Eli Rubin, "Kabbalah and the Rupture of Modernity: An Existential History of Chabad Hasidism" (Stanford UP, 2025)

04/05/25 • 76 min

In Kabbalah and the Rupture of Modernity: An Existential History of Chabad Hasidism (Stanford University Press, 2025), Eli Rubin provides a comprehensive intellectual and institutional history of Chabad Hasidism through the Kabbalistic concept of ṣimṣum. The onset of modernity, Eli Rubin argues, was heralded by this startling idea: existence itself is predicated on a self-inflicted "rupture" in the infinite assertion of divinity. Centuries of theoretical disputations concerning ṣimṣum ultimately morphed into religious and social schism. These debates confronted the meaning of being and forged the animating ethos of Chabad, a dynamic movement in modern Judaism. Chabad's distinctive character and self-image, Rubin shows, emerged from its spirited defense of Hasidism's interpretation of ṣimṣum as an act of love leading to rapturous reunion. This interpretation ignited a literal conflagration, complete with book burnings, denunciations, investigations, and arrests. Chabad's subsequent preoccupation with ṣimṣum was equally significant for questions of legitimacy, authority, and succession, as for existential questions of being and meaning.

Unfolding the story of Chabad from the early modern period to the twentieth century, this book provides fresh portraits of the successive leaders of the movement. Innovatively integrating history, philosophy, and literature, Rubin shows how Kabbalistic ideas are crucially entangled in the experience of modernity and in the response to its ruptures.

Interviewee: Eli Rubin is a contributing editor at Chabad.org and received his PhD from the Department of Hebrew and Jewish Studies, University College London.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.

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Interviewee: Eli Rubin is a contributing editor at Chabad.org and received his PhD from the Department of Hebrew and Jewish Studies, University College London.

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Martha S. Jones, "The Trouble of Color: An American Family Memoir" (Basic Books, 2025)

Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”

Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.

Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.

Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Loretta Vandi, "Eufrasia Burlamacchi" (Getty Publications, 2025)

Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions.

This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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