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No Safety Net - Javaad Alipoor / The Believers Are But Brothers

Javaad Alipoor / The Believers Are But Brothers

12/21/19 • 30 min

No Safety Net

UK-based artist, director, writer, and activist Javaad Alipoor explores the dark depths of the internet, toxic masculinity, and the online radicalization of disaffected young men in his play.

Experience The Believers Are But Brothers live, January 22-26, 2020 at the Arthur Miller Theater in Ann Arbor.

UMS's No Safety Net Festival is supported by the William Davidson Foundation, The Andrew W. Mellon Foundation, and the University of Michigan College of Literature, Science, and the Arts.

About the Artist

Javaad Alipoor is an artist, director, writer and activist who regularly makes theatre with and for communities that don’t usually engage in the arts. He is a Scotsman Fringe First and Columbia University Digital Storytelling Award winner. In 2017 his play, The Believers Are But Brothers, opened at Transform Festival in Leeds before transferring for a sold-out, critically acclaimed run at Summerhall at the Edinburgh Fringe, where it received a Scotsman Fringe First Award. The production then ran at London's Bush Theatre before its world tour.

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UK-based artist, director, writer, and activist Javaad Alipoor explores the dark depths of the internet, toxic masculinity, and the online radicalization of disaffected young men in his play.

Experience The Believers Are But Brothers live, January 22-26, 2020 at the Arthur Miller Theater in Ann Arbor.

UMS's No Safety Net Festival is supported by the William Davidson Foundation, The Andrew W. Mellon Foundation, and the University of Michigan College of Literature, Science, and the Arts.

About the Artist

Javaad Alipoor is an artist, director, writer and activist who regularly makes theatre with and for communities that don’t usually engage in the arts. He is a Scotsman Fringe First and Columbia University Digital Storytelling Award winner. In 2017 his play, The Believers Are But Brothers, opened at Transform Festival in Leeds before transferring for a sold-out, critically acclaimed run at Summerhall at the Edinburgh Fringe, where it received a Scotsman Fringe First Award. The production then ran at London's Bush Theatre before its world tour.

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