
Episode 69: Memories in Connecticut
06/06/19 • 42 min
Hello Slushies, new and old. Welcome to another episode of the Slushpile! On this week’s podcast, we will be discussing poems by Yumi Dineen Shiroma.
First up is a MEGApoem and no, we are not over-exaggerating. However, here at the Painted Bride Quarterly, we always go big or go home, so Kathleen took two deep breaths and jumped right into reading the first poem, “Welcome to Connecticut”. Immediately, we were quick to realize that even though it would be a difficult one to read for a podcast, it was oh so worth it.
Samantha compared this to the work of Tommy Orange and his book, "There, There." Marion recalled Middlemarch, and other literary works came to mind (if we can call The Omen literary?).
This is a piece that took us into the mind of Yumi and its rhythm was “like a flood”. The crew felt as if the inner-dialogue brought them into a world of its own with memories so grand, we just want to stay in that moment, or literally-speaking, re-read certain lines to relive it.
This poem brought a lot of suppressed memories for our Tim Fitts, one of which was a terrifying flashback of a woman driving with a dog on her lap, while texting. The least she could have done was pick one reckless decision at a time, or better yet, just drive?
All in all, this fun and humorous piece awakened a wide range of emotions in the gang, and even had Kathleen’s thumbs up from the moment she read the title. Listen in, to find out the direction of everyone else’s opposable thumbs.
The next poem titled “A Surfeit of Saturation and Light / Hungry Ghost,” smartly used nouns as verbs and vice versa. Our own music genius, Tim Fitts, also said that this poem had a perfect pitch, so who are we to argue with that!
Yumi’s second piece was consensually described as "weird without being goofy" and "smart without being pretentious.” Now that would make a million-dollar t-shirt!
It seems both poems dived into the subconscious of the gang because Marion was reminded of the time she was possessed by demon in Singapore. You just have to listen to get the details.
Random yes, but after listening to this podcast, do you agree with Tim Fitts that people are going to start smoking again when the zombies come? In addition, how do they pronounce “water” where you live?
Yumi Dineen Shiroma is a PhD student in English at Rutgers University, where she studies the theory and history of the novel. Her poetry has previously appeared in BOMB, Hyperallergic, Peach Mag, and Nat. Brut, and her chaplet, A Novel Depicting "The" "Asian" "American" "Experience,"was recently published by Belladonna*. You can find her on Twitter at @ydshiroma.
Welcome to Connecticut, Land of Death and Rebirth
I had run through fields in white pants bleeding
from the eye I recalled as I ran through the field
in my white pants bleeding from the eye and you
walked beside me your briefcase your flannel your messenger bag
Your spontaneous face your spontaneous face your
spontaneous face where one won’t expect you are mine
in the field in the valley in the valley in the tunnel
spooled through your spatialized mind you are mine
as a tea-kettle whistles at the heat I love you
tryna drink my cold brew in the window as you walk
by and by and walk by and walk by in my cat’s eye
shade in your shade with the tassel in her ear I am yours
I run my virtual hand through her virtual hand
11:45 a.m. to 1:00 p.m. do yoga stare at trees, location:
trees. I grew so much this year your year gray
hairs an evening fishing for eels in the creek
a season overlays space the meeting of homogeneous
empty and messianic times where time informs our time
spent among any given spatial totality and you walk
by the window and
#thinking about #revenge again she shreds
the straw with my teeth the buttons done up
to the neck like you used to do again
the hand on my head the head-
stubble (oedipal, stacy suggests)
conference next slide none of the backs of the heads
look like you and a season overlays time like you in
cambridge a casaubon like dorothea
in rome a casaubon whose fits in the center
for rare books and special
collections prove non-fatal
the trick was throwing my phone in the compost moving
on with my life in my arms and I w...
Hello Slushies, new and old. Welcome to another episode of the Slushpile! On this week’s podcast, we will be discussing poems by Yumi Dineen Shiroma.
