
Phuc Tran, "Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In" (Flatiron Books, 2020)
11/02/24 • 38 min
For anyone who has ever felt like they don't belong, Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In (Flatiron Books, 2020) shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature.
In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents.
Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes―and ultimately saves―him.
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For anyone who has ever felt like they don't belong, Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In (Flatiron Books, 2020) shares an irreverent, funny, and moving tale of displacement and assimilation woven together with poignant themes from beloved works of classic literature.
In 1975, during the fall of Saigon, Phuc Tran immigrates to America along with his family. By sheer chance they land in Carlisle, Pennsylvania, a small town where the Trans struggle to assimilate into their new life. In this coming-of-age memoir told through the themes of great books such as The Metamorphosis, The Scarlet Letter, The Iliad, and more, Tran navigates the push and pull of finding and accepting himself despite the challenges of immigration, feelings of isolation, and teenage rebellion, all while attempting to meet the rigid expectations set by his immigrant parents.
Appealing to fans of coming-of-age memoirs such as Fresh Off the Boat, Running with Scissors, or tales of assimilation like Viet Thanh Nguyen's The Displaced and The Refugees, Sigh, Gone explores one man’s bewildering experiences of abuse, racism, and tragedy and reveals redemption and connection in books and punk rock. Against the hairspray-and-synthesizer backdrop of the ‘80s, he finds solace and kinship in the wisdom of classic literature, and in the subculture of punk rock, he finds affirmation and echoes of his disaffection. In his journey for self-discovery Tran ultimately finds refuge and inspiration in the art that shapes―and ultimately saves―him.
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Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)
For fans of musical theatre, Stephen Sondheim is one of the true titans – the genius who brought us Sweeney Todd and West Side Story, Into the Woods, and Company. With acclaimed revivals of his landmark shows regularly performed in London and New York, and new generations being introduced to the man who forever transformed musical theatre, Sondheim’s legacy has only grown. What is it about such classic songs as ‘Being Alive’ from
Company, ‘No One Is Alone’ from Into the Woods, or ‘Send in the Clowns’ from A Little Night Music (to name but a few) that still resonates for so many?
In How Sondheim Can Change Your Life (Atria Books (North America) Ebury (UK and Commonwealth), 2024), Dr. Richard Schoch shows how Sondheim’s greatness (beyond the clever lyrics and adventurous music) lies in his ability to tell stories that speak to all of us. From Louise’s desire for freedom as Gypsy Rose Lee to Sweeney Todd’s thirst for revenge, the struggles we see in Sondheim’s characters are ones we all have – and we can learn valuable lessons from how those struggles are resolved.
Following the arc of Sondheim’s extraordinary career, How Sondheim Can Change Your Life is rich with stories and insights into the master’s creative process, and reveals the many ways that Sondheim’s works can enrich the lives of all of us.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Avi Shlaim, "Three Worlds: Memoirs of an Arab-Jew" (Oneworld, 2024)
In July 1950, Avi Shlaim, only five, and his family were forced into exile, fleeing from their beloved Iraq into the new state of Israel.
Now the rump of a once flourishing community of over 150,000, dating back 2,600 years, has dwindled to single figures. For many, this tells the story of the timeless clash of the Arab and Jewish civilisations, the heroic mission of Zionism to rescue Eastern Jews from their backwards nations, and unceasing persecution as the fate and history of Jewish people.
Avi Shlaim tears up this script. His mother had many Muslim friends in Baghdad, but no Zionist ones. The Iraqi Jewish community, once celebrated for its ancient heritage and rich culture, was sprayed with DDT upon arrival in Israel. As anti-Semitism gathered pace in Iraq, the Zionist underground may have inflamed it - deliberately.
Three Worlds: Memoirs of an Arab-Jew (Oneworld, 2024) celebrates the disappearing heritage of Arab-Jews - caught in the crossfire of secular ideologies.
Avi Shlaim was born in Baghdad and grew up in Israel. He is now a Professor of International Relations at St Antony's College, Oxford. His previous books include the critically acclaimed The Iron Wall and he writes regularly for the Guardian, Middle East Eye and other outlets.
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