Titus Andronicus: Femininity and Girlhood in Shakespeare’s Time

In today's episode, we will be discussing the portrayal of women in Shakespeare's Titus Andronicus and how it reflects the evolving concept of girlhood in Early Modern England as well as popular conceptions of one specific woman involved in early modern European politics: Catherine de Medici.

Step into the past and uncover how linguistic developments in the early modern era point to an evolving understading of womanhood and how these developments appear in Shakespeare's Titus Andronicus.

Discover the enigmatic Catherine de Medici's profound influence on Shakespeare's iconic tragedy. Unveil the parallels between her powerful legacy and the depecition of Tamora, offering fresh perspectives on the play's timeless themes. Join us for a captivating episode that delves into history, literature, and their echoes in our world today on "Shakespeare Anyone!"

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com

You can support the podcast at patreon.com/shakespeareanyone

Works referenced:

Carney, Jo Eldridge. "“I’ll Find a Day to Massacre Them All”: Tamora in Titus Andronicus and Catherine de Médicis." Comparative Drama, vol. 48 no. 4, 2014, p. 415-435. Project MUSE, doi:10.1353/cdr.2014.0034.

Higginbotham, Jennifer. “‘A Wentche, a Gyrle, a Damsell’: Defining Early Modern Girlhood.” The Girlhood of Shakespeare’s Sisters: Gender, Transgression, Adolescence, Edinburgh University Press, 2013, pp. 20–61. JSTOR, http://www.jstor.org/stable/10.3366/j.ctt20q22dc.6. Accessed 1 Aug. 2023.