First up is a MEGApoem and no, we are not over-exaggerating. However, here at the Painted Bride Quarterly, we always go big or go home, so Kathleen took two deep breaths and jumped right into reading the first poem, “Welcome to Connecticut”. Immediately, we were quick to realize that even though it would be a difficult one to read for a podcast, it was oh so worth it.
Samantha compared this to the work of Tommy Orange and his book, "There, There." Marion recalled Middlemarch, and other literary works came to mind (if we can call The Omen literary?).
This is a piece that took us into the mind of Yumi and its rhythm was “like a flood”. The crew felt as if the inner-dialogue brought them into a world of its own with memories so grand, we just want to stay in that moment, or literally-speaking, re-read certain lines to relive it.
This poem brought a lot of suppressed memories for our Tim Fitts, one of which was a terrifying flashback of a woman driving with a dog on her lap, while texting. The least she could have done was pick one reckless decision at a time, or better yet, just drive?
All in all, this fun and humorous piece awakened a wide range of emotions in the gang, and even had Kathleen’s thumbs up from the moment she read the title. Listen in, to find out the direction of everyone else’s opposable thumbs.
The next poem titled “A Surfeit of Saturation and Light / Hungry Ghost,” smartly used nouns as verbs and vice versa. Our own music genius, Tim Fitts, also said that this poem had a perfect pitch, so who are we to argue with that!
Yumi’s second piece was consensually described as "weird without being goofy" and "smart without being pretentious.” Now that would make a million-dollar t-shirt!
It seems both poems dived into the subconscious of the gang because Marion was reminded of the time she was possessed by demon in Singapore. You just have to listen to get the details.
Random yes, but after listening to this podcast, do you agree with Tim Fitts that people are going to start smoking again when the zombies come? In addition, how do they pronounce “water” where you live?
Yumi Dineen Shiroma is a PhD student in English at Rutgers University, where she studies the theory and history of the novel. Her poetry has previously appeared in BOMB, Hyperallergic, Peach Mag, and Nat. Brut, and her chaplet, A Novel Depicting "The" "Asian" "American" "Experience,"was recently published by Belladonna*. You can find her on Twitter at @ydshiroma.
Welcome to Connecticut, Land of Death and Rebirth
I had run through fields in white pants bleeding
from the eye I recalled as I ran through the field
in my white pants bleeding from the eye and you
walked beside me your briefcase your flannel your messenger bag
Your spontaneous face your spontaneous face your
spontaneous face where one won’t expect you are mine
in the field in the valley in the valley in the tunnel
spooled through your spatialized mind you are mine
as a tea-kettle whistles at the heat I love you
tryna drink my cold brew in the window as you walk
by and by and walk by and walk by in my cat’s eye
shade in your shade with the tassel in her ear I am yours
I run my virtual hand through her virtual hand
11:45 a.m. to 1:00 p.m. do yoga stare at trees, location:
trees. I grew so much this year your year gray
hairs an evening fishing for eels in the creek
a season overlays space the meeting of homogeneous
empty and messianic times where time informs our time
spent among any given spatial totality and you walk
by the window and
#thinking about #revenge again she shreds
the straw with my teeth the buttons done up
to the neck like you used to do again
the hand on my head the head-
stubble (oedipal, stacy suggests)
conference next slide none of the backs of the heads
look like you and a season overlays time like you in
cambridge a casaubon like dorothea
in rome a casaubon whose fits in the center
for rare books and special
collections prove non-fatal
the trick was throwing my phone in the compost moving
on with my life in my arms and I w...
Previous Episode

Episode 68: Rooftops and Buttered Popcorn
It was a blustery day in Philadelphia when this podcast was recorded. That is how we learned that Tim is one of the few people who can say that the wind works for his hair.
To add to this trying weather, most of the crew was suffering from a terrible case of jet lag, as they had just come back from AWP's conference in Portland, Oregon.
