Tucker: The Man and His Dream

02/19/24 • 24 min

A genuine crowd-pleaser that couldn’t please enough crowds in 1988, Tucker: The Man and His Dream has finally found an audience. Tim defends 80s Coppola and calls out critics who dismissed his post-Godfather II output; Dan talks about the film’s enthusiasm for its subject and how that enthusiasm helps the viewer feel like those who find themselves in any great leader’s orbit. Steve Jobs, Elon Musk, Wordsworth, and Emerson all find their way into the conversation. Larry David may want us to curb our enthusiasm, but even he couldn’t keep Tucker down. So hold that tiger and give it a listen!

Steve Lehto’s Preston Tucker and His Battle to Build the Car of Tomorrow tells the story upon which Coppola’s film is based—and has a Foreword by Jay Leno, who owns one of the 46 or 47 Tucker Torpedoes in existence. You can find more information and photos at the official Tucker Automobile Club of America.

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Previous Episode

Jenna Ng, "The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie" (Amsterdam UP, 2021)

Screens are ubiquitous today. Yet contemporary screen media eliminate the presence of the screen and diminish the visibility of its boundaries. As the image becomes indistinguishable from the viewer’s surroundings, this unsettling prompts re.examination of how screen boundaries demarcate.

Through readings of three media forms – Virtual Reality; holograms; and light projections – The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie (University of Amsterdam Press, 2021) by Dr. Jenna Ng develops new theories of the surfaces on and spaces in which images are displayed. Interrogating contemporary contestations of reality against illusion, this open-access book argues that the disappearance of difference reflects shifted conditions of actuality and virtuality in understanding the human condition. These shifts further connect to the current state of politics by way of their distorted truth values, corrupted terms of information, and internalizations of difference.

The Post.Screen Through Virtual Reality, Holograms and Light Projections thus thinks anew the image’s borders and delineations, evoking the screen boundary as an instrumentation of today’s intense virtualizations which do not tell the truth. In the process, a new imagination for images emerges for a gluttony of the virtual; for new conceptualizations of object and representation, materiality and energies, media and histories, real and unreal; for new understandings of appearances, dis-appearances, replacement and re.placement – the post-screen.

This book is available open access here.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Next Episode

Conan the Barbarian

It’s easy for some people to laugh at Conan the Barbarian, John Milius’s 1982 film about Robert E. Howard’s most famous creation: it seems like the cinematic equivalent of middle-schoolers playing Dungeons and Dragons. But this is an honest (as in “unpretentious”) film with ideas: the pagan existentialism of Thulsa Doom, the theology of Subatai, and the difference between soldiers and warriors are all offered for the viewer’s consideration. It’s also oddly countercultural and conservative in its point of view. Join Dan and Tim for an appreciation of a wildly entertaining film that launched the career of Arnold Schwarzenegger and features one of the greatest movie soundtracks. We know the poetry of Khitai and the philosophy of Sung—so give it a listen!

Interested in reading the source material? Check out Robert E. Howard’s The Coming of Conan the Cimmerian, the first collection of Conan stories Howard wrote in the 1930s for Weird Tales magazine. You may also want to check out Total Recall: My Unbelievably True Life Story to hear Arnold talk of how much he and James Earl Jones enjoyed working with each other.

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