Daniel Superbaboon (“The High Meggas”)

Explicit content warning

07/07/22 • 57 min

Pratchat - a Terry Pratchett and Discworld book club

We take a last-minute step (or five) to the West, as Liz and Ben delay their chat about The Long Mars to go back to where it all began: Pratchett’s original 1986 short story “The High Meggas“.

Larry Linsay, who perfected the belt technology that allows humans to move between parallel Earths, has shunned civilisation. He’s living near the coast of what would be France in a world in the “high meggas”, the weirder Earths a million or so removed from the original. Like all the other Earths, it’s devoid of human life – or it was, until two guards from Forward Base, the nearest human settlement many worlds away, arrive in Linsay’s world. The first one he finds, Joshua Valienté, claims he’s chasing the other one: a terrorist who poisoned the other fifty personnel at Forward Base. Trouble is, that’s exactly what she says about him, too...

When we had to change plans at the last minute and delay our episode on The Long Mars, we decided to take the opportunity to produce a bonus episode about the story where it all started. “The High Meggas” was written in between the first two Discworld novels and never published until its ideas became a novel, and it’s a fascinating look at how Pratchett’s idea evolved. Some things are very similar – names like Linsay and Valienté, the concept (though not the name) of the Long Earth. Others are tweaked – the belts become boxes, movin‘ becomes stepping. And then there’s some which are flipped entirely – compare the “Sideways Doctrine” to the idea of US Aegis.

Do you prefer the more technological version of “stepping” in the original story? Does the central drama of the story work for you, or is the villain too obvious? And what do you think Pratchett’s career would have been like if The Colour of Magic hadn’t been a success, and this had been his next big project instead of The Light Fantastic? Join the conversation using the hashtag #Pratchat57West5 on social media.

As usual, you can find notes and errata for this episode on our website.

This bonus episode won’t stop us from discusses the third Long Earth novel, The Long Mars, with returning guest Joel Martin! ...or at least that was the idea. #Pratchat57 was to be released the same month as this one, but unfortunately some further technical problems complicated the editing process, so we’ve delayed it until the 25th of August. For our regular August episode, #Pratchat58, we’ll be reading another short story: 1988’s “Final Reward”. Send us your questions using the appropriate hashtag on social media, or via email to [email protected].

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As usual, you can find notes and errata for this episode on our website.

Previous Episode

do { Podcast(); } while (unreadPratchetts > 0); (“#ifdefDEBUG + 'world'/'enough' + 'time'”)

We travel down a leg of a very 1990s pair of the trousers of time this month, as author and musican Sean Williams joins Liz and Ben to get stuck into the artificial reality of Pratchett’s 1990 short story “#ifdefDEBUG + ‘world’/’enough’ + ‘time’“.

Darren Thompson is a repairman who specialises in Seagems: artificial reality consoles that can edit aspects of your everyday life, or plug you into a whole artificial world. His latest job is to inspect a machine in which the user has died. That’s not a first for Darren – but there’s something about this particular corpse in the machine that makes this job feel different...

Originally published in the anthology Digital Dreams alongside works by authors including Diana Wynn Jones, Neil Gaiman and Storm Constantine, “#ifdefDEBUG + ‘world’/’enough’ + ‘time'” is a short story that packs a lot in – and potentially goes to a much darker place than most of Pratchett’s other work. It’s since been collected in A Blink of the Screen, Once More* *with Footnotes and the German collection Der ganze Wahnsinn: Storys (in which it’s accompanied by an original illustration by Josh Kirby).

Was Pratchett right to think that the virtual reality angle dates this horribly – or would he have thought differently only a few years later, as VR comes round again? Is this a happy ending, a dystopian nightmare, or the fantasy ramblings of a self-important creep? Would you want to be a ghost in the machine? And just what is going on with that illustration in the German collection? Join the conversation using the hashtag #Pratchat56 on social media.

Guest Dr Sean Williams is an award-winning author of science fiction novels and short stories, makes music under the name “the Adelaidean”, and teaches creative writing at Flinders University. His novels run the gamut of original sci-fi and best-selling work for the worlds of Star Wars and Doctor Who, and he’s also collaborated with other authors – including previous Pratchat guest Garth Nix (#Pratchat51). You can find out more about Sean via his (hopefully updated) website, seanwilliams.com, and listen to his music via his Bandcamp page. He’s also (sometimes) on Twitter at @adelaidesean.

As usual, you can find notes and errata for this episode on our website.

Next month we continue the sci-fi theme with the third Long Earth novel, The Long Mars, which we’ll be discussing with returning guest Joel Martin! Send us your questions using the hashtag #Pratchat57, or via email to [email protected].

Next Episode

The Barbarian Switch (“Final Reward”)

We explore every author’s worst nightmare as writer Penny Love returns to Pratchat and finds the barrier between reality and fiction getting all wibbly-wobbly in Terry Pratchett’s 1988 short story, “Final Reward“.

After a particularly bad row with his girlfriend Nicky – and a pint of wine – author Kevin Dogger decides to kill off the protagonist of his best-selling fantasy series. The next morning, Erdan the Barbarian appears on Dogger’s doorstep with the milk. He was, after all, promised a final reward: an eternity of carousing in the halls of his creator...

Content note: the story “Final Reward” contains discussion of (fictional) suicide.
If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you.

Written for the short-lived roleplaying magazine G.M., “Final Reward” is Pratchett’s go at the age-old tradition of writers writing about writers. But in true Pratchett form, it’s not just about that... Hailing from around the time of Wyrd Sisters and Pyramids, but “tinkered with” before appearing in A Blink of the Screen, it depicts an author ill at ease with the real world and human relationships – by all accounts not much like Pratchett himself at all. And then there’s the way it ends...

What did you think of this one? Have you ever written a character you’d like to meet in person? Would you swap places with them? And is this a dig at any real fantasy authors, and we’ve missed the joke? Join in the conversation using the hashtag #Pratchat58 on social media.

Guest Penelope Love is a writer best known for her roleplaying game work, especially with Chaosium for Call of Cthulhu, including the upcoming Victorian London campaign she mentions this episode. She previously joined us for #Pratchat45, “Hogswatch in Grune“, discussing the quite Lovecraftian “Twenty Pence with Envelope and Seasonal Greeting”. Penny is also part of Campaign Coins, who as well as making gorgeous metal coins for use with tabletop games, publish Penny’s comic fantasy short story collections about “The Three Dungeoneers”, which you can find here. Penny is on Twitter as @PennyLoveWrites, or you can follow @CampaignCoins for more on their projects.

As usual, you can find notes and errata for this episode on our website.

As previously advised, due to some technical difficulties – and not a time machine, to Ben’s disappointment – the next episode to be released will be #Pratchat57, discussing the third Long Earth novel, The Long Mars, with Joel Martin. Look for it in the Pratchat podcast feed on August 25.

Next month in #Pratchat59, we’re discussing The Science of Discworld III: Darwin’s Watch with science and fiction writer, Dr Kat Day! And after that, in October, it’s finally time for another general questions episode, #Pratchat60. This is the perfect opportunity to ask us about books you missed first time round, or general questions about Discworld, Pratchett, us and the show! Send in your questions for either of those episodes via social media (using the appropriate hashtag), or send us an email at [email protected].