Log in

goodpods headphones icon

To access all our features

Open the Goodpods app
Close icon
One Planet Podcast · Climate Change, Politics, Sustainability, Environmental Solutions, Renewable Energy, Activism, Biodiversity, Carbon Footprint, Wildlife, Regenerative Agriculture, Circular Economy, Extinction, Net-Zero - RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past

RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past

01/05/24 • 49 min

One Planet Podcast · Climate Change, Politics, Sustainability, Environmental Solutions, Renewable Energy, Activism, Biodiversity, Carbon Footprint, Wildlife, Regenerative Agriculture, Circular Economy, Extinction, Net-Zero

How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.

Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.

"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws.

And then if we think through that metaphor, then actually the laws do change.

All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."

www.sheldrake.org

www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20

www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20

plus icon
bookmark

How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.

Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.

"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws.

And then if we think through that metaphor, then actually the laws do change.

All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."

www.sheldrake.org

www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20

www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20

Previous Episode

undefined - What’s it like to film a supernatural thriller in darkness at minus 17 degrees? - Highlights - FLORIAN HOFFMEISTER

What’s it like to film a supernatural thriller in darkness at minus 17 degrees? - Highlights - FLORIAN HOFFMEISTER

“I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other.
When we were shooting I sometimes thought, there is this beauty about collaboration between a director, cinematographer, and production designer, and all these key people. And I'm more and more convinced there's some kind of conscious thing happening. And there's also something subconscious happening.”

How does the place we’re born influence our beliefs? What would it be like to live in a world run by women, where it’s perpetually night, and the dead can speak to the living? In this episode, we discuss the new season of HBO’s True Detective: Night Country with award-winning cinematographer Florian Hoffmeister.

Known for his work on Tár, Pachinko, Great Expectations, and most recently, the new season of True Detective, he's also known for his collaboration with director Terence Davies on the films The Deep Blue Sea and A Quiet Passion. His work on Great Expectations earned him an Primetime Emmy and a BAFTA in cinematography, and in 2022, he was nominated for the Academy Award for Best Cinematography for his work on Tár.

http://florianhoffmeister.de/
www.hbo.com/true-detective
www.imdb.com/title/tt2356777/?ref_=fn_al_tt_1

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo: Jodie Foster, Kali Reis · Photograph by Michele K. Short/HBO

Next Episode

undefined - Highlights - How do we navigate ambiguity, uncertainty & move beyond linear thinking? - RUPERT SHELDRAKE

Highlights - How do we navigate ambiguity, uncertainty & move beyond linear thinking? - RUPERT SHELDRAKE

"The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws. And then if we think through that metaphor, then actually the laws do change.

All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural."

How do we navigate ambiguity and uncertainty? Moving beyond linear thinking into instinct and intuition, we might discover other sources within ourselves that lie beyond the boundaries of science and reason.

Rupert Sheldrake is a biologist and author best known for his hypothesis of morphic resonance. His many books include The Science Delusion, The Presence of the Past, and Ways to Go Beyond and Why They Work. At Cambridge University, Dr. Sheldrake worked in developmental biology as a fellow of Clare College. From 2005 to 2010, he was director of the Perrott Warrick Project for research on unexplained human and animal abilities, funded by Trinity College Cambridge. He was among the top 100 global thought leaders for 2013, as ranked by the Duttweiler Institute.

www.sheldrake.org

www.amazon.com/Science-Delusion/dp/1529393221/?tag=sheldrake-20

www.amazon.com/Science-Set-Free-Paths-Discovery/dp/0770436722/?tag=sheldrake-20

Episode Comments

Generate a badge

Get a badge for your website that links back to this episode

Select type & size
Open dropdown icon
share badge image

<a href="https://goodpods.com/podcasts/one-planet-podcast-climate-change-politics-sustainability-environmenta-418137/rupert-sheldrake-biologist-and-author-of-the-science-delusion-the-pres-58014426"> <img src="https://storage.googleapis.com/goodpods-images-bucket/badges/generic-badge-1.svg" alt="listen to rupert sheldrake - biologist & author of the science delusion, the presence of the past on goodpods" style="width: 225px" /> </a>

Copy