Rock N Roll Librarian

On this episode Rock n Roll Librarian Shelley Sorenson and Rock n Roll Archaeologist Christian Swain explore a musician vital to the Stax Records and Southern Soul sounds, Booker T. Jones. As we discuss his memoir, “Time is Tight: My Life, Note By Note”, we play samples of many Stax hits and other important tracks that Booker wrote, produced, arranged and performed on, featuring Otis Redding, William Bell, Carla and Rufus Thomas, Albert King, Bob Dylan, Neil Young, Willie Nelson, Rita Coolidge, Sam and Dave and, of course, Booker T. and the MGs.

From Booker T. Jones's earliest years in segregated Memphis, music was the driving force in his life. While he worked paper routes and played gigs in local nightclubs to pay for lessons, Jones, on the side, was also recording sessions in what became the famous Stax Studios - all while still in high school. Not long after, he would form the genre-defining group Booker T. and the MGs, whose recordings went on to sell millions of copies, win a place in Rolling Stone's list of top 500 songs of all time, and help forge collaborations with some of the era's most influential artists.

Nearly five decades later, Jones's influence continues to help define the music industry, but only now is he ready to tell his remarkable life story. Time is Tight is the deeply moving account of how Jones balanced the brutality of the segregationist South with the loving support of his family and community, all while transforming a burgeoning studio into a musical mecca.

https://bookert.com

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Happy Holidays Diggers! Open up this present early! Shelley and Christian break down the new autobiography of one of the most beautiful punkers to ever hit the CBGB’s stage, Deborah Harry. The book is called, ‘Face It: A Memoir’ and it is a deep dig, warts and all of her life and times. It’s a great book, written by the Blondie singer herself and punctuated with expected pictures and unexpected fan art sent to her over the decades.

Musician, actor, activist, and the iconic face of New York City cool, Debbie Harry is the frontwoman of Blondie, a band that forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life—until now.

In an arresting mix of visceral, soulful storytelling and stunning visuals, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It re-creates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie. Aesthetically dazzling, and including never-before-seen photographs, bespoke illustrations and fan art installations, Face It brings Debbie Harry’s world and artistic sensibilities to life.

Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s breakup as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps—a memoir as dynamic as its subject.

The name Debbie Harry evokes many images: seminal rock-n-roll figure, complex songstress, incandescent front woman, actor and fashion icon. As a vibrant global force and a shaper of pop culture, Debbie’s chart-topping success, fearless spirit and rare longevity led to an induction into the Rock ‘N’ Roll Hall of Fame for Blondie in 2006. With more than 50 million albums sold worldwide and acclaimed solo projects, Debbie has also engaged in a successful acting career with over 30 film and television roles to her credit (including Videodrome, Hairspray, and Heavy to name a few). She has become and still remains a true national treasure, one whose influence continues to impact the worlds of music, fashion and art. With Blondie, undeniably one of the most trailblazing and influential bands of our time, she and co-founder Chris Stein brought the worlds of rock, punk, disco and Reggae together with “Heart of Glass” and “Call Me” and broke ground by combining hip-hop and pop on “Rapture.” As a solo artist, Nile Rodgers & Bernard Edwards co-produced her first release Koo Koo in 1981 and she continued to defy expectations with such genre-busting efforts as “French Kissing in the U.S.A.,” “Rush Rush,” “Rain,” and “The Jam Was Moving.” Best known as the face of Blondie, Debbie has also had a long running collaboration with the critically acclaimed American jazz group, The Jazz Passengers, stalwarts of New York's free-jazz scene. Her spectacular voice drips with a sophisticated elegance rarely heard in pop music and she continues to infuse her work with an exquisite artistic sensibility. From an irreverent Lower East Side punk goddess to a bona fide international ambassador of New York cool, Debbie Harry will forever be synonymous with that punk spirit that lives somewhere in all of us.

https://www.amazon.com/dp/B07Z9JJDJH/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1

https://www.blondie.net/

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Join the Rock N Roll Librarian Shelley Sorenson and the Rock N Roll Archaeologist Christian Swain as they discuss the definitive biography of singer-songwriter Nick Lowe, best-known for "Cruel to Be Kind" and "(What's So Funny 'Bout) Peace, Love, and Understanding"

Described as "Britain's greatest living songwriter," Nick Lowe has made his mark as a pioneer of pub rock, power-pop, and punk rock and as a producer of Elvis Costello, Graham Parker, the Damned, and the Pretenders. He has been a pop star with his bands Brinsley Schwarz and Rockpile, a stepson-in-law to Johnny Cash and June Carter Cash, and is the writer behind hits including "Cruel to Be Kind" and "(What's So Funny 'Bout) Peace, Love, and Understanding." In the past decades, however, he has distinguished himself as an artist who is equally acclaimed for the second act of his career as a tender yet sharp-tongued acoustic balladeer.

Biographer Will Birch, who in addition to being a music writer was a drummer and songwriter with The Records, has known Lowe for over forty years and melds Lowe's gift as a witty raconteur with his own authoritative analysis of Lowe's background and the cultural scenes he exemplifies. Lowe's parallel fame as one of the best interviews in the business will contribute to this first look into his life and work--and likely the closest thing fans will get to an autobiography by this notoriously charming cult figure.

This is not an authorized biography, but Lowe has given it his spiritual blessing and his management and label are fully on board. Cruel to Be Kind will be the colorful yet serious account of one of the world's most talented and admired musicians.

http://nicklowebiography.com

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This week Shelley and Christian discuss Cyndi Lauper: A Memoir. The legendary and iconic singer, songwriter, actress and activist offers a personal account of the journey that led her to become an international superstar.

After leaving her childhood home at seventeen, Cyndi took on a series of jobs: racetrack hot walker, IHOP waitress, and, as she puts it, “gal Friday the thirteenth,” as she pursued her passion for music. She worked her way up playing small gigs and broke out in 1983 with She’s So Unusual, which earned her a Grammy for Best New Artist and made her the first female artist in history to have four top-five singles on a debut album. And while global fame wasn’t always what she expected, she has remained focused on what matters most.

Cyndi is a gutsy real-life heroine who has never been afraid to speak her mind and stick up for a cause—whether it’s women’s rights, gay rights, or fighting against HIV/AIDS.

Published by Simon and Schuster on September 18th, 2012 and written with Jancee Dunn.

Disclaimer: The views expressed here by Shelley Sorenson are made in her capacity as a private citizen, and do not necessarily reflect the views of the San Francisco Public Library or the City of San Francisco.

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