Open-Door Playhouse
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Open-Door Playhouse is a monthly podcast harking back to live radio theater broadcasts. Created to introduce New Plays, New Writers, and... a wealth of unknown talent. Giving them the opportunity to have their works created in sound studios as opposed to live stage productions and presented on the Podcast as “Radio Productions.” Play submissions will be solicited online, outreach centers and word of mouth. Broadcasts will be once a month (to start) and grow as demand requires. Long term goal is to reach out to undeserved writing communities: prisons, school and community groups to provide an avenue to have their voices heard, via plays, short stories or poetry, and to establish Podcast as its own 501c3 organization.To submit your play contact:[email protected]
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Top 10 Open-Door Playhouse Episodes
Goodpods has curated a list of the 10 best Open-Door Playhouse episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Open-Door Playhouse for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Open-Door Playhouse episode by adding your comments to the episode page.
THEATER 84: The Christmas Goat
Open-Door Playhouse
12/07/22 • 15 min
Goat is disconsolate. There’s a Nativity Scene being mounted for public display at Christmastime. Goat has been shut out of it because there was no goat present at the time of the historical Nativity. Goat’s barnyard pal, Pig, has figured out a way for Goat to be the G.O.A.T. (Greatest Of All Time) participant in the Christmas festivities this year. Can you guess what Pig has planned for Goat?
Kim Hlavac directs a cast that includes Sue Gisser, James P. Gleason, Daamen Krall, Jeffrey S.S. Johnson, and Camille Ameen.
Dwayne Yancey is the playwright. The author of literally dozens of plays, he is also a journalist and novelist. He hails from the Blue Ridge Mountains of Virginia.
Open-Door Playhouse is a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented over 70 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to
everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 136: When He was Young and Pretty
Open-Door Playhouse
06/05/24 • 12 min
An older gentleman invites a younger man to his apartment for dinner. As the meal
progresses the two discuss the difficulties that each generation has delt with over the years; each contending that their generations has endured the harshest difficulties. As the conversation between the two fades, they acknowledge their similarities and the evening takes on a more personal tone.
Gary Lamb directs Daamen Krall and Michael Fletcher.
Collin Smith is the playwright. He has written for television (Man-babies) and film
(TIME:The Kallef Browder Story). He is also an actor. (Person of Interest, The Young Pope, As the World Turns, more).
During June (Pride Month), Open-Door Playhouse will include in its
programming plays that focus on the stories of LGBTQ characters.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To l
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 87: The Visit
Open-Door Playhouse
02/23/23 • 13 min
In the new short play, The Visit, Susan, a young housewife is just getting back to her normal routine after suffering a miscarriage. While getting back into housekeeping duties she receives a surprise wellness check from a representative from the emergency clinic where she and her husband rush to on the night of her miscarriage.
At first, she is touched by the thoughtfulness of the visit, but as the questions about her condition seem to run a bit off course, her feelings about the visitors inquiries take a more sinister turn.
Written by Hoyt Hilsman and Directed by Rachel Berney Needleman, starring Goreti da Silva as Vicky and Barika Phillips Bell as Susan.
The Visit was recorded at The Oak House Studio in Altadena, CA, Sound Engineer David Peters.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 86: Accepting Adina
Open-Door Playhouse
02/15/23 • 15 min
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 80: PART 3 - Penny Slots, Ladies Fly Home to Vero Beach
Open-Door Playhouse
10/27/22 • 14 min
Penny Slots Part 3, Ladies Fly Home to Vero Beach.. Written and directed by Kim Hlavac. Starring Victoria Hoffman, Marla Cotovsky, Carole Goldman, Goreti da Silva, Amy Marcs, and Kim Hlavac .. The Three Penny Slots Ladies have arrived from Rome, mishap-free, in Miami from their first class all-expense paid Good Morning America Italian Riviera Cruise. After clearing customs, we catch up with them boarding a private plane for their last leg to Vero Beach Regional Airport. Can these sassy three senior citizens survive the one-hour and eight-minute flight without chaos? Maybe or maybe not. Let’s see.........
