
The Dance Between Choreography & Technology
01/27/24 • 23 min
Christy Bolingbroke, Executive / Artistic Director of the National Center for Choreography - Akron, hosts this episode focused on the the relationships of choreographic practice and various technologies. Referenced in this episode are works by David Parsons, David Rousseve, Compagnie Kafig, Rennie Harris/Puremovement American Street Dance Theater, and Ragamala Dance Company.
Jacob’s Pillow Dance Interactive
David Parsons Caught
David Rousseve/REALITY Stardust
Christy Bolingbroke, Executive / Artistic Director of the National Center for Choreography - Akron, hosts this episode focused on the the relationships of choreographic practice and various technologies. Referenced in this episode are works by David Parsons, David Rousseve, Compagnie Kafig, Rennie Harris/Puremovement American Street Dance Theater, and Ragamala Dance Company.
Jacob’s Pillow Dance Interactive
David Parsons Caught
David Rousseve/REALITY Stardust
Previous Episode

Remembering Gus Solomons jr
Jennifer Edwards hosts this episode honoring Gus Solomons jr, the celebrated choreographer, writer, and teacher. As the first Black dancer in the Merce Cunningham Dance Company, Solomons was both a trailblazer and a trendsetter, forming his own company and making more than 150 works before his death in August 2023 at the age of 84.
In this episode: Excerpts from Mondays with Merce: Episode 14 Merce as Model (2010). Director/Producer: Nancy Dalva. (c) Merce Cunningham Trust. All rights reserved.
Resources:
Mondays with Merce #14: Merce as Model, with Gus Solomons, Jr.
Remembering Gus Solomons Jr. 1938 - 2023
Gus Solomons Jr., 84, Dies; a Rare Black Presence in Experimental Dance
Choreography in Focus: Wendy Perron and Gus Solomons Jr.
Next Episode

Spoken Word in Dance
Poet and dance writer Karen Hildebrand hosts this episode focusing on how text and spoken word are used in dance. Included are examples from works by Liz Lerman, Joe Goode, and Carmen de Lavallade. Hildebrand is the former editorial director for Dance Magazine, and a past editor in chief of Dance Teacher magazine.
*Of note: the music that underlies Martha Wittman's monologue in Liz Lerman's piece, "Of Fertile Fields," was composed by Robert Een.
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