Episode 30: The Postman Always Rings Twice and The Man Who Wasn't There

12/02/06 • 74 min

Out of the Past: Investigating Film Noir

In this double-feature podcast, Clute and Edwards investigate Tay Garnett's 1946 "The Postman Always Rings Twice" and the Coen brothers' 2001 "The Man Who Wasn't There"--considering their merits as films, and as adaptations of the novels of James M. Cain. While Garnett makes noir acceptable mainstream fare, with high production quality and glamorous stars like Lana Turner and John Garfield, his film loses the hauntingly arid psychology of Cain's novel. Conversely, the Coens decide not to adapt any one Cain story, but opt instead to recapture the tone of Cain's work; and Cain's heartache seen through the Coens' lens is the very picture of a radically new noir zeitgeist. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.

Previous Episode

Episode 29: Detour

Edgar G. Ulmer's 1945 film "Detour" is commonly lauded as a B-noir that overcame production limitations with artful minimalism. In this context, instances of obtrusive lighting and camerawork are viewed as minor blemishes--the best quality that could be expected from a poverty row feature. Clute and Edwards argue that the film should be granted a far greater measure of technical mastery, that the so-called flubs purposefully call attention to the very cinematic means used to construct the narrative.In this optic, the film is not good despite its "flubs" but great because of them; they render it a self-conscious noir meta-narrative--a film about the making of noir films. These qualities combine with a great script and superlative acting, by Tom Neal and Ann Savage, to create the template for all noir post-1945. This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.

Next Episode

Episode 31: Touch of Evil

Orson Welles's 1958 "Touch of Evil" is considered the last film noir of the classic period. Clute and Edwards investigate why it deserves this designation, arguing that it uses the conventions of noir in such a self-conscious manner that henceforth it will be impossible to tell a straight noir tale. Indeed the film is so self-conscious that it is no more a narrative than it is a demonstration of how to create film narrative. It is considered a great film for this reason, but also because it features myriad strong acting turns, stages Welles's dramatic demise as a Hollywood player, and contains story and character seeds that will come to fruition in films as different as "Psycho" and "Miller's Crossing." This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com.