Pandora
05/18/21 • 27 min
1 Listener
"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.
Today Natalie stands up for Pandora, she of the box. Which turns out to have been a jar, and not a box, or a casket, or any of the other receptacles that have been depicted as containing all sorts of evils, and of course hope. It's Erasmus' fault, for a 16th century mistranslation.
A mythological equivalent to Eve with a bit of Sleeping Beauty thrown in, Pandora is described as 'beautiful evil', an irresistible punishment meted out on mankind by the god Zeus, who is annoyed with Prometheus for stealing fire. Pandora is made from clay and given a lovely silvery dress by Athene, and from her all women are descended. Once her jar is opened by Epimetheus (he was warned! but he didn't listen), and all the evil flies out, then mankind's carefree life is at an end. So, not really Pandora's fault at all.
With Professor Edith Hall.
Producer Mary Ward-Lowery
"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.
Today Natalie stands up for Pandora, she of the box. Which turns out to have been a jar, and not a box, or a casket, or any of the other receptacles that have been depicted as containing all sorts of evils, and of course hope. It's Erasmus' fault, for a 16th century mistranslation.
A mythological equivalent to Eve with a bit of Sleeping Beauty thrown in, Pandora is described as 'beautiful evil', an irresistible punishment meted out on mankind by the god Zeus, who is annoyed with Prometheus for stealing fire. Pandora is made from clay and given a lovely silvery dress by Athene, and from her all women are descended. Once her jar is opened by Epimetheus (he was warned! but he didn't listen), and all the evil flies out, then mankind's carefree life is at an end. So, not really Pandora's fault at all.
With Professor Edith Hall.
Producer Mary Ward-Lowery
Previous Episode
Medusa
"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.
Today Natalie tells of Medusa, she of the snaky locks and stony glare. Medusa is truly terrifying, but she wasn't always a monster. She was once the most beautiful of the Gorgon sisters, turned into this hideous version of herself by the goddess Athene, after being 'seduced' by Poseidon. Which may make her - literally - the original monstered victim.
Natalie is joined by Professor Edith Hall, who says that Medusa is not just a victim or a monster. She's a beloved sister and mother (to winged horse Pegasus and hero Chrysaor). Her lithifying gaze gives her something in common with Midas but there's a difference in how we are invited to view them: we fear her and pity him.
Illustrator Chris Riddell draws Medusa as he talks to Natalie, contemplating how she managed her serpentine hair (a hairdresser's nightmare, presumably) and whether some kind of super-sunglasses might help out with the problem of turning everything she looks at into stone.
Producer, Mary Ward-Lowery
Next Episode
Jocasta
"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.
Today Natalie stands up for Jocasta, whose second marriage was to Oedipus. Now for some spoilers if you're thinking of watching or reading Sophocles' play Oedipus Tyrannus.
After some years of happy marriage and four children, Jocasta discovers that Oedipus is, in fact, her son, and the murderer of her first husband (his father) Laius. Jocasta only has a few lines in the famous play, but we learn a remarkable amount about her character. She is smarter than her husband, quicker to understand what's happening and its implications. She is courageous. And she is quicker to act.
The story - in all its forms - is still spellbindingly shocking today.
With Professor Edith Hall. Produced by Mary Ward-Lowery for BBC Audio in Bristol
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