Listen to Penny Slots Part 1
Listen to Penny Slots Part 2
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world w
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 79: Spell
Open-Door Playhouse
10/21/22 • 29 min
Spell. Written by Barbara Blatner. Directed by Bernadette Armstrong. Starring Sue Gisser, Christine Uhebe and Whitton Frank. A piece in verse. In this sequel to The Tempest, Ariel and Caliban contemplate revenge on Prospero.
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 94: A Falling Star at Buzzard's Roost - Episode 1
Open-Door Playhouse
06/13/23 • 15 min
(Hollywood, CA) On June 13, 2023, the classic American radio show gets a modern twist, as TV, Broadway and Rock stars join forces for the new musical: A FALLING STAR AT BUZZARD'S ROOST. Non-profit radio theatre company OPEN-DOOR PLAYHOUSE -- a 501c3 giving voice to new writers and actors -- proudly premieres this show, sponsored in part by
Shure Audio International and produced by Stage For A New Age (in cooperation with We Make Movies Productions). A FALLING STAR AT BUZZARD'S ROOST is the tale of a microphone, a meteorite and true love that transcends time! The story is set in a combination drive in/diner in Sylacauga, Alabama that famously shows the worst sci-fi movies ever made and boasts a small piece of a meteorite that historically fell on Anne Hodges in 1954. When Gabby's best friend Mo brings her Hollywood band The Flutterbyes to town, they plug in a vintage microphone once used by Elvis that mysteriously opens a wormhole in space and transports the cast back in time. Will Gabby learn hidden secrets of her family’s past? Will Mo find love at first sight? How will Gabby, Mo and The Flutterbyes find their way back home to 2023? How did real life suddenly become another bad sci-fi movie? Running just under 90 minutes, A FALLING STAR AT BUZZARD'S ROOST, is divided into four episodes (with ridiculous commercials) to allow fans to listen wherever and whenever they can.
THE CAST:
• Comedy greats Dave Foley (KIDS IN THE HALL, NEWS RADIO, YOUNG SHELDON) and Gary Anthony Williams (RENO 911, THE OUTLAW JOHNNY BLACK, BOONDOCKS);• TV bad boy/hearthrob Antonio Jaramillo (MAYANS M.C., SHADES OF BLUE);
• Broadway actresses Crissy Guerrero (IN THE HEIGHTS), Kacee Clanton (A NIGHT WITH JANIS) and Maureen Davis (INTO THE WOODS)
• LA theatre royalty, Aaron Lyons (PULP SHAKESPEARE);
• Newly-infamous all girl, all star sextet THE FLUTTERBYES (Maureen Davis, Sonia Sanchez, Claire Gohst, Paula Keane,
Emi Desire, Roni Lee) whose collective concert credits include DICK DALE, BERLIN, VAN HALEN, JOAN JETT, BIG BAD
VOODOO DADDY, DEKE DICKERSON, JAMES INTVELD and BIG SANDY.
A FALLING STAR AT BUZZARD'S ROOST was recorded at Studiopolis in Los Angeles by acclaimed voiceover engineer
Bryan Showalter and veteran voiceover artist and director Richard
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 152: Rise Up
Open-Door Playhouse
11/14/24 • 8 min
A young woman impulsively goes on a retreat----but it’s not exactly what she had in
mind. Rachel Berney Needleman directs Tiana Randall-Quant as Killi and Gita Redd as Suna.
Rachel Berney Needleman directs Tiana Randall-Quant as Killi and Gita Reddy as Suna.
Allie Costa is the playwright. She is an actor, writer, director, and singer working in film, TV, theatre, and voiceover. Her credits include Spring Awakening, 90210, Alien vs. Musical, Future Shock, Slayers: A Buffyverse Story, and You Me & Her. She's also appeared in commercials and podcasts, narrated audiobooks and documentaries, and lent her voice to video games and animated projects. Her work has been produced internationally, including the critically acclaimed Two Girls, Don't Shoot the Messenger Pigeon, Music of the Mind, Boxes Are Magic, and
Can You Keep a Secret? Occasionally, she sleeps.
http://www.alliecosta.com http://www.imdb.me/alliecosta
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 49: Metro
Open-Door Playhouse
11/16/21 • 13 min
Open-Door Playhouse is proud to announce the opening of METRO, a theatrical audio play starring Justice Davis and Erik Kwasnjuk. The play was written by Cris Eli Blak and directed by Gary Lee Reed.
