later, he talks about why cowboy chords are actually his go-to “guitar-store lick,” and has a hilarious miscommunication with a listener asking if they should “top-wrap” their Les Paul. “What the fuck is top-wrapping a Les Paul?” Shifty responds incredulously. “I’m just gonna say no. Leave your Les Paul how it is.”
Be sure to stick around to hear about Shiflett’s worst onstage guitar-tone debacle. Hint: it happened during a late-night television performance with the Foos.
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudion
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Pearl Jam’s Mike McCready Comes “Alive”
Shred With Shifty
11/09/23 • 69 min
Host Chris Shiflett starts things off with a discussion on the musical context McCready emerged from. “If you didn’t have this punk rock background, then you were looked down upon,” remembers McCready. As he explains, his upbringing was less punk rock and more Cub Scouts until he picked up the guitar. He and PJ rhythm guitarist Stone Gossard preferred the likes of Iron Maiden and Judas Priest, and after Gossard caught McCready shredding Stevie Ray Vaughan licks at a party, he phoned him up to start a two-guitar band. “I could only do what I knew how to do, which was play leads,” says McCready.
A major turning point came for McCready when he witnessed Muddy Waters’ performance in The Last Waltz. “It seemed like he could do more in one note than I was doing with all these thousands of notes,” he says. The observation led him to give up shredding and move in an emotion-driven, blues-rooted direction.
That spirit drives the soaring solo on “Alive,” which McCready cut with a 1962 Japanese Reissue Stratocaster, a Tubescreamer, and a Marshall JCM800. McCready reveals how Jimi Hendrix’s sounds on “Machine Gun” influenced his own performance. After the lesson, McCready answers questions about how “Alive” has changed over the years, Eddie Vedder’s punk-ish rhythm playing, and why he smashed a Strat onstage last year.
Best of all? Shifty finally gets a proper “guitar store lick” from his guest.
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Brent Mason’s Furious Fingerstyle Shred
Shred With Shifty
02/15/24 • 81 min
Brent Mason has picked for the biggest and best names in country music: Alan Jackson, Willie Nelson, Shania Twain, Brooks & Dunn, Blake Shelton, and George Strait are just a few of the country stars on whose records you can hear Mason’s Fender-on-Fender fretwork. But his solo on “Southbound Train,” the closing track on Travis Tritt’s 2000 record Down the Road I Go, might be his hottest work of all.
As Mason explains, the song scoots along at his favorite country tempo—a Cajun two-step, Mason says—which provides the rhythmic framework for his face-melter lead. Mason says the melodic and structural components came in part from his familiarity with jazz, and the mixing of jazz and blues with his usual twangy conventions. In fact, Mason’s furious note barrages occasionally earned him some raised eyebrows (and some choice words from Conway Twitty) in the more traditionalist Nashville studio system.
This might be the toughest solo our host has taken on so far on Shred With Shifty. The key to wrestling it? “You gotta keep playing [it] til you wanna pull out all your teeth and hair,” says Mason. Which Nashville producers and stars would let Mason off-leash in the studio? How does a session ace deal with hand injuries? Listen on, shredders. And if you’re brave enough, send in your take on Mason’s solo.
Click below to subscribe to the podcast!
Full Video Episodes: http://volume.com/shifty
Apple: https://podcasts.apple.com/podcast/id1690423642
Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb
iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/
Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314
Follow Chris Shiflett:
Facebook: https://www.facebook.com/chrisshiflettmusic
Instagram: https://www.instagram.com/shifty71
TikTok: https://www.tiktok.com/@chris.shiflett
Twitter: https://twitter.com/chrisshiflett71
Website: http://www.chrisshiflettmusic.com
Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag
Producer: Jason Shadrick
Executive Producers: Brady Sadler and Jake Brennan for Double Elvis
Engineering support by Matt Tahaney and Matt Beaudoin
Video Editors: Dan Destefano and Addison Sauvan
Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
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FAQ
How many episodes does Shred With Shifty have?
Shred With Shifty currently has 23 episodes available.
What topics does Shred With Shifty cover?
The podcast is about Music and Podcasts.
What is the most popular episode on Shred With Shifty?
The episode title 'Mike Campbell’s Electric Spontaneity' is the most popular.
What is the average episode length on Shred With Shifty?
The average episode length on Shred With Shifty is 62 minutes.
How often are episodes of Shred With Shifty released?
Episodes of Shred With Shifty are typically released every 14 days.
When was the first episode of Shred With Shifty?
The first episode of Shred With Shifty was released on May 31, 2023.
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