Primitive Culture: A Star Trek History and Culture Podcast

Robert Duncan McNeill on Star Trek's Directors' School.

To Star Trek fans, he is Tom Paris, the cocksure pilot of the USS Voyager. But in Hollywood, Robert Duncan McNeill is better known as a different kind of helmsman. From his first day of filming on the Voyager pilot "Caretaker," McNeill declared his intention to take a shot at the director's chair, following in the footsteps of fellow Trek such as stars Jonathan Frakes, Levar Burton, and Leonard Nimoy. Two years later, when Frakes was forced to pull out of shooting the third-season episode "Sacred Ground," McNeill got his chance. It was to be the first of eight Star Trek episodes he directed, four on Voyager and four on Enterprise, and would lead to an illustrious career working on everything from Dawson's Creek to The Orville.

In this episode of Primitive Culture, host Duncan Barrett is joined by McNeill to look back on his time at the Star Trek Directors' School, and to consider how those early experiences helped shape his career. We discuss the limited scope for auteurist flamboyance when playing within Trek's strict sandbox, the varied approaches that hired guns brought to the Voyager set week by week, and how the deftly handled comedy of "Someone to Watch Over Me" helped prepare him for his most recent work on Resident Alien and Turner & Hooch.

Chapters Intro (00:00:00) Eyeing Up the Chair (00:02:27) In Berman's Box (00:12:15) Voyager (00:27:25) Enterprise (00:45:50) Tom Paris Returns? (00:58:49)

Host Duncan Barrett

Guest Robert Duncan McNeill

Production Duncan Barrett (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer)

The Rashomon Effect in Star Trek and Beyond.

Two podcasters meet on the internet. They watch a classic film that one has seen and the other hasn’t. They compare it to an episode of Star Trek—or maybe two, or even three or four. They consider the broader cultural implications of the film’s central themes of uncertainty, subjectivity, and the unknowability of truth. Or perhaps they don’t. Listening at home, you wonder: Did any of these things really happen? Can you trust your ears? Are you sure you can really remember what you’ve heard?

In this episode of Primitive Culture, host Duncan Barrett is joined by Tony Black to look at famed Japanese director Akira Kurosawa’s seminal 1950 film Rashomon and its influences on Star Trek—in particular on “A Matter of Perspective” from The Next Generation and “Rules of Engagement” from Deep Space Nine.

The so-called Rashomon Effect—a cultural trope in which multiple unreliable narrators produce different accounts of the same event—has become so popular that it has eclipsed the fame of the story that inspired it. Comparing the black-and-white Japanese film, about the frustrated attempt to understand an act of extreme violence that takes place in a secluded bamboo grove, with the episodes of Star Trek and The X-Files that borrowed from it—along with the 1998 play Copenhagen—we ask whether the film’s fascination with the impossibility of reconstructing an objective history of events may be peculiarly relevant in the current “post-truth” world.

Chapters Rashomon and What We Left Behind (00:03:55) A Matter of Perspective (00:13:51) Rules of Engagement (00:23:47) The X-Files (00:27:30) “Living Witness” and “Author, Author” (00:36:28) Alternative Facts (00:41:00) Copenhagen (00:53:15) Final Thoughts (01:07:15)

Host Duncan Barrett

Guest Tony Black

Production Tony Black (Editor) Duncan Barrett (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Tony Black (Associate Producer) Clara Cook (Associate Producer) Norman C. Lao (Associate Producer) Amy Nelson (Associate Producer) Richard Marquez (Production Manager)

The Alien franchise and Star Trek: Strange New Worlds.

In space, no one can hear you scream. But for unlucky Starfleet landing parties, meeting a nightmarish alien menace can prove as traumatic as deadly. For La'an Noonien-Singh, who carries the burden of having survived captivity in a Gorn breeding colony during childhood, another encounter with the monstrous lizards proves both physically and mentally challenging. And to make sure the audience is equally freaked out by the terrifying encounter, Strange New Worlds leans heavily on the imagery of the Alien franchise—the epitome of sf horror.