METRO’s Backstory: Our story takes place in the most foreign of lands, a place that only the bravest of the brave go; where courageous adventurers must put plenty of thought into going. Yes, as you may have suspected, our story takes place in New York City - - the wild concrete jungle
Open-Door Playhouse is a 501c3 organization. Its theater podcasts introduce and showcase new plays, new writers, and a wealth of unknown talent. These podcast episodes are FREE to listen, and download and your donations are greatly appreciated.
To contribute your tax-deductible donations, please visit www.opendoorplayhouse.org/donate.
Theater Reviews From My Seat’s Play Review for Replacement Player and The Christensen Brothers: https://bit.ly/3FH46Gl
METRO’s Writer, Cris Eli Blak, an award-winning and international producer and playwright, has produced, performed, and published works from around the world. He continues to create works that reflect the world that we live in with all of its different and diverse colors, creeds, and cultures.
METRO’s Director, Gary Lee Reed, prior to COVID-19, directed the Gore Vidal play, The Best Man at the Lounge Theatre in Hollywood, and also the critically acclaimed All My Sons for the Theatre Planners. Other Theatre Planners directing credits include The Andersonville Trial (Grove theatre Burbank); And the World Goes Round (NOHO Arts center); The Story of Alice (Matrix); and Villa Thrilla (Atwater Village). As an artistic director of actors, he co-oped and directed Godspell; Most Happy Fella; Soldiers Song; Lights; Woman in Black; and To Kill a Mockingbird.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 23: Hannah
Open-Door Playhouse
02/23/21 • 14 min
Writer:
Michael J Moore
His books include Highway Twenty, which appeared on the Preliminary Ballot for the Bram Stoker Award, the bestselling post-apocalyptic novel, After the Change, which is used as curriculum at the University of Washington and the psychological thriller, Secret Harbor. His work has received awards, has appeared in various anthologies, journals, newspapers (including TheHuffPost) and magazines (including The Nation), on television and has been adapted for the theater. In particular, his play, Tomorrow is the Dream for the Hopeless was produced by The New Alchemists, and his play, Ninja Girl was performed in Seattle by Earthseed Seattle. Follow him at: twitter.com/MichaelJMoore20 or https://instagram.com/michaeljmoorewriting.
Cast:
Monique Gonsalves, as Hannah
Monique Gonsalves holds a BA in Theater Arts with an Emphasis in Acting from the California State University of Fullerton. She has enjoyed success as a Children’s Theater Director for Town Hall Kids at the Town Hall Theater in Lafayette, CA. As well as her extensive experience as a costume character performer ranging from Princess Parties as Barbie and Cinderella to singing telegrams as Betty Boop and various events as a Marilyn Monroe Impersonator. After many years of moving across America and living and loving in some of its greatest cities like Chicago and New York- she is happy to be back on the best coast ardently pursuing the dream in Hollywoodland.
Bill Mendieta as Keith
Bill Mendieta has been working in theatre in a variety of roles for many years. He is best known for playing Ricky Ricardo in I Love Lucy Live On Stage in Los Angeles, Chicago, and the 1st national tour for over 500 performances and in a new show presented at the National Comedy Festival. He earned the Broadway World Award for Best Actor.
He played a leading role in the award-winning film Soldier of God, Dead Border and She’s Out of His Mind. He’s also appeared on NBC’s Days of Our Lives and in the web series: The Sanctum and The Nevermore Chroni
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
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FAQ
How many episodes does Open-Door Playhouse have?
Open-Door Playhouse currently has 164 episodes available.
What topics does Open-Door Playhouse cover?
The podcast is about Drama, Theater, Podcasts, Arts and Performing Arts.
What is the most popular episode on Open-Door Playhouse?
The episode title 'THEATER 116: WIlly' is the most popular.
What is the average episode length on Open-Door Playhouse?
The average episode length on Open-Door Playhouse is 18 minutes.
How often are episodes of Open-Door Playhouse released?
Episodes of Open-Door Playhouse are typically released every 7 days.
When was the first episode of Open-Door Playhouse?
The first episode of Open-Door Playhouse was released on Jul 14, 2020.
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