Out on the Wire

Out on the Wire is the show about making stories, step by step. Join cartoonist Jessica Abel as she breaks down the principles of storytelling and puts you on the path to crafting your own story—in prose, comics, audio, video—in any narrative art form, fiction or nonfiction. Featuring radio and podcasting star producers from This American Life, Radiolab, Planet Money, Snap Judgment, and many more. Listen, learn, and collaborate with us at jessicaabel.com/podcast to make something great.

Episode one is about ideas. We investigate how to find them and how to follow your taste with the help of Ira Glass, Alex Blumberg, Stephanie Foo, and more.

This is our 5th workshop episode, where we discuss work posted the Out on the Wire working group. This week, interviewing—we talk about space monks, schadenfreude, the value of interviewing vs. reading for research, and how to feel confident as you’re starting out doing interviews. Plus a report from group member Dean Johnson about his recent interview with a man who was begging for money at a gas station when they met.

It’s one thing to finish a story, it’s another to make stories your career. In our final episode of season one of Out on the Wire we talk to three creative professionals, Jakob Lewis of the podcast Neighbors, Dave Kellett of the comics Sheldon and Drive and the documentary Stripped, and Kelly Sue DeConnick, writer of the comics Bitch Planet and Pretty Deadly, about how they create their work, put food on the table, and make a life in the constantly shifting creative landscape.

Our stories are our babies, but not all babies are cute. This week, we figure out just how far we’ve still got to go when we take a finished draft of our own show and subject it to the cold scrutiny of an edit by Robert Smith and Jess Jiang of Planet Money. Our baby was kinda messed up, but he’s much prettier now.

Also: learn what makes Ira Glass mad, find out how editing is like biofeedback, and hear how Rob Rosenthal of the Transom Story Workshop and the HowSound podcast trains the next generation of expert producers and editors.

Céline Keller is making an autobiographical audio story about how she turned her life upside-down in order to raise two wild baby boars on her father’s remote farm in Germany. It sounded good on paper, but now she’s stuck in the dark, German forest, literally!

So for our 7th workshop episode we’re actually DOING this week’s challenge with Céline, one of our Working Group participants. The challenge was to collaborate in a focus session to try to move your story forward. We workshop her story together to try and help her find her way out of the Forest by going back and re-examining what’s catching her attention, the scope of the story, and how she can reframe the story to include the best elements of what she was working on, with a new, more focused direction.