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New Books in World Affairs - Elizabeth Maddock Dillon, “New World Drama: The Performative Commons in the Atlantic World, 1649-1849” (Duke UP, 2014)

Elizabeth Maddock Dillon, “New World Drama: The Performative Commons in the Atlantic World, 1649-1849” (Duke UP, 2014)

03/23/15 • 8 min

New Books in World Affairs

Riots, audiences on stage, fabulous costumes, gripping stories. That’s what theater was like in the Atlantic world in the age of slavery and colonialism. Elizabeth Maddock Dillon wonderful book New World Drama: The Performative Commons in the Atlantic World, 1649-1849 (Duke University Press, 2014) vividly invokes a transatlantic network of performances and their publics, and argues for the making of a performative commons that worked out tensions among societies bent on simultaneously profiting from, and negating the existence of, enslaved Africans and indigenous people. They did this in part through a tradition of dramatizing those very tensions on stage. The book is full of stories of how the riotous multitude witnessed and interacted with those performances, as plays, actors, music, and costumes made their way around the colonial Atlantic world.

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Riots, audiences on stage, fabulous costumes, gripping stories. That’s what theater was like in the Atlantic world in the age of slavery and colonialism. Elizabeth Maddock Dillon wonderful book New World Drama: The Performative Commons in the Atlantic World, 1649-1849 (Duke University Press, 2014) vividly invokes a transatlantic network of performances and their publics, and argues for the making of a performative commons that worked out tensions among societies bent on simultaneously profiting from, and negating the existence of, enslaved Africans and indigenous people. They did this in part through a tradition of dramatizing those very tensions on stage. The book is full of stories of how the riotous multitude witnessed and interacted with those performances, as plays, actors, music, and costumes made their way around the colonial Atlantic world.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Previous Episode

undefined - Kaeten Mistry, “The United States, Italy, and the Origins of Cold War: Waging Political Warfare” (Cambridge UP, 2014)

Kaeten Mistry, “The United States, Italy, and the Origins of Cold War: Waging Political Warfare” (Cambridge UP, 2014)

In the annals of cold war history Italy is rarely seen as a crucial locale. In his stimulating new book, The United States, Italy, and the Origins of Cold War: Waging Political Warfare (Cambridge University Press, 2014), Kaeten Mistry reveals how events in Italy proved surprisingly crucial in defining a conflict that dominated much of the twentieth century. For the United States, it marked the first intervention in the postwar era to influence events abroad through political warfare, the use of all measures ‘short of war’ in foreign affairs. Drawing particular attention to the Italian election of 18 April 1948, he explains how the campaign for the first national election of the newfound Italian republic marked a critical defeat for communism in the early cold war. The United States utilized a range of overt and covert methods against Marxist political and social power. Political warfare seemingly outlined a way to tackle communist strength more widely.

Analyzing American political warfare efforts against the Italian left allows Mistry to advance a number of important arguments. He shows how U.S. efforts were largely improvised and many key decisions ad hoc. While officials in Washington like George F. Kennan worked to institutionalize political warfare, Italian actors and a host of non-governmental organizations played a crucial role in the defeat of the Italian left, even if they did not always share the same agenda as American officials. Mistry emphasizes Italian agency, explaining how Christian Democrat Prime Minister Alcide De Gasperi pursued his own agenda to protect national sovereignty. The Vatican had its own objectives, as did trade unions, citizen groups, and multinational corporations. Other actors held a less rigid view of the Cold War than their American counterparts. In short, political warfare was more than an American story yet U.S. officials and commentators lined up to praise the election campaign as a distinctly American success. Mistry argues that this ‘perception of success’ contributed to an expanded use of political warfare, as U.S efforts turned to subverting communist power in Eastern Europe and, later, the Global South.

The work is a refreshing reminder of how foreign policy is rarely under the control of elite figures in Washington. Rather, it is subject to negotiation with various foreign and non-governmental actors. When viewed in this light, Mistry’s work is a useful reminder that governments will almost always invite trouble when they assume the ‘success’ of their efforts to shape events abroad, overlooking the role and motives of other peoples and groups, to make the case for intervention elsewhere. Enjoy.

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Next Episode

undefined - Amanda Rogers, “Performing Asian Transnationalisms: Theatre, Identity and the Geographies of Performance” (Routledge, 2015)

Amanda Rogers, “Performing Asian Transnationalisms: Theatre, Identity and the Geographies of Performance” (Routledge, 2015)

Identity, performance and globalisation are at the heart of the cultural practices interrogated by Amanda Rogers in Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance (Routledge, 2015).The book explores the global networks of theatre that have emerged between Asia, America and Europe, using a variety of policy, practice and political examples. The book argues that globalisation, and the attendant transnational flows of people and culture, has both the potential to create theatre careers and new, important, works, whist at the same time constraining individuals, communities and cultural forms. The book draws on a rich combination of ethnographic and interview data, along with theoretically informed cultural analysis, using examples ranging from The British Council and the Singapore Art Festival, through Asian American and British East Asian identities, to controversial performances of theOrphan of Zhao. The book will be of primary interest to cultural,geography and performance scholars, but has valuable insights for social science and the humanities more generally.

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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

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