After some light reminiscing about rooftops and candy in Portland, it was time to get into the poems! Get your buttered popcorn ready for the first piece written by Erin Kae, "Q&A: (Of World's Anatomy At The End)." This one opened the way for one interpretation after the other. However, the most important question remained: What would you do if you knew the world was about to end?
The next piece was by Amy Bilodeau. Due to its smart wording, "(It’s warm here inside the fierce)" many of the gang liked it before even trying to fully understand it. It just had that pa-zazz, you do not see too often in the world of poetry. Kathleen teased that she was stealing it for the title of her next album. (Even funnier if you ever heard Kathleen sing...) Also, Marion thought that the color schemes of this poem resembled that of Reginald Shepard's "You, Therefore." Do you agree?
Out of curiosity: What's your definition of fierce?
Somehow, the conversation took a complete one-eighty and went back around to Tim's hair, or should I say the lack thereof. Can't a balding man just live in peace around here? We keep him around for so many reasons, one of them being his ability to make nutball connections, like Amy’s poems reminding him of Ginger Baker, the drummer from CREEM.
Once we were able to get back into discussion mode, the second poem, "(The morning makes me nervous)" led to a discussion on the mysteries behind sleep. Tim pointed out how "everything changes at night" as the right brain takes charge and causes humans to show their true colors. Remember to ask your loved ones or wannabe’s to reveal their secrets once the sun goes down.
Today's recommendation is brought to you by Marion. She suggests that you all read "The Carrying" by a Ada Limón, a long-time friend of PBQ. Even better, finish it in one sitting and if possible, on a plane with a glass of champagne, or on a rooftop in Oregon. Whatever butters your popcorn!
Q&A: (OF WORLD'S ANATOMY AT THE END)
True/False: It is required that the Earth crack open, burst
its yolk before the end. Is there a certain sound you need
to hear? An anguish of language melted down inaudible—or fevered
droning spread over all corners?
True/True: Disregard the temperature, it’s only
going to get worse. You avoid the sun, bed
into the mantle, mark out a spot for all
to see you have had this dance before—licked
flames off old boxing gloves & waltzed
into fractured fault line breach.
False/False: There was the proverbial flash/bang & then
everyone was served popcorn while waiting
for it to be their turn. Of course it was buttered, extra
buttered—this is the end of the world.
False/True: You thought it would be much grander;
there’d be more splendor in this. Are you really putting hope
into structural integrity at a time like this? Act smart;
call it a crevasse—that sounds scientific enough.
If all else fails remember the real estate market
for lava is looking pretty good right now.
You/You: In the movie-version of what happened
you’ll call it Fissure Island.
How much more literal a name do you need? Toe
around it all you want, but at the end, the only way off
this rocky body is down. Bring a shovel
& your best dancing shoes.
Born and raised outside of Rochester, NY, Erin Kae is a proud graduate of SUNY Geneseo. Her poetry has been featured in Vinyl, Sonora Review, Crab Fat Magazine, andFugue among others. She was recently nominated for the Pushcart Prize by Aster(ix) Journal, and was selected as a finalist for the 2017 Locked Horn Press Publication Prize for their issue Read Water: An Anthology , 2019. Her first poetry chapbook, Grasp This Salt, is forthcoming from Finishing Line Press in 2019. She currently resides in Somerville, Massachusetts.(It’s warm here inside the fierce)
It’s warm here inside the fierce
Blithe belly of the beloved
The wedding was entirely gray
The way
I like it
There were guests
A cold colorful wind
Though we didn’t want them
The ring is gray on the
Gray mottled counter and the floor
Next Episode

Episode 70: Scalloped Potatoes (with apologies to Ohio)
Welcome back again Slushies! For this podcast, we had a full house ready to discuss three poems by Brandon Thomas DiSabatino.
The first poem was tuscarawas river song. Surprisingly, this piece initially erupted a discussion on the beautiful descriptions of a river, turned quickly to a dialogue on drugs. Trigger warning: This topic could possibly hit home for many of our listeners as opioids have become a pervasive problem, especially in our Slushpile’s home base of Philadelphia. We learned more about opiod overdose than we wanted to know.
