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Pause and Listen - Difficulty

Difficulty

09/22/20 • 54 min

Pause and Listen

1. Stephen Scott - Vikings Of The Sunrise: Fantasy On The Polynesian Star Navigators (Start with “Ocean Drum”)

https://open.spotify.com/album/1HRPSkZaRp1uaoOoRI2NEB
2. Sarah Kirkland Snider - Penelope (Start with “Circe and the Hanged Man”)

https://open.spotify.com/album/49xHTKjIfDahbCEPNVBZ3M
3. Laura Kaminsky - As One (Start with “To Know” and “Out of Nowhere”)

https://open.spotify.com/album/5h6QCRWqjzpFWrTlcAoEVG

Panelists:

El Schoepf, M.S. (they/she) is a social science researcher who studies and teaches about power, privilege, and oppression in the performing arts. After burning out of a performing career, El sought to improve mental health services in the performing arts sector by becoming a therapist. Their research about stratified economies’ effect on human behavior and experience served as inspiration for an experiential simulation game they developed called “Star Ensemble: Exploring Power and Privilege in Classical Music.” El holds degrees in counseling psychology and music and is currently a trainee at the Gestalt Therapy Institute of Philadelphia.

Robin (Rob) McGinness is an active operatic baritone, inactive composer, and instructor helping students build the necessary skills needed for diverse careers in the arts. Often featured on stage portraying opera’s “bad boy,” Rob’s operatic credits include the title roles in Eugene Onegin and Don Giovanni, as well as Marcello in La Bohème. Committed to promoting and performing new works, Rob regularly premieres new roles, including Ed Wall in Frances Pollock’s award-winning opera Stinney, and Saul Hodkin/Price in The Ghost Train by Paul Crabtree. Rob’s compositions include vocal, theatrical, and orchestral pieces premiered at IngenuityFest, Andy’s Summer Playhouse, and by the Windham Orchestra of Vermont. Rob holds degrees from the Peabody Institute and Oberlin Conservatory and is a returning Marion Roose Pullin Studio Artist at Arizona Opera.
British-American soprano Claire Galloway’s theatricality covers the gamut of “palpable pain” and “splendid, funny moments” (B.I.T.R.). This summer and next, Claire is a Fellow with the Ravinia Steans Music Institute. She recently sang Sam in Stephen Crino and Joshua Scheid’s Friends House for the new Podcast Opera Company. In 2019-2020 she performed Vitella (Clemenza) and Blanche (Dialogues of the Carmelites), was a semifinalist in the James Toland Vocal Arts Competition, and performed with Opera Lafayette’s 1806 revival of Beethoven’s Léonore. An avid recitalist, she recently presented a recital based on the life of Rosa Ponselle and concerts showcasing Scandinavian and contemporary American compositions. Ms. Galloway’s innovative recital programing has resulted in the best-attended concert event at the Baltimore War Memorial Arts Initiative in past seasons. Through her teaching studio, she is currently offering a 6-month training program called Core Singer Essentials, starting in October, as well as a free 2-day preview called “Singers Take The Wheel Career Roadmap” on September 25th and 26th. Details at www.clairegalloway.com.
More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

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1. Stephen Scott - Vikings Of The Sunrise: Fantasy On The Polynesian Star Navigators (Start with “Ocean Drum”)

https://open.spotify.com/album/1HRPSkZaRp1uaoOoRI2NEB
2. Sarah Kirkland Snider - Penelope (Start with “Circe and the Hanged Man”)

https://open.spotify.com/album/49xHTKjIfDahbCEPNVBZ3M
3. Laura Kaminsky - As One (Start with “To Know” and “Out of Nowhere”)

https://open.spotify.com/album/5h6QCRWqjzpFWrTlcAoEVG

Panelists:

El Schoepf, M.S. (they/she) is a social science researcher who studies and teaches about power, privilege, and oppression in the performing arts. After burning out of a performing career, El sought to improve mental health services in the performing arts sector by becoming a therapist. Their research about stratified economies’ effect on human behavior and experience served as inspiration for an experiential simulation game they developed called “Star Ensemble: Exploring Power and Privilege in Classical Music.” El holds degrees in counseling psychology and music and is currently a trainee at the Gestalt Therapy Institute of Philadelphia.

