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Polyphonic Press: Classic Album Reviews - Actually by Pet Shop Boys - Ep. 83

Actually by Pet Shop Boys - Ep. 83

Explicit content warning

02/11/25 • 26 min

Polyphonic Press: Classic Album Reviews

Actually is the second studio album by the British synth-pop duo Pet Shop Boys, released on September 7, 1987. Building on the success of their debut album Please, Actually refined their signature blend of electronic dance-pop, witty lyricism, and social commentary.

The album features some of their most iconic tracks, including "It's a Sin," a dramatic, confessional anthem about religious guilt; "What Have I Done to Deserve This?", a duet with Dusty Springfield that became one of their biggest hits; and "Rent," a melancholic yet stylish song about transactional relationships. The closing track, "King’s Cross," offers a haunting and politically charged reflection on contemporary Britain.

With its mix of danceable beats, lush arrangements, and biting observations on love, class, and culture, Actually cemented Pet Shop Boys' status as one of the most sophisticated and innovative pop acts of the 1980s.

Listen to the album on Spotify
Listen to the album on Apple Music

What did you think of this album? Send us a text!

Support the show

Patreon
Website
Polyphonic Press Discord Server
Follow us on Instagram
Contact: [email protected]
DISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

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Actually is the second studio album by the British synth-pop duo Pet Shop Boys, released on September 7, 1987. Building on the success of their debut album Please, Actually refined their signature blend of electronic dance-pop, witty lyricism, and social commentary.

The album features some of their most iconic tracks, including "It's a Sin," a dramatic, confessional anthem about religious guilt; "What Have I Done to Deserve This?", a duet with Dusty Springfield that became one of their biggest hits; and "Rent," a melancholic yet stylish song about transactional relationships. The closing track, "King’s Cross," offers a haunting and politically charged reflection on contemporary Britain.

With its mix of danceable beats, lush arrangements, and biting observations on love, class, and culture, Actually cemented Pet Shop Boys' status as one of the most sophisticated and innovative pop acts of the 1980s.

Listen to the album on Spotify
Listen to the album on Apple Music

What did you think of this album? Send us a text!

Support the show

Patreon
Website
Polyphonic Press Discord Server
Follow us on Instagram
Contact: [email protected]
DISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

Previous Episode

undefined - Wheels of Fire by Cream - Ep. 82

Wheels of Fire by Cream - Ep. 82

Wheels of Fire is the third studio album by the British rock band Cream, released in 1968. It is a double album, with one disc featuring studio recordings and the other containing live performances. The album blends blues, psychedelic rock, and hard rock, showcasing the virtuosity of Eric Clapton (guitar, vocals), Jack Bruce (bass, vocals), and Ginger Baker (drums, vocals).

The studio disc includes iconic tracks like "White Room", a dramatic psychedelic anthem with haunting lyrics and a signature wah-wah guitar riff, and "Politician", a bluesy, satirical take on political figures. Other highlights include "Pressed Rat and Warthog", an offbeat spoken-word track by Ginger Baker, and "Deserted Cities of the Heart", a high-energy song with intricate instrumentation.

The live disc, recorded at Fillmore West and the Winterland Ballroom in San Francisco, captures Cream’s electrifying stage presence. The 16-minute version of "Spoonful" (originally by Willie Dixon) showcases Clapton’s masterful blues improvisation, while "Crossroads", a cover of Robert Johnson’s classic, features one of rock’s most celebrated guitar solos.

Wheels of Fire was the first double album to be certified Platinum, solidifying Cream’s legacy as one of the greatest rock power trios. It remains a landmark release in psychedelic and blues rock history.

Listen to the album on Spotify
Listen to the album on Apple Music

What did you think of this album? Send us a text!

Support the show

Patreon
Website
Polyphonic Press Discord Server
Follow us on Instagram
Contact: [email protected]
DISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

Next Episode

undefined - Sex Packets by Digital Underground - Ep. 84

Sex Packets by Digital Underground - Ep. 84

Digital Underground’s debut album, Sex Packets, is a landmark in hip-hop, blending humor, funk, and creativity into a genre-defying masterpiece. Released in 1990, the album is heavily influenced by the P-Funk sound of Parliament-Funkadelic, led by the charismatic Shock G (and his alter ego, Humpty Hump). The group’s playful, irreverent style is on full display, along with innovative sampling and production that set it apart from the gangsta rap dominating the era.

The album’s concept revolves around fictional "sex packets"—a satirical sci-fi invention offering a hallucinogenic sexual experience. This loose narrative underpins the project, showcasing Digital Underground’s knack for storytelling and world-building.

Standout tracks include the massive hit “The Humpty Dance,” an infectious party anthem known for its funky bassline and hilarious lyrics, and “Doowutchyalike,” a carefree track encouraging listeners to embrace self-expression. Beyond the humor, tracks like “Packet Man” and “Freaks of the Industry” showcase clever wordplay, while the production layers samples from funk legends like George Clinton and Bootsy Collins to create a rich sonic tapestry.

Sex Packets is both a celebration of funk’s legacy and a bold leap forward for hip-hop, cementing Digital Underground as pioneers of their time.

Listen to the album on Apple Music
Listen to the album on Spotify

What did you think of this album? Send us a text!

Support the show

Patreon
Website
Polyphonic Press Discord Server
Follow us on Instagram
Contact: [email protected]
DISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

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