
Lory Bedikian — On the Way to Oshagan
11/22/21 • 17 min
7 Listeners
The exile’s return to the motherland is the theme around which Lory Bedikian’s poem “On the Way to Oshagan” circles. She, a proud Armenian, stops by a roadside stall on a trip to her home country; and is immediately understood as an Amerigatzi, even though she’s speaking Armenian, not English. The poem could end with this awkward exchange, but instead pushes through, and a connection occurs between the returned-departed and the never-departed: there’s a gift, an invitation, and a bridge across exile.
Lory Bedikian received her BA from UCLA with an emphasis in Creative Writing and Poetry. She earned her MFA in Poetry from the University of Oregon, where she received the Dan Kimble First Year Teaching Award for Poetry. Bedikian's The Book of Lamenting won the 2010 Philip Levine Prize in Poetry. She currently teaches poetry workshops in Los Angeles.
Find the transcript for this show at onbeing.org.
The exile’s return to the motherland is the theme around which Lory Bedikian’s poem “On the Way to Oshagan” circles. She, a proud Armenian, stops by a roadside stall on a trip to her home country; and is immediately understood as an Amerigatzi, even though she’s speaking Armenian, not English. The poem could end with this awkward exchange, but instead pushes through, and a connection occurs between the returned-departed and the never-departed: there’s a gift, an invitation, and a bridge across exile.
Lory Bedikian received her BA from UCLA with an emphasis in Creative Writing and Poetry. She earned her MFA in Poetry from the University of Oregon, where she received the Dan Kimble First Year Teaching Award for Poetry. Bedikian's The Book of Lamenting won the 2010 Philip Levine Prize in Poetry. She currently teaches poetry workshops in Los Angeles.
Find the transcript for this show at onbeing.org.
Previous Episode

Nico Amador — Flower Wars
Telling some of the story of the Flower Wars of the Aztec era, Nico Amador’s poem pits wars against creation. In a poem that begins by recalling creation myths from multiple cultures, he then poses questions about why: Why would people sacrifice their own people to keep a god happy? Why would any god benefit from people’s deaths? Evoking how the Flower Wars contributed to the Aztec downfall, this poem also wonders about wars today: Who benefits from a war? Who decides who should die? Why?
Nico Amador has been published in a number of journals and anthologies. His chapbook, Flower Wars, was selected as the winner of the Anzaldúa Poetry Prize and was published by Newfound Press in 2017. He is a grant recipient of the Vermont Arts Council, an alumni of the Lambda Literary Foundation's Writers Retreat and an MFA candidate at Bennington College.
Find the transcript for this show at onbeing.org.
Next Episode

Linda Hogan — Song for the Turtles of the Gulf
In a poem called a “Song,” Linda Hogan crafts a song for turtles and other creatures killed through oil spills in the gulf. At once a praise song for the beauty of the sea, the earth, and its animals, this song also functions as a lament: for the history erased by industrial practices; for the lack of respect and love for living breathing other-than-human lives; for plastic and the plastic containers used to hold the body of a dead sea turtle. The poem veers towards a prayer, too, begging forgiveness for being “thrown off true.”
Linda Hogan is a Chickasaw novelist, essayist, and environmentalist. She earned an undergraduate degree from the University of Colorado-Colorado Springs and an MA in English and creative writing from the University of Colorado-Boulder. Her books of poetry include Dark. Sweet., The Book of Medicines, Seeing Through the Sun, and many more.
Find the transcript for this show at onbeing.org.
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