'THE DOORS' w/ Sean Nelson
Explicit content warning
01/02/25 • 77 min
This week we are joined by superforce musician, actor, writer & podcaster SEAN NELSON (Harvey Danger, The Wonder Of It All) to discuss one of the most divisive music biopics of all time, Oliver Stone’s THE DOORS. We delve into seeing the film in the theater when it first came out in 1991 and how it was wiped off the culutral map shortly after its release, the divisiveness of The Doors’ music, how this was the peak of Oliver Stone’s power after just winning an oscar, DePalma’s proposed version of the film, the strange casting choices for Jim Morrison before landing on Val Kilmer, how the surviving members of The Doors were split on their support of the film, outgrowing certain types of music, the great 90s indie film boom, how in Stone’s eyes Morrison could do no wrong, how the film is intellectualy lazy but visually majestic, Crispin Glover as Andy Warhol, Val Kilmer going method on the set of the film, Joan Didion in the studio with The Doors, being superstars at the age of 21, Val Kilmer’s butt double, Ed Sullivan impersonators, Stone’s disrespect for Warhol’s Factory, Kevin Dillon’s narc energy in the film and who should have played drummer John Densmore instead, the story behind who played ‘Death’ in the film, Hammer Of The Gods & No One Gets Out Alive being essential teenager reads, how the last line of the film is one of the greatest throw away lines of all time & so much more...
So let’s swim to the moon (or not) on this week’s episode of Revolutions Per Movie!!!
SEAN NELSON:
The Wonder Of It All: https://www.youtube.com/playlist?list=PLu_AhsJQirp3LaDyH2J0JO_BboEpmaP0Q
@actualseannelson
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
This week we are joined by superforce musician, actor, writer & podcaster SEAN NELSON (Harvey Danger, The Wonder Of It All) to discuss one of the most divisive music biopics of all time, Oliver Stone’s THE DOORS. We delve into seeing the film in the theater when it first came out in 1991 and how it was wiped off the culutral map shortly after its release, the divisiveness of The Doors’ music, how this was the peak of Oliver Stone’s power after just winning an oscar, DePalma’s proposed version of the film, the strange casting choices for Jim Morrison before landing on Val Kilmer, how the surviving members of The Doors were split on their support of the film, outgrowing certain types of music, the great 90s indie film boom, how in Stone’s eyes Morrison could do no wrong, how the film is intellectualy lazy but visually majestic, Crispin Glover as Andy Warhol, Val Kilmer going method on the set of the film, Joan Didion in the studio with The Doors, being superstars at the age of 21, Val Kilmer’s butt double, Ed Sullivan impersonators, Stone’s disrespect for Warhol’s Factory, Kevin Dillon’s narc energy in the film and who should have played drummer John Densmore instead, the story behind who played ‘Death’ in the film, Hammer Of The Gods & No One Gets Out Alive being essential teenager reads, how the last line of the film is one of the greatest throw away lines of all time & so much more...
So let’s swim to the moon (or not) on this week’s episode of Revolutions Per Movie!!!
SEAN NELSON:
The Wonder Of It All: https://www.youtube.com/playlist?list=PLu_AhsJQirp3LaDyH2J0JO_BboEpmaP0Q
@actualseannelson
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
Previous Episode
HAPPY HOLIDAYS FROM REVOLUTIONS PER MOVIE
Happy holidays, everyone! I wanted to thank everyone who has supported and listened to the show, all of you incredible folks who have gone the distance & subscribed to the show's Patreon (again, thank you thank you thank you!), written kind reviews, turned other people onto the show, and generally just cheered this show along as I work on the show. I also want to give much love and thanks to my co-host Chaki The Funk Wizard, all my incredible guests who bring such goodness to the show, and the incredible Jeff T. Owens for all his graphic work.
So, for this holiday week, I wanted to share an episode that initially came out on the Revolutions Per Movie Patreon. Tom Waits seems like a good holiday or end-of-year choice, and my guest Galen Howard is fantastic with his love of Waits' lore and the making of this very, very strange 'concert' film.
To all who already support the Patreon, I hope you are enjoying the Flexidisc, and heads up that another special physical music gift is coming your way next month just for you! You keep the show going so thank you...I do not take your support lightly.
And for any of you who have not joined the Patreon, I hope you'll consider it. The show is completely independent, and this is the best way to support the show (plus get all the killer bonus extras!!!) patreon.com/revolutionspermovie or gift it over at patreon.com/revolutionspermovie/gift
Looking forward to bringing you even more in 2025 and again thank you for enjoying the show.
Chris Slusarenko
This week, we talk to actor GALEN HOWARD (THE BOOK OF BOBA FETT, BROOKLYN 9-9 and the star of music videos by Weezer and Disclosure) about the TOM WAITS “concert” film BIG TIME. We discuss what it’s like being part of the Star Wars cinematic universe, why Tom Waits is Galen’s all-time favorite artist, the long-ago arthouse vibe of the film, what works and doesn’t in the film, how Waits slowed down his voice in the film to create unease for the audience, Waits’ original stage play, the jarring interstitial moments in the film, musicians Marc Ribot and Ralph Carney, the acting of Tom Waits, the early traditional albums of Waits, why it’s so hard to find the film, Film Noir fixation, how Waits has influenced Galen’s creative process, Rust Never Sleeps, the staging and lighting decisions for the film, what songs were sadly excluded from the film, dancing in movie aisles, the growth and journey of Waits’ Frank character, Robert Wilson, the lack of documentation of Waits’ visual work and stage performances, and even Tom Waits’ lawsuit against Doritos.
So get your tickets early, before the usher waltzes you away, on this week's episode of Revolutions Per Movie!!!
GALEN HOWARD:
https://www.galenhoward.com/
https://www.instagram.com/galenhoward/?hl=en
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
Next Episode
'THE VELVET UNDERGROUND' w/ MATT PIUCCI
This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES’ documentary, THE VELVET UNDERGROUND. We also talk about Haynes’ body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris’ emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt’s forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol’s prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol’s visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet’s record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman’s presence in the film, The Velvet’s love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes’ struggled making the film because of lack of archival footage of the band, John Cale’s departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.
So let’s have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!
MATT PIUCCI:
@mattpiucci
https://rainparade.bandcamp.com
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our PatreonHosted on Acast. See acast.com/privacy for more information.
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