Iva Glisic, "The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930" (NIU Press, 2018)

05/21/20 • 62 min

New Books in Russian and Eurasian Studies

Futurism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda.

In The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018), Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did―and can―have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.

Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.

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Previous Episode

Anne Lounsbery, "Life is Elsewhere: Symbolic Geography in the Russian Provinces" (Cornell UP, 2019)

In her journey through the greatest monuments of 19th- and early 20th-century Russian literature, as well as through lesser-known works from women and regional writers, Anne Lounsbery (Professor and Chair of the Department of Russian and Slavic Studies at New York University) investigates the long-standing trope of the “provinces” – an imaginary space of static non-modernity where time stands still and where residents nurse an inferiority complex vis-à-vis the capitals of the Empire. In this conversation about her 2019 monograph Life is Elsewhere: Symbolic Geography in the Russian Provinces (Northern Illinois University Press, 2019).

Dr. Lounsbery discusses how the provincial space and person evolved in 19th-century literary culture, how it became a topic of fascination for scores of writers, how the literary provincial space differed from its reality, and how Russian literary explorers of this space related to their Western European counterparts.

Diana Dukhanova is a Visiting Assistant Professor of Slavic Studies at Brown University in Providence, RI.

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Next Episode

Coryne Hall, "Queen Victoria and the Romanovs: 60 Years of Mutual Distrust" (Amberley, 2020)

The balance of power in nineteenth-century Europe was anchored on one end by the redoubtable Queen Victoria (1819 -1901), the doyenne of sovereigns, and at the opposite end by the autocratic Romanov dynasty — four successive emperors who ruled Russia during Victoria's own 63-year reign. Between these great powers lay the rising military power of Prussia, which concerned both Britain and Russia, and a decaying Ottoman Empire from which both hoped to benefit, as well as shipping routes vital to both countries' commercial and military interests. These and numerous other concerns made the relationship tense at the best of times. But Victoria's large family was also entangled with the Romanovs through the complicated web of royal and dynastic marriages that linked the ruling houses of Europe.

These political and personal ties are the subject of royal biographer, Coryne Hall's new book, Queen Victoria and the Romanovs: 60 Years of Mutual Distrust (Amberley, 2020). Ms. Hall is a seasoned royal biographer and chronicler, who has delighted royal buffs with her authoritative biographies of Empress Maria Fyodorovna, Grand Duchess Xenia Alexandrovna, and her exploration of royal Princesses who served as wartime nurses as well as the Imperial estates in the Crimea. In "Queen Victoria and the Romanovs," Ms. Hall delves into the extensive trove of Queen Victoria's diaries and personal correspondence to construct an ambitious and highly informative portrait of her six-decade relationship with the Romanovs, which is at times cordial and diplomatic and at other times overtly hostile.

The first encounter takes place "off stage" as far as Victoria is concerned, but very much sets the stage for the tension to come. Victoria's aunt, Juliane of Saxe-Coburg Saalfeld's miserable marriage to Russia's Grand Duke Constantine ended — most extraordinarily for the time — in divorce. The Coburg family felt that Juliane had been very badly treated by the Romanovs, a sentiment that was inherited by the next generation of Coburgs, which included Victoria and her cousin and future husband, Prince Albert of Saxe-Coburg.

Before Albert linked his name in perpetuity with that of Victoria, however, the 20-year-old Queen was swept off her feet — quite literally— by the dashing Grand Duke Alexander, son and heir of Tsar Nicholas I. On a visit to London in 1839, the Grand Duke made quite an impression on the young Queen; all thoughts of poor Aunt Julie and the prudent warnings of Lord Melbourne and Victoria's Coburg Uncle Leopold, King of the Belgians, were forgotten as Victoria indulged in champagne and her first "crush" on the future Tsar Alexander II.

The heady attraction did not last. Though Nicholas I and Victoria exchanged courteous, diplomatic correspondence, they were destined to clash in one of the nineteenth century's most brutal conflicts: the Crimean War, in which the British prevailed and Nicholas was driven to an early grave.

Coryne Hall is the author of 12 books, including A Biography of the Empress Marie Feodorovna 1847-1928, Imperial Dancer. Mathilde Kschessinska and the Romanovs, and Imperial Crimea: Estates, Enchantment & the Last of the Romanovs. Follow Coryne Hall on Twitter.

Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History.

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