Joseph A. Seeley, "Border of Water and Ice: The Yalu River and Japan's Empire in Korea and Manchuria" (Cornell UP, 2024)

03/14/25 • 61 min

Icy, unpredictable, and treacherous, the dangers of the Yalu River were heightened in the twentieth century when it became the longest non-maritime border of the Japanese Empire. Border of Water and Ice: The Yalu River and Japan’s Empire in Korea and Manchuria (Cornell University Press, 2024) focuses on this river at this critical juncture, analyzing how imperial Japan attempted to harness and control this fluid border. By honing in on both human and nonhuman actors — including water, ice, timber cutters, smugglers, and anti-Japanese guerrillas — Joseph Seeley shows how the Yalu determined how borders were drawn, how imperial power was exerted, and how local resistance was enacted.

Using primary sources in Japanese, Korean, Chinese, and English, Border of Water and Ice is an important reminder of the importance of the nonhuman world. Employing the concept of “liquid geographies” to highlight the fluid motion of peoples, goods, and sediment across the Yalu borderland, the book shows readers how the water and ice of the river determined when and how Japanese authorities exerted their power, as well as how important the seasons were to resistance efforts.

This book will appeal to readers with an interest in environmental history, transnational history, the history of borders and borderlands, and those seeking a vivid portrayal of how ordinary reed-cutters, engineers, and smugglers experienced and navigated the intricate dynamics of imperial power, resistance, and the changing seasons along the riverbanks.

In addition to being available in both hardcover and paperback formats, Border of Water and Ice is also available as an ebook here.

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In addition to being available in both hardcover and paperback formats, Border of Water and Ice is also available as an ebook here.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

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Martin Spychal, "Mapping the State: English Boundaries and the 1832 Reform Act" (U London Press, 2024)

The 1832 Reform Act was a landmark moment in the development of modern British politics. By overhauling the country’s ancient representative system, the legislation reshaped constitutional arrangements at Westminster, reinvigorated political relationships between the center and the provinces, and established the political structures and precedents that both shaped and hindered Britain’s slow lurch towards democracy by 1928.

Mapping the State: English Boundaries and the 1832 Reform Act (U London Press, 2024) leads to a fundamental rethinking of the 1832 Reform Act by demonstrating how boundary reform and the reconstruction of England’s electoral map by the little-known 1831–1832 boundary commission underpinned this turning point in the development of the British political nation. Eschewing traditional approaches to the 1832 Reform Act, it draws from a significant new archival discovery—the working papers of the boundary commission—and a range of innovative quantitative techniques to provide a major reassessment of why and how the 1832 Reform Act passed, its impact on reformed politics both at Westminster and in the constituencies, and its significance to the expansion of the modern British state.

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Maggie M. Cao, "Painting US Empire: Nineteenth-Century Art and Its Legacies" (U Chicago Press, 2025)

Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025) by Dr. Maggie Cao is the first book to offer a synthetic account of art and US imperialism around the globe in the nineteenth century. In this work, art historian Dr. Cao crafts a nuanced portrait of nineteenth-century US painters’ complicity with and resistance to ascendant US imperialism, offering eye-opening readings of canonical works, landscapes of polar expeditions and tropical tourism, still lifes of imported goods, genre paintings, and ethnographic portraiture.

Revealing how the US empire was “hidden in plain sight” in the art of this period, Dr. Cao examines artists including Frederic Edwin Church and Winslow Homer who championed and expressed ambivalence toward the colonial project. She also tackles the legacy of US imperialism, examining Euro-American painters of the past alongside global artists of the present. Pairing each chapter with reflections on works by contemporary anticolonial artists including Tavares Strachan, Nicholas Galanin, and Yuki Kihara, Dr. Cao addresses important contemporary questions around representation, colonialism, and indigeneity. This book foregrounds an underacknowledged topic in the study of nineteenth-century US art and illuminates the ongoing ecological and economic effects of the US empire.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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