Robin (Rob) McGinness is an active operatic baritone, inactive composer, and instructor helping students build the necessary skills needed for diverse careers in the arts. Often featured on stage portraying opera’s “bad boy,” Rob’s operatic credits include the title roles in Eugene Onegin and Don Giovanni, as well as Marcello in La Bohème. Committed to promoting and performing new works, Rob regularly premieres new roles, including Ed Wall in Frances Pollock’s award-winning opera Stinney, and Saul Hodkin/Price in The Ghost Train by Paul Crabtree. Rob’s compositions include vocal, theatrical, and orchestral pieces premiered at IngenuityFest, Andy’s Summer Playhouse, and by the Windham Orchestra of Vermont. Rob holds degrees from the Peabody Institute and Oberlin Conservatory and is a returning Marion Roose Pullin Studio Artist at Arizona Opera.
British-American soprano Claire Galloway’s theatricality covers the gamut of “palpable pain” and “splendid, funny moments” (B.I.T.R.). This summer and next, Claire is a Fellow with the Ravinia Steans Music Institute. She recently sang Sam in Stephen Crino and Joshua Scheid’s Friends House for the new Podcast Opera Company. In 2019-2020 she performed Vitella (Clemenza) and Blanche (Dialogues of the Carmelites), was a semifinalist in the James Toland Vocal Arts Competition, and performed with Opera Lafayette’s 1806 revival of Beethoven’s Léonore. An avid recitalist, she recently presented a recital based on the life of Rosa Ponselle and concerts showcasing Scandinavian and contemporary American compositions. Ms. Galloway’s innovative recital programing has resulted in the best-attended concert event at the Baltimore War Memorial Arts Initiative in past seasons. Through her teaching studio, she is currently offering a 6-month training program called Core Singer Essentials, starting in October, as well as a free 2-day preview called “Singers Take The Wheel Career Roadmap” on September 25th and 26th. Details at www.clairegalloway.com.
More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

Previous Episode

undefined - Afro House

Afro House

1. Allison Loggins-Hull - Hammers
https://youtu.be/ANZrjcAiqPU
2. Valerie Coleman - Shotgun Houses
https://open.spotify.com/playlist/2ThyYRZwAsJrYeqtEan5eX
Tomeka Reid - Present Awareness, Mvt. III. Radical Hope
https://youtu.be/4b4CkxraLXk

Panelists:

Alisha Patterson is the co-founder and Managing Director of Afro House. Since the organization’s founding in 2011, Patterson has been at the forefront of producing live experiences that are in alignment with its ambitious mission. They include, Cloud Nebula, an Afrofuturistic sci-fi opera-ballet, the Afro House Concert Series, which celebrates Baltimore’s extraordinary maker scene, and the 100 Year Symposium, a conversation about what a community might be like in 100 years.
As one of Afro House’s chief architects, Alisha has successfully secured funding from foundations such as the T. Rowe Price and Robert W. Deutsch Foundations. In addition, she has played an instrumental role in the commissions Afro House has received from both local and regional theaters and the highly acclaimed choreographer Camille A. Brown. She also worked closely with Afro House’s Artistic Director on creating his award-winning Baker Artist Portfolio.
In 2016 Alisha was tapped by Kaisha Johnson, the Founding Director of Women of Color in the Arts to manage the organization’s flagship program. Under Alisha’s stewardship, the Leadership Through Mentorship program has become a highly sought-after career and community building opportunity for entry level, mid-career and seasoned arts administrators of color. Kibibi Ajanku, the GBCA's Equity and Inclusion Director, appointed Alisha to the Urban Arts Leadership Council in 2019. Alisha has an MA in Organizational Management from The George Washington University, a BA in English Literature and Certificate of Concentration in Women’s Studies from the University of Cincinnati.
Scott Patterson is a pianist, composer and librettist of incomparable talent, whose work has been described by the Pittsburgh Review-Tribune as “a masterly blend of virtuosity, singing style and beautiful voicing.” His blend of classical, soul and rock music is futuristic, emotive and luxuriant. Since 2012 Patterson has toured with Camille A. Brown & Dancers. He is contributing composer of the Bessie Award winning Mr. TOL E. RAncE and Brown’s critically acclaimed work, BLACK GIRL: Linguistic Play and ink. His compositions for these have been performed for audiences at venues such as Lincoln Center, The Kennedy Center, Belfast Festival at Queen’s, White Bird, and more.
Patterson is co-founder and Artistic Director of Afro House, a Baltimore-based art house committed to creating disruptive, music culture. Through Afro House, Patterson leads the Astronaut Symphony, a contemporary ensemble that creates symphonic performance art pieces. His compositions for the ensemble include the Afrofuturistic opera-ballet, Cloud Nebula and the sci-fi tone poem Ebon Kojo: The Last Tribe. He also serves as Music Director and Composer for the Afro House Concert Series.
Patterson is a 2020 Saul Zaentz Innovation Fund Fellow and a recipient of the 2020 Regional Independent Artist Award for Performing Arts from the Maryland State Arts Council. He is a 2019 Baker Artist Award, Mary Sawyers Imboden Awardee, and is a recipient of a Creative Baltimore Fund Grant and Artist/District Grant. He studied under Richard Fields at the University of Cincinnati’s College-Conservatory of Music and Phillip Kawin at the Manhattan School of Music.

