New Books in Eastern European Studies

Though commonly used today to identify a polity that lasted for over a millennium, the label “Byzantine empire” is an anachronism imposed by more recent generations. As Anthony Kaldellis explains in Romanland: Ethnicity and Empire in Byzantium (Harvard University Press, 2019), this has contributed to the denial of the ethnic identity that most denizens of the empire had of themselves as Romans. Kaldellis traces the origins of this process of denial to the 8th century CE, with the papacy’s turn to the Franks as their protectors. The efforts by the Catholic Church to de-legitimize the Eastern Empire as the legatee of ancient Rome denied the self-identification of its residents as Romans, one that is reflected in much of the surviving literature from this era. This identity was so widely embraced by the residents of the empire as to make it a largely homogenous state ethnically throughout much of its existence, one that absorbed many of the bands of people from other ethnic groups who migrated to the empire over the centuries of its existence.

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Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world. In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic. Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself. He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism. In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land.

In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”.

In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Writing in the 1920s, Winston Churchill argued that the First World War on the Eastern Front was "incomparably the greatest war in history. In its scale, in its slaughter, in the exertions of the combatants, in its military kaleidoscope, it far surpasses by magnitude and intensity all similar human episodes." It was, he concluded, "the most frightful misfortune" to fall upon mankind "since the collapse of the Roman Empire before the Barbarians." Yet Churchill was an exception, and the war in the east has long been seen as a sideshow to the brutal combat on the Western Front. Finally, with The Eastern Front: A History of the Great War, 1914-1918 (Norton, 2024)--the first major history of that arena in fifty years--the acclaimed historian Nick Lloyd corrects the record.

Drawing on the latest scholarship as well as eyewitness reports, diary entries, and memoirs, Lloyd moves from the great battles of 1914 to the final collapse of the Central Powers in 1918, showing how a local struggle between Austria-Hungary and Serbia spiraled into a massive conflagration that pulled in Germany, Russia, Italy, Romania, and Bulgaria. The Eastern Front was a vast theater of war that brought about the collapse of three empires and produced almost endless suffering. As many as sixteen million soldiers and two million civilians were killed or wounded in enormous battles that took place across as much as one hundred kilometers. Unlike in the west, where stalemate ruled the day, the war in the east was fluid, with armies embarking on penetrating advances. Lloyd narrates the repeated invasions of Serbia as well as the great battles between Russian, German, and Austrian forces at Tannenberg, Komarów, Gorlice-Tarnów, and the Masurian Lakes. All along, he takes us into the strategy of the generals who decided the war's course, from the Germans Ludendorff and Hindenburg to the Austro-Hungarian chief, Conrad von Hötzendorf, to the brilliant Russian Brusilov.

Perhaps the most radical aspect of the struggle in the east was that the violence was not confined to combatants. The Eastern Front witnessed calculated attacks against civilians that ripped the ethnic and religious fabric of numerous societies, paving the way for the horrors of the Holocaust. Lloyd's magisterial, definitive account of the war in the east will fundamentally alter our understanding of the cataclysmic events that reshaped Europe and the world.

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A gripping history of the Soviet dissident movement, which hastened the end of the USSR--and still provides a model of opposition in Putin's Russia.

Beginning in the 1960s, the Soviet Union was unexpectedly confronted by a dissident movement that captured the world's imagination. Demanding that the Kremlin obey its own laws, an improbable band of Soviet citizens held unauthorized public gatherings, petitioned in support of arrested intellectuals, and circulated banned samizdat texts. Soviet authorities arrested dissidents, subjected them to bogus trials and vicious press campaigns, sentenced them to psychiatric hospitals and labor camps, sent them into exile--and transformed them into martyred heroes. Against all odds, the dissident movement undermined the Soviet system and unexpectedly hastened its collapse. Taking its title from a toast made at dissident gatherings, To the Success of Our Hopeless Cause: The Many Lives of the Soviet Dissident Movement (Princeton UP, 2024) is a definitive history of a remarkable group of people who helped change the twentieth century.

Benjamin Nathans's vivid narrative tells the dramatic story of the men and women who became dissidents--from Nobel laureates Andrei Sakharov and Alexander Solzhenitsyn to many others who are virtually unknown today. Drawing on diaries, memoirs, personal letters, interviews, and KGB interrogation records, To the Success of Our Hopeless Cause reveals how dissidents decided to use Soviet law to contain the power of the Soviet state. This strategy, as one of them put it, was "simple to the point of genius: in an unfree country, they began to conduct themselves like free people."

An extraordinary account of the Soviet dissident movement, To the Success of Our Hopeless Cause shows how dissidents spearheaded the struggle to break free of the USSR's totalitarian past, a struggle that continues in Putin's Russia--and that illuminates other struggles between hopelessness and perseverance today.

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The Picnic: A Dream of Freedom and The Collapse of the Iron Curtain (Norton, 2024) is a truly fascinating narrative—exploring a little-known event that happened in the border area between Hungary and Austria in August of 1989, and ultimately contributed to the fall of the Berlin Wall and the Iron Curtain. This Pan-European Picnic, attended by Hungarian pro-democracy advocates and East German vacationers on one side, and Austrians on the other, took place in the shadow of the Iron Curtain that had cut through Europe since the onset of the Cold War. This Iron Curtain between East and West was militarized, dangerous, and, as the title makes clear, iron in quality. The border, during the Cold War, between the Eastern Bloc and the West was one that operated more to keep citizens inside as opposed to trying to keep others out. Longo’s work here is distinct from his previous work on the U.S./Mexico border and the way that borders are distinct wherever we encounter them. The Picnic is still exploring borders, but it is an examination of a particular event at this hardened and ideological border, and how that event, in the planning for it, and the repercussions from it, led to the opening of many borders, both real and mythical. Longo also takes a different approach to his writing and narrative in The Picnic, providing the reader with an understanding of all of these events from the words and experiences of those who lived through the events and some who had a hand in them as well.

The thread that traces through the entire story in The Picnic is this more elusive and complex idea of freedom. Freedom was at the heart of the activities that were planned and took place in August 1989, since the Hungarians and the East Germans were hoping to push on the literal and figurative constraints under which they lived in these Eastern Bloc countries. The understanding of the Cold War, at least from many in the West, was the denial of individual freedom, liberty, and autonomy—to have one’s life circumscribed by the state. And as we consider what happened in 1989—in June in Tiananmen Square, at this picnic in the backwoods of Hungary in August, and in the streets of Berlin in November—we often consider these events as the human drive towards freedom and against confinement. Longo tells part of this story, but through the words of those who were advocating for these political and ideological changes. The narratives also reflect on what happened after the end of the Cold War in Europe, what freedom ushered in, some of which was just as had been imagined. But there is also the underbelly that came with these openings of borders—the inflow of predatory capital, the rocky shifts away from socialism that have led, in a variety of places including Hungary, to a different form of authoritarianism. The Picnic: A Dream of Freedom and the Collapse of the Iron Curtain weaves together a variegated narrative telling a particular story from 1989 but also a longer, more complex consideration of the idea of freedom and liberty and the power of the state.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social

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