New Books in Western European Studies - Robbert-Jan Adriaansen, “The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933” (Berghahn Books, 2015)

Robbert-Jan Adriaansen, “The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933” (Berghahn Books, 2015)

12/19/17 • 63 min

The German youth movement of the late Kaiserreich and ill-fated Weimar Republic has been a subject of controversy since its inception. The longing for community that drove the movement, and a sense of shared experience that members found on long hikes to historic sites, has been linked to everything from a revolution in conservative thought to the rise of Nazism. But how did the youth movement see history? Why did hiking become a bridge between the past and the present? What possibilities did members feel in the drumbeat of German history?

Find out in our discussion with Robbert-Jan Adriaansen about his new book The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933 (Berghahn Books, 2015). By examining the hiking reports of the youth movement, Robbert-Jan traces the development of historical thought among its members and how their experience of heritage became a vehicle to express hopes for the future.

Robbert-Jan Adriaansen is an assistant professor of history at the Erasmus University Rotterdam where he teaches historiography and the philosophy of history. His current research on historical reenactment is part of their interdisciplinary Research Excellence Initiative Project “War! Popular Culture and European Heritage of Major Armed Conflicts.”

Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title “Policing Hitler’s Critics.” He also cohosts the Third Reich History Podcast and can be reached at [email protected] or @Staxomatix

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Previous Episode

Anthony J. La Vopa, “The Labor of the Mind: Intellect and Gender in Enlightenment Cultures” (Penn Press, 2017)

Anthony J. La Vopa is professor emeritus of history at North Carolina State University. His book, The Labor of the Mind: Intellect and Gender in Enlightenment Cultures (University of Pennsylvania Press, 2017), is an erudite intellectual history that explores how cultivated men and women in early modern France and Britain thought about the intellectual capacities of each sex. The manly and feminine attributes of the mind were tied to bodily and social concepts of female weakness and sentiment and male strength and reason. Beginning with the seventeenth-century salon culture of Paris, in which women were dominant and within an expanding commercial print culture, women and men conceptualized the gendered notions of what was required for polite conversation and intellectual agility. The exertion of labor was set against the desirability of the creativity and ease of play. La Vopa examines the works of multiple prominent thinkers and the positive recasting of the labor of the mind and who was qualified to engage in it. The author also shows how those engaged in debate attempted to live out their ideal for intellectual life. In course of a century and half, ideas about the nature of intellectual labor and the limits of the gendered mind formed the foundations of modernity.

This episode of New Books in Intellectual History was produced in cooperation with the Society for U.S. Intellectual History.

Lilian Calles Barger, www.lilianbarger.com, is a cultural, intellectual and gender historian. Her current book project is entitled The World Come of Age: An Intellectual History of Liberation Theology, forthcoming in 2018 from Oxford University Press.

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Next Episode

Edward Ross Dickinson, “Dancing in the Blood” (Cambridge UP, 2017)

In his new book, Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War (Cambridge University Press, 2017), Edward Ross Dickinson charts the development of modern dance in the turbulent decades of the early twentieth century. Arguing that modern dance provided the aesthetic tools to address the central features of modernity, Dickinson illustrates its impact on Euro-American cultural life, as well as on ideas about gender, nation, race, science, spirituality, and selfhood. Furthermore, he ties the development of modern dance to the emergence of mass culture and the work of marketing modernity. As becomes evident in his analysis, these ideas were fraught with contradictions as modern dance was seen to be both chaste and sexual, scientific and spiritual, universal yet grounded in racial difference. Dancing in the Blood thus provides fascinating insight into the development of modern dance, not only as an artistic genre but as part of the larger project of modernity.

Edward Ross Dickinson is Professor in History at UC, Davis. He received his PhD from UC, Berkeley, and has taught at Victoria University in Wellington, New Zealand and the University of Cincinnati, Ohio. His research interests include the history of social policy, especially in the German child welfare system, and welfare policy in New Zealand; the history of sexuality in late nineteenth and early twentieth century Central Europe; and debates about sexuality, sexual morality and sexual radicalism in Europe and the US. He is completing a book-length interpretive essay on the history of the world in the long twentieth century, which will appear in 2018.

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