But forget the drug problem! Joe Zang, our intrepid sound engineer, expressed the top problem today might just be the Ohio-ians, and he revealed his Instagram handle, so...go ahead and slide into his DM’s!
Challenge of the Day: Try saying “hog-tied whippoorwills” three times in a row as quickly as you can! Most of us could not even say it once.
Next up, a portrait of cave fires on walls as the first sitcom in syndication. The first thing that caught the eye of our crew members was the structure of the poem, which had many of us stumped: Its center juxification had the gang in a quite a tizzy! No need to fret, we think Joe may have cracked the reasoning behind this peculiar format. Listen in to find out Joe’s theory.
The last poem discussed was a department of corrections state-of-mind blues, which many of described perfectly as a fresh piece with crazy imagery and strong tone. According to Marion, it was quite witty as one of the lines specifically winked at her.
Plot twist! The final verdict left the cast stunned and even had some begging for a recount. Listen in to hear the final decision on this piece.
As this podcast comes to an end, Tim Fitts announced that Patrick Blagrave, a regular voter in Painted Bride Quarterly’s democratic process, started a magazine of his own, the Prolit and no! Tim did not just promote the new mag because his flash piece was published in it!
Finally, Marion gave a much needed thank you to Habib University's student journal. Habib is located in Karachi, Pakistan. We love to see students being afforded access to a creative writing outlets—around the world! Also, her recommended read for this podcast is Hajibistan by Sabyn Javieri.
Brandon Thomas DiSabatino was born in Canton, Ohio – the same town Hank Williams died in the back of a Cadillac to avoid playing in. He used to take pride in this fact, and has since been in contact with several psychic mediums as to the possibility of a posthumous rain-check performance for Mr. Williams to fulfill his outstanding contract. After several years of minimum wage, minimum effort work throughout the Midwest and Florida, he washed-up in New York and began writing as a way to compensate for the fact he would never be drafted into the NBA. His work for the theater has been performed in Cincinnati and throughout NYC, and his writing can be found in Belt Mag, Silver Needle Press, After the Pause, Stereo Embers and other publications. His full-length poetry collection, “6 Weeks of White Castle /n Rust,” is available from Emigre Publishing, with all proceeds benefiting his Faberge Egg habit. He now lives in Brooklyn with his partner Shelbi and their toothless, one-eyed cat, Leonard. He considers himself an adequate dancer and a decent American.
“tuscarawas river song.”
born sightless but
going into focus
w/ the softness
of an acetylene flame –
your eyes, blue animals
running from their own reflection
(torn-into) as a mouth
w/ the gums gone open:
for hog-tied whippoorwills
in mock poses of the living;
clouds balled w/ the fists
of arthritic gamblers;
naloxone canisters, clorox walls,
the hard asking of rain –
the rain
in the fashion of a human body
that does not fall
faster while laughing.
“a portrait of cave fires on walls as the first sitcom in syndication.”
the naked, midnight diners
are at it again, posed
in the windows
like an advent calendar
across from me. totems
of unwashed dishes
pile in the sink; heat
from hog grease peels
their wallpaper back.
a nightmare
of human real estate.
scalloped potatoes.
shrimp cocktails.
cheeto bags /n chicken-
fried steaks – every night
eating
vast servings in silence
sitting naked in generic, metal chairs.
they have never noticed i am here.
i have been watching them in darkness
since the utilities were turned off.
i ask myself
when will she give it up –
beat his head-in w/ a frying pan,
blow her b...
If you like this episode you’ll love
Episode Comments
Generate a badge
Get a badge for your website that links back to this episode
<a href="https://goodpods.com/podcasts/painted-bride-quarterlys-slush-pile-47823/episode-69-memories-in-connecticut-2367556"> <img src="https://storage.googleapis.com/goodpods-images-bucket/badges/generic-badge-1.svg" alt="listen to episode 69: memories in connecticut on goodpods" style="width: 225px" /> </a>
Copy