Next Episode

undefined - Home

Home

1. Jonathan Bailey Holland - Halcyon Sun

https://open.spotify.com/track/0gNqRo5CX9g9lehiRN7HbX
2. Julius Eastman - Prelude to The Holy Presence of Joan D’Arc

https://youtu.be/uD2X0CwLxXI
3. Jasmine Barnes - Sometimes I Cry
https://www.jasminebarnescomposer.com/recordings

You can listen to these before or after the episode, or you can pause our podcast and go listen to each piece as we introduce them.

Panelists:

A native of Columbus, OH, Tirzah Washington started singing at a very early age. Tirzah received her Bachelor’s of Music in Vocal Performance and Pedagogy from Oakwood University in 2014. While in college, she enjoyed singing with the Aeolians, the premier traveling choir of Oakwood University. Tirzah was able to sing in many different countries with the choir including Wales, England, and Russia. Tirzah was able to continue training to be an opera singer and voice teacher at Peabody Institute, the School of Music for Johns Hopkins University. Tirzah received her Master of Music in Vocal Performance and Pedagogy from Peabody Institute in 2016. Tirzah loves to perform and has had the opportunity to sing on several stages in the Columbus area. One of her most recent achievements was receiving the Theatre Roundtable Award for Excellence in a Lead Role in a Musical for her performance as Celie in The Color Purple. She has been able to perform in many musicals including The Color Purple (Celie), Dreamgirls (Effie Understudy), Hair (Dionne), The Rocky Horror Show (Magenta), and Saturday Night Fever (Candy). Tirzah believes that music in any form has the power to change the world. She is excited to share her talents in any setting.

Baritone Rahzé Cheatham is a performer with a strong foundation in music, theatre art, and dance applications. This 2020-21 season, they appeared on the digital stage in the world premiere of Mallory, a chamber opera by Baltimore-based composer Nathaniel Wolfgang Parks, adapted for the brand new PoCo Podcast of the Podcast Opera Company. Later, Rahzé returns in the premiere another chamber opera, Our Final Thoughts on Arthur S. Hellerman, by James Warner Duquette. Previously, Rahzé joined Marin Alsop’s production of Leonard Bernstein’s ​MASS​ as a blues soloist and a member of the Street Singer ensemble. Further, they were featured as Hannah before in Laura Kaminsky’s chamber opera, ​As One​, opening at the newly redesigned Motorhouse in Baltimore, MD and closing on the John F. Kennedy Center Millennium Stage in Washington, DC. Rahzé currently holds a Bachelor of Music in Vocal Performance and a Music Theory from the Peabody Conservatory of the Johns Hopkins University.

Soprano, Carly M. Henderson holds a Bachelors of Music from Peabody Conservatory, under the direction of William Sharp. At Peabody, Carly premiered the role of Louisa in Now We Are Met by Andrew Posner; covered the role of Rose Maurrant in Kurt Weill’s Street Scene; performed as a Sprite in Massenet’s Cendrillion; in the chorus of Mozart’s Die Entführung aus dem Serail; and in the chorus of Poulenc’s Dialogues of the Carmelites. In the 2017-2018 season, she performed as Actor 2/Girl 3 in Courtney Kalbacker’s production of Errollyn Wallen’s Anon, including on the Millennium Stage at the Kennedy Center.
More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

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