American Reunion

Explicit content warning

01/03/25 • 58 min

On the BiTTE

A new year. A new us.

Well, not really. It's the same show basically, just a little older and tired. We're the podcast equivalent of just wanting to go to your bed and having a lie-down. Kinda like the old saps in this fourth (and final) mainline installment of the AMERICAN PIE film series (we're not counting all the straight-to-DVD films either).

This is AMERICAN REUNION! And we're back with this bunch of reprobates as they've hit full adulthood and struggling with the woes that come with that. Again, this is another excuse to see what nonsense Jim finds himself brutalizing his member over. It's hilarious.

Weren't the 90's awesome?

A new year. A new us.

Weren't the 90's awesome?

Previous Episode

Man Bites Dog (w/ Josh of Uncomfortable Brunch)

In the second part of our seasonally titled "DESCENDING INTO DARKNESS", we take you on a trip into a very whimsical murder. A faux documentary crew who follow a serial killer as he maims, murders, assaults, and offends his way through Belgium.

The blackest of black comedies and not for the faint of heart, actors and principal crew Remy Belvaux, Andre Bonzel and Benoit Poelvoorde's MAN BITES DOG embodies the very meaning of a cult classic even if you don't (and really shouldn't) agree with the content. One thing that really isn't up for debate is it does give us one entirely unique thing...a better English title than the translated one.

We do wish you a good Holiday Season and an even happier New Year, however...we do want to invite you to DESCEND INTO THE DARKNESS WITH US ALL!

Next Episode

Breathless

What's cool, full of vibrant colors, gets pretty sexy but also is a bit annoying to the point where you question the integrity of the central relationship? That's probably Jim McBride's remake of the 1960 Nouvelle Vague classic À BOUT DE SOUFLE (in English): BREATHLESS.

You might have thought: the most stringent of cinephiles would not touch a remake of this film with the longest of barge poles! It's a classic for a reason; however, this modern, pop-culture-filled, punky injection of 80's Neo-Noir cinema is much better than you might think. It takes some swings and hits most of them if you can get past the fact that Richard Gere's central character is one of the most annoying criminals in existence.

Join us as we continue down an odyssey of appreciating Mr. Gere in all his fine glory from 1983.