
James Welker, "Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans" (U Hawaii Press, 2024)
12/28/24 • 56 min
Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo
manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.
Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.
Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.
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Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women’s liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo
manga (girls’ comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan.
Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women’s and men’s magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume’s characterization of the era is also greatly enriched by interviews with more than sixty individuals.
Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border.
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Franck Salameh, "Lebanon’s Jewish Community: Fragments of Lives Arrested" (Palgrave Macmillan, 2018)
This was an interview that I felt only scratched the surface not only of the book, Lebanon’s Jewish Community: Fragments of Lives Arrested (Palgrave Macmillan, 2018) but of Professor Salameh's knowledge and understanding of the region. Our discussion spanned the ancient roots of the people of Lebanon through his personal story growing up in the multicultural city of Beirut through the current state of affairs in Lebanon. Growing up as a Maronite his first exposure to Jews in Lebanon was an absentee neighbor who would come to air out and check on the house maybe once a month. He did not know what to make of her - but then when he was studying for his Baccalaureate she sent a message that she was carrying out a nine day novena to the Virgin Mary on his behalf. This cross-culture was the basis for the thriving Jewish community in Lebanon.
Unfortunately we did not touch upon the interviews that he conducted as there was just so much to say. I want to share here one that puts things in context - he writes about Alain who lives today in Northern Israel, a mere two-hour car ride from his native Beirut but worlds away from the port city. Franck himself talks about the last time he was in Lebanon, in 2016, and how he felt he could never go back.
Another moving interview is that of Fady Galen who talks about wearing tefillin (phylacteries) in his Catholic school.
Through the good and bad it was so wonderful to speak about the possibilities and the fanatics. As Franck said, he is human and therefore the passion will show in his scholarly work and his writing - it definitely showed in our discussion.
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Harvey J. Kaye, "The British Marxist Historians" (Zero Book, 2022)
The British Marxist Historians, originally published in 1995, remains the first and most complete study of the founders of one of the most influential contemporary academic traditions in history and social theory. In this classic text, Kaye looks at Maurice Dobb and the debate on the transition to capitalism; Rodney Hilton on feudalism and the English peasantry; Christopher Hill on the English Revolution; Eric Hobsbawm on workers, peasants and world history; and E.P. Thompson on the making of the English working class. Kaye compares their perspective on history with other approaches, such as that of the French Annales school, and concludes with a discussion of the British Marxist historians' contribution to the formation of a democratic historical consciousness. The British Marxist Historians is an indispensable book for anyone interested in the intellectual history of the late twentieth century.
Harvey J. Kaye is the Ben & Joyce Rosenberg Professor of Democracy and Justice Studies at the University of Wisconsin-Green Bay, an award-winning author of numerous books, including Thomas Paine and the Promise of America, a frequent contributor to the Huffington Post and The Daily Beast, and a repeat guest on radio and television programs such as To the Best of Our Knowledge, the Thom Hartmann Show, and Bill Moyers' Journal.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter.
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