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My Life in Concert.com

My Life in Concert.com

Various Artists

Welcome to the My Life in Concert podcast! Join me, your host Various Artists, on my musical time travel as I look back on (almost) every live gig I have seen from 1975 to the present. This podcast series started life as a blog on Salon.com’s late, great OpenSalon.com in 2010. It gained a regular readership there until OS closed in 2015, and is now being resurrected as a podcast in February 2020. I’ve been a lifelong tunehead and fan of many genres with a particular passion for live shows, big and small. And while I’ll be discussing the music played, the podcast won’t simply be a critique of the performance.People recall a gig’s small moments that can end up defining the event in one’s mental hard drive sometimes more than the tunes: what happened before and after; things seen and heard; technical malfunctions, musicians passing out on stage, etc. Therefore, the podcast is about the “concert-going experience” rather than simply being a description of the performance: a mixture of concert review, music history, memoir, and philosophical musing. While my main musical bases in the 70s were glam in the earlier part of the decade and punk in the latter half, my tastes have exploded through the years. The podcast will go on to encompass live concerts in many genres: r&b, jazz, folk, pop, electronic, hip-hop, country & Americana, pop, blues, reggae, and more.I grew up in and have returned to London, Ontario, Canada (with a 20-year stop in Ottawa). While I will be remembering shows from a variety of locations including Toronto, Montreal, Vancouver, Detroit, NYC, and more, many of the early episodes will focus on concerts that took place in the Forest City from the 70s through the 90s ... and now again in recent years (it will be Ottawa-heavy in-between.) There will be notable local visits by Elvis Costello, The Smiths, Iggy Pop, Marianne Faithfull, Radiohead, Joe Jackson, Steve Earle, k.d. lang, Gang of Four, and more. I’ll also have special episodes devoted to the local and regional live bands I saw regularly from the late 70s through early 90s. Along the way I’ll be dropping back into dearly departed local live venues including Fryfogle’s, the Cedar Lounge, the London Arena, the London Gardens, Bullwinkle’s, Wonderland Gardens, and the Embassy along with ongoing stalwarts like Centennial Hall and Call the Office. Outside of London, I’ll also be remembering great nights at long-gone venues such as NYC’s Danceteria, Toronto’s CNE Stadium, and Ottawa’s Barrymore’s.While London was my starting base, I’ll also be looking back on shows in Canadian and U.S. cities where I saw Neil Young, The Clash, Lou Reed, Aretha Franklin, Joni Mitchell, Janelle Monae, Sonic Youth, The Rolling Stones, Patti Smith, PJ Harvey, Ornette Coleman, Laura Nyro, Bootsy Collins (who head-butted me), The Jam, Paul McCartney, the Buzzcocks, Al Green, and plenty more. You can also check out the mylifeinconcert.com blog for written entries, original ticket scans, and related visual and audio; VATV My Life in Concert on YouTube for live clips; and follow us on Facebook. (Instagram coming soon!)Come out and join me at the show!
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Goodpods has curated a list of the 10 best My Life in Concert.com episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to My Life in Concert.com for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite My Life in Concert.com episode by adding your comments to the episode page.

Birmingham UK’s reggae outfit UB40 made two trips to London, Ontario, in the mid-80s, playing to a packed and joyous Centennial Hall on March 7, 1984, and then returning a year later almost to the week, to pack out Alumni Hall on the Western University campus on March 14, 1985.

The first show came on the heels of their international breakthrough with the “Red Red Wine” single and its accompanying covers album, Labour of Love, while they were riding high in the local charts with their Gefferey Morgan album for the ’85 show.

Special Guest Phil Robinson returns with his always splendiferous and humorous memories and observations. New Special Guest to the podcast and all-round wonderful person and broadcaster, Skye Sylvain joins us in piecing together a hilarious—and sometimes bumpy and not-so-mirthful for her—and very memorable ride through the events surrounding these two concerts, especially delving into the social stuff following the gigs and a particular interview with the band.

Tune in for further info about those group afterparties, setlist shockers, questionable album autograph signings, “excited” band “members,” contrasting memories about meeting Ali Campbell, Astro’s sweaty towel—once again we’re back to those sweaty towels that were a big part of the previous Episode 32 on the Stray Cats from 1983—a “whoopsy-daisy!” mortification moment that was part of a UB40 interview for Skye, and attempted strangulation.

You can also read the original 2015 blog entry at mylifeinconcert.com.

NEXT ON STAGE>After years of devoted fandom, I finally get to see the one and only Siouxsie Sioux and her plucky Banshees in a cavernous (but wonderfully air conditioned) venue on Toronto’s outskirts.

I’d been following Ms. Sioux since the early days of punk rock reporting in the UK press, and fell in love with their debut 45, “Hong Kong Garden” in 1978. It was a UK smash hit and remains one of my favourite singles of the ‘70s.

I was a Banshees nut from then on, and when I finally got to see them live in 1984, I was pretty damned stoked.

HOWEVER .......... this gig is Another in an ongoing sub-thread in the mylifeinconcert.com series that could be called Concert Disasters, with said Disaster happening before, during, or after the show—OR during all 3, for those extra-lucky occasions.

Frequently they involve some of the cheap and old cars I was driving in the 80s malfunctioning in some way. And this is the first of those Car Nightmare EPs.

Phil Robinson will also be back again to detail his memories of the show. We each went down with other people with meant Phil was spared the “journey” that the other 3 of us went through.

There will also be a new blog entry for this show.

So what the hell happened with this one? Tune in next time to find out. You’ll be hearing all about leg casts, “rumours of a gig,” smoking fuses, the little Honda that couldn’t ... and cities in dust.

And that is the name of upcoming Epsiode 34, Concert no. 026. