RISD Debates in AI

In this episode you’ll hear from the artist Trevor Paglen. Trevor is a multidisciplinary artist known for blending image-making, sculpture, journalism and engineering into his work. His art, which explores themes like state secrecy and artificial intelligence, has been exhibited globally, including at the Smithsonian Museum of American Art and the Barbican Centre. Notably, Paglen launched an artwork into orbit and contributed to the Oscar-winning film Citizenfour. He has also created public art for Fukushima’s exclusion zone. Paglen’s contributions to investigative journalism and art have been recognized with awards like the Electronic Frontier Foundation’s Pioneer Award and the MacArthur Fellowship. He holds degrees from UC Berkeley and the Art Institute of Chicago, underscoring his diverse expertise across art, geography and technology.

To watch talks from the two-day symposium, head over to AI-Debates.risd.edu. You can also listen to each of them wherever you find your podcasts. Support for the event was from the Divisions of Liberal Arts, Experimental and Foundation Studies, and Architecture & Design, as well as the Fleet Library and the Center for Arts and Language. Thank you to our largest contributor, the Center for Complexity and the RISD 2050 Fund for kicking off this important conversation.

Audio produced by Andrew Grant and Marisa Mazria Katz

Music: "Imagery" and "Last Night" by Xylo-Ziko

Hosted on Acast. See acast.com/privacy for more information.

Eric Telfort was part of Debates in AI first panel, What's Work Got to Do With It. Eric is an illustrator and fine artist who earned his BFA in Illustration from RISD and, after working as a production artist in the video game industry, an MFA from the New York Academy of Art. Telfort has lectured throughout the US and internationally in Zimbabwe, where he was a Visual Arts Initiative artist in residence. In 2019, he received a Robert and Margaret MacColl Johnson Fellowship to explore creativity in poverty and pursue a personal, independent visual novel. He is an associate professor and head of the Illustration department at RISD.

To watch talks from the two-day symposium, head over to AI-Debates.risd.edu. You can also listen to each of them wherever you find your podcasts. Support for the event was from the Divisions of Liberal Arts, Experimental and Foundation Studies, and Architecture & Design, as well as the Fleet Library and the Center for Arts and Language. Thank you to our largest contributor, the Center for Complexity and the RISD 2050 Fund for kicking off this important conversation.

Audio produced by Andrew Grant, Marisa Mazria Katz and Bilal Qureshi

Music: "Imagery" and "Last Night" by Xylo-Ziko

Hosted on Acast. See acast.com/privacy for more information.

In this episode you’ll hear from the artist Molly Crabapple who was on Debates in AI first panel, “What’s Work Got to Do With It?” Molly’s written and illustrated for the New York Times, New York Review of Books, Vanity Fair, and so many more. Last year, she told us about the time she took a whirl on the text to image generator Dall-e. She typed in: Syrian city destroyed by war drawn by Molly Crabapple. And all of a sudden drawings popped up that looked like half-baked versions of her work.

Seeing these images prompted a cascade of protests. She wrote an op-ed in the LA Times calling AI "vampirized technology," and a letter with the Center for Artistic Inquiry and Reporting calling for newsrooms to restrict AI illustration so that illustrators and graphic designers wouldn’t find themselves without a job. What this tech means to her, her work and her future is why she spoke at RISD’s Debates in AI.

To watch talks from the two-day symposium, head over to AI-Debates.risd.edu. You can also listen to each of them wherever you find your podcasts. Support for the event was from the Divisions of Liberal Arts, Experimental and Foundation Studies, and Architecture & Design, as well as the Fleet Library and the Center for Arts and Language. Thank you to our largest contributor, the Center for Complexity and the RISD 2050 Fund for kicking off this important conversation.

Audio produced by Andrew Grant, Marisa Mazria Katz and Bilal Qureshi

Music: "Imagery" and "Last Night" by Xylo-Ziko

Hosted on Acast. See acast.com/privacy for more information.

Kicking off the Debates in AI symposium was Kate Crawford. Kate Crawford is a leading scholar of AI, artist, and author of Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence. A preeminent expert in the social and political aspects of artificial intelligence (AI), Kate has spent 20 years analyzing data systems, machine learning and AI's impact on society. A research professor at USC Annenberg, senior principal researcher at MSR-NYC and honorary professor at the University of Sydney, she leads at the intersection of technology and justice. Crawford co-founded influential research groups like FATE and the AI Now Institute, advising entities from the UN to the White House. Her works, including the acclaimed Atlas of AI, span academic journals to news publications like The New York Times. Her collaborations, like Anatomy of an AI System, have garnered international awards, highlighting her role in shaping the discourse on technology’s global influence.

Following her lecture she sits down for a conversation and Q&A moderated by Artnet News National Art Critic and author Ben Davis. Ben is the author of 9.5 Theses on Art and Class (Haymarket, 2013), which ARTnews named one of the best art books of the decade in 2019, and Art in the After-Culture (Haymarket, 2022). His writings have also been featured in The New York Times, New York Magazine, The Baffler, Jacobin, Slate, Salvage, e-Flux Journal, Frieze and many other outlets. In 2019, Nieman Journalism Lab reported that he was one of the five most influential art critics in the United States. He lives in Brooklyn.

To watch talks from the two-day symposium, head over to AI-Debates.risd.edu. You can also listen to each of them wherever you find your podcasts. Support for the event was from the Divisions of Liberal Arts, Experimental and Foundation Studies, and Architecture & Design, as well as the Fleet Library and the Center for Arts and Language. Thank you to our largest contributor, the Center for Complexity and the RISD 2050 Fund for kicking off this important conversation.

Audio produced by Andrew Grant and Marisa Mazria Katz

Music: "Imagery" and "Last Night" by Xylo-Ziko

Hosted on Acast. See acast.com/privacy for more information.

In this episode you’ll hear from the writer Brian Merchant who was the first Debates in AI panel, “What’s Work Got to Do With It?” Brian Merchant, a technology journalist and former tech columnist at the LA Times, is widely recognized for his insightful analysis of automation, labor and technology’s environmental impact. Merchant is author of the bestselling The One Device (Little, Brown and Company, 2017) and most recently Blood in the Machine: The Origins of the Rebellion Against Big Tech (Little, Brown and Company, 2023). This new book explores the Luddites’ misunderstood uprising and the modern implications of tech deployment. In addition to writing for prominent publications, Merchant founded Terraform, VICE’s speculative fiction site. He shares updates and discussions on technology’s societal impact through his newsletter, offering a critical perspective on who technology serves and its broader consequences.

To watch talks from the two-day symposium, head over to AI-Debates.risd.edu. You can also listen to each of them wherever you find your podcasts. Support for the event was from the Divisions of Liberal Arts, Experimental and Foundation Studies, and Architecture & Design, as well as the Fleet Library and the Center for Arts and Language. Thank you to our largest contributor, the Center for Complexity and the RISD 2050 Fund for kicking off this important conversation.

Audio produced by Andrew Grant, Marisa Mazria Katz and Bilal Qureshi

Music: "Imagery" and "Last Night" by Xylo-Ziko

Hosted on Acast. See acast.com/privacy for more information.