Women of the Academy
07/08/22 • 38 min
When the Royal Academy of Music opened its doors to its first 20 students in 1823, there were equal numbers of boys and girls. In this first episode, Anna Picard traces the stories of some of the women of the Academy including Fanny Dickens, the elder sister of Charles Dickens. We also hear from the participants of a pioneering women-only conducting course and try to unravel what playing in a gendered way might mean. Along the way there is, as always, some glorious music from Academy students.
Presenter: Anna Picard
Producer: Natalie Steed
Contributors: Kathryn Adamson, Briony Cox-Williams, Phyllis Weliver, Jonathan Freeman- Attwood, Hannah Stell, Elizabeth Kenny, Lucy Powell, Sian Edwards, Peggy Wu, Beth Fitzpatrick
Voice of Frederick Corder: Michael Bertenshaw
Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht
All the music in this episode is performed by Royal Academy of Music students:
Mozart Serenade in B flat, K 361, ‘Gran Partita’, performed by Royal Academy of Music Symphonic Wind
Haydn String Quartet in G, Op 77 No 1 (second movement), performed by the Echea Quartet
Ferdinand David Trombone Concertino, Op 4, performed by Hannah Stell
Tchaikovsky The Queen of Spades, Op 68, performed by Hannah Stell
Wagner Ride of the Valkyries performed by Hannah Stell
Rebecca Clarke Ave Maria performed by Milette Gillow and Ivy Liang
Rebecca Clarke The Cloths of Heaven performed by Lauren Macleod and Stella Marie Lorenz
Schubert Symphony No 4 in C minor, D 417, 'Tragic', performed by the Academy Chamber Orchestra with Lorenza Borrani
Hosted on Acast. See acast.com/privacy for more information.
When the Royal Academy of Music opened its doors to its first 20 students in 1823, there were equal numbers of boys and girls. In this first episode, Anna Picard traces the stories of some of the women of the Academy including Fanny Dickens, the elder sister of Charles Dickens. We also hear from the participants of a pioneering women-only conducting course and try to unravel what playing in a gendered way might mean. Along the way there is, as always, some glorious music from Academy students.
Presenter: Anna Picard
Producer: Natalie Steed
Contributors: Kathryn Adamson, Briony Cox-Williams, Phyllis Weliver, Jonathan Freeman- Attwood, Hannah Stell, Elizabeth Kenny, Lucy Powell, Sian Edwards, Peggy Wu, Beth Fitzpatrick
Voice of Frederick Corder: Michael Bertenshaw
Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht
All the music in this episode is performed by Royal Academy of Music students:
Mozart Serenade in B flat, K 361, ‘Gran Partita’, performed by Royal Academy of Music Symphonic Wind
Haydn String Quartet in G, Op 77 No 1 (second movement), performed by the Echea Quartet
Ferdinand David Trombone Concertino, Op 4, performed by Hannah Stell
Tchaikovsky The Queen of Spades, Op 68, performed by Hannah Stell
Wagner Ride of the Valkyries performed by Hannah Stell
Rebecca Clarke Ave Maria performed by Milette Gillow and Ivy Liang
Rebecca Clarke The Cloths of Heaven performed by Lauren Macleod and Stella Marie Lorenz
Schubert Symphony No 4 in C minor, D 417, 'Tragic', performed by the Academy Chamber Orchestra with Lorenza Borrani
Hosted on Acast. See acast.com/privacy for more information.
Previous Episode
The Class of 1918
In a pair of old photos outside the Academy's Library of the class of 1918, there are two black students – composer and multi-instrumentalist Edmund T Jenkins and mezzo-soprano Evelyn Dove. In this episode, Anna Picard explores who they were, how they both forged successful careers and what their stories tell us about ‘high’ and ‘low’ art at that moment in history. We bring Edmund and Evelyn's worlds to life with rare recordings of their music, and we hear from Edmund’s great-nephew, who is keeping his music alive for a new generation.
Presenter: Anna Picard
Producer: Natalie Steed
Contributors: Stephen Bourne, Melissa Doody, Julius P Williams, Allyson Devenish, Tuffus Zimbabwe
Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht
Featured music:
Gershwin Rhapsody in Blue performed by the Academy Symphony Orchestra with Edward Gardner and Adrian Brendel (piano)
Busse, Johnson and Mueller Wang Wang Blues performed by Jack Hylton’s Jazz Band (restored masters provided by Bear Family Records)
Spiritual arr Burleigh I Couldn’t Hear Nobody Pray performed by Evelyn Dove (restored masters provided by Bear Family Records)
Gershwin The Man I Love performed by Academy students Imogen Churchill (vocals), Toby Yapp (double bass), Scottie Thompson (piano)
Coleridge-Taylor Nonet performed by Royal Academy of Music Students
Jenkins arr T Zimbabwe Folk Rhapsody performed by Berklee Contemporary Symphony Orchestra with Julius P Williams
Shields/Ragas Clarinet Marmalade performed by James Rees Europe’s 369th US Infantry ‘Hell Fighters’ Band
Jenkins arr Plush Charlestonia performed by Studio orchestra & Philip Brunelle (Conductor)
Jenkins arr Tuffus Zimbabwe Dance of Love performed by Tuffus Zimbabwe
Composer and composition unknown performed by Jenkins Orphanage Band
Kern The Bullfrog Patrol performed by Queen’s Dance Orchestra featuring Edmund T Jenkins (restored masters provided by Bear Family Records)
Spiritual arr Laurence Brown Ev’ry Time I Feel the Spirit performed by Evelyn Dove (restored masters provided by Bear Family Records)
Hosted on Acast. See acast.com/privacy for more information.
Next Episode
Harriet, Myra and Uncle Tobs
In the early part of the 20th century, Harriet Cohen, an Academy alumna, was a household name. Superficially known for her beauty and glamour, she wielded influence with some of the most important literary, political and cultural figures of her time – and she was a remarkable pianist. In this episode, Anna Picard explores Harriet’s life and legacy, placing her alongside her pianist contemporaries Myra Hess and Irene Scharrer, and the man who taught them all, Tobias Matthay. We explore the Academy’s pedagogical tradition, discuss the ‘male gaze’ with Joanna MacGregor and hear from the late, great Quentin Crisp.
Presenter: Anna Picard
Producer: Natalie Steed
Contributors: Helen Fry, Joanna MacGregor, Stephen Siek, Jonathan Freeman-Attwood, Allyson Devenish, Rebecca Leung
Executive Producers, Royal Academy of Music: George Chambers, Jonathan Freeman-Attwood, Safi Schlicht
Featured music:
JS Bach Piano Concerto No 1 in D minor, BWV 1052, performed by Harriet Cohen
JS Bach Prelude No 1 in C, BWV 846, performed by Harriet Cohen
JS Bach arr Cohen Liebster Jesu, wir sind hier, BWV 731, performed by Harriet Cohen
Mozart Piano Sonata No 5 in G, K 283, performed by Irene Scharrer
Ravel Pavane pour une infante défunte performed by Myra Hess
JS Bach Prelude and Fugue in F sharp, BWV 858, performed by Academy student Rebecca Leung
Kabalevsky Piano Sonatina in C, Op 13 No 1, performed by Harriet Cohen
Bax A Mountain Mood performed by Harriet Cohen
With thanks to APR recordings for the use of their transfers of the historic recordings listed above. All are available on at aprrecordings.co.uk.
Hosted on Acast. See acast.com/privacy for more information.
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