Trevor Wilson, "Alexandre Kojève and the Specters of Russian Philosophy" (Northwestern UP, 2024)
02/15/25 • 47 min
In this episode, Alisa interviews Dr. Trevor Wilson about his new book, Alexandre Kojève and the Specters of Russian Philosophy (Northwestern University Press, 2024). Their conversation delves into the intellectual currents of interwar Europe, placing the enigmatic figure of Alexandre Kojève into this unique cultural landscape. The conversation touches on how key philosophical concepts shift in translation, the influence of émigré culture, and the broader currents of Russian philosophy, including the philosophy of Sophia and Kojève’s vision of the "end of history." Dr. Wilson also reflects on the challenges of translating philosophical texts written in multiple languages (and Kojève’s notoriously illegible Russian handwriting).
Beyond philosophy, the conversation explores writing routines and the often-overlooked infrastructures that make academic work possible.
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In this episode, Alisa interviews Dr. Trevor Wilson about his new book, Alexandre Kojève and the Specters of Russian Philosophy (Northwestern University Press, 2024). Their conversation delves into the intellectual currents of interwar Europe, placing the enigmatic figure of Alexandre Kojève into this unique cultural landscape. The conversation touches on how key philosophical concepts shift in translation, the influence of émigré culture, and the broader currents of Russian philosophy, including the philosophy of Sophia and Kojève’s vision of the "end of history." Dr. Wilson also reflects on the challenges of translating philosophical texts written in multiple languages (and Kojève’s notoriously illegible Russian handwriting).
Beyond philosophy, the conversation explores writing routines and the often-overlooked infrastructures that make academic work possible.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
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Laurel Victoria Gray, "Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road" (Bloomsbury, 2024)
Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road (Bloomsbury, 2024) is the first comprehensive work in English on the three major regional styles of Uzbek women's dance – Ferghana, Khiva and Bukhara – and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics – not Russian ballet – to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.
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Shay A. Pilnik, "The Ravine of Memory: Babyn Yar Between the Holocaust and the Great Patriotic War" (Purdue UP, 2025)
The Nazis and their collaborators buried over 100,000 victims at Babyn Yar, a ravine in modern-day Ukraine. Most of the individuals were Jewish, making this area one of the most infamous mass murder sites in history. The Ravine of Memory: Babyn Yar Between the Holocaust and the Great Patriotic War (Purdue UP, 2025) starts when the travesty ends, telling the story of the ravine’s memory and forgetting in Soviet literature and culture—in Russian as well as in Yiddish. This book challenges the prevailing binary conceptions of Babyn Yar as exclusively a Holocaust or a “Great Patriotic War” story. It is neither the exclusive product of Soviet censorship nor individual dissidents. Babyn Yar is more than a physical space where untold horrors took place. Symbolically, it is the ultimate meeting point of so many disparate threads of Soviet culture: the state and the artist, the Jew and the non-Jew, and the Holocaust and the Great Patriotic War. Ultimately, it is a place that reveals the frailty and courage of those who bear witness to atrocity.
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