In this episode of Primitive Culture, host Duncan Barrett is joined by Lee Hutchison to look at the latest episode of Star Trek: trange New Worlds, “All Those Who Wander,” alongside the films that inspired it, from the chest-burster scene in the original 1979 movie to Ripley’s final moments in Alien 3. We also take in reference points from the beloved movies we grew up with, including Predator, Jurassic Park, The Thing, and more. What new life forms are birthed when these iconic stories creep in through the Star Trek airlock? Grab a flamethrower and join us on the express elevator to hell as we attempt to find out.

Chapters Intro (00:00:00) Gorn Yesterday (00:09:50) Strange Newt Worlds (00:23:55) No Sex, Please, We’re Star Trek (00:31:15) That Which Survives (00:50:00) La'an Time No See? (01:04:00)

Host Duncan Barrett

Guest Lee Hutchison Production Duncan Barrett (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer)

Star Trek and Sexual Assault, Part 1.

In 2017, the #MeToo movement brought stories of sexual assault and harassment to the forefront of public consciousness. Some of the key figures in the campaign are part of the Star Trek family—most notably Ashley Judd and Anthony Rapp. Their willingness to share their stories played a major role in bringing many uncomfortable truths to light, particularly in relation to appalling behavior in the entertainment industry. But Star Trek is not itself immune from such shocking stories, as anyone who has read Grace Lee Whitney’s autobiography will know. The circumstances surrounding Janice Rand’s disappearance from The Original Series more than 50 years ago offer a sobering glimpse at the treatment of women by powerful men in Hollywood.

In this episode of Primitive Culture, the first of a two-part discussion of sexual assault in Star Trek, host Duncan Barrett is joined by Clara Cook for a look at some of the links between the franchise and the #MeToo movement. We also speak to Marina Sirtis about her own experiences as a young actress working in Hollywood in the 1980s, and some of the difficult storylines she performed as Deanna Troi. Tune in next week for Part 2 of the conversation as we explore the various ways—some literal and some allegorical—in which Star Trek has presented these important issues on screen.

Chapters Intro (00:00:00) The #MeToo Movement (00:04:06) Grace Lee Whitney and the Physiology of Trauma (00:27:05) Marina Sirtis Interview (00:54:00) Nana Visitor, Kate Mulgrew, and Anthony Rapp (01:09:05) Sexual Assault in Star Trek: Discovery (01:22:25)

Host Duncan Barrett Guest Clara Cook Production Duncan Barrett (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Tony Black (Associate Producer) Norman C. Lao (Associate Producer) Amy Nelson (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)

Cold War Détente and Star Trek VI: The Undiscovered Country. When Nicholas Meyer returned to the Star Trek cinematic universe with Star Trek VI: The Undiscovered Country, he produced one of the franchise’s most flagrant—and successful—examples of “ripped from the headlines” storytelling, reimagining the collapse of the USSR in space. Gorbachev became Gorkon and Chernobyl became Praxis. And, in the story’s imagined cabal, who will stop at nothing to preserve the Cold War status quo, the film tapped into an anxiety that lingered around this pivotal moment. After the “end of history,” as Francis Fukuyama memorably described it, what kind of future might lie around the corner? Would the old cold warriors still find a place for themselves in this new, as-yet-undiscovered era?

In this episode of Primitive Culture, host Duncan Barrett is joined by Tony Black for a look at Fukuyama’s seminal 1989 essay “The End of History” and its influence on The Undiscovered Country. We consider some of the inherent risks—as well as the pleasures—in borrowing from current events and also ponder a tricky question: If only Nixon could go to China, does that make Kirk, who once seemed like an echo of JFK resurrected on the bridge of a starship, the heroic president’s most cynical and untrustworthy successor?

Chapters Intro (00:00:00) Discovered Countries (00:08:55) Make Peace or Die (00:15:36) Dinosaurs (00:40:55) Klingon Lives? (00:55:25)

Host Duncan Barrett Guest Tony Black Production Tony Black (Editor) Duncan Barrett (Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Tony Black (Associate Producer) Clara Cook (Associate Producer) Norman C. Lao (Associate Producer) Amy Nelson (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)