Episode 315 - Answers to Open Questions XXIII

01/29/25 • 35 min

From why the façade of San Lorenzo was never completed, to the use of the “golden ratio” in the Medici Palace, to the speed of Caravaggio’s painting technique and his use of the camera obscura, to future podcasts on Sofonisba Anguissola and Artemisia Gentileschi, to why Bramante is considered the first High Renaissance architect, and much, much more - this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance!

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Episode 314 - Bernini’s “Equestrian Monument of King Louis XIV”

Although commissioned while Bernini was in Paris in 1665, Bernini did not work on the statue until he returned to Rome. When it was finally delivered to Paris 20 years later, it was immediately rejected by the king, who vowed to destroy it!

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Episode 316 - Bernini's "Elephant"

Completed in 1667 and located in front of the church of Santa Maria Sopra Minerva in Rome, Italy, Bernini’s “Elephant” is a powerful symbol combining Egyptian lore and Roman power. The elephant was designed as an imaginative base for the ancient Egyptian obelisk from the 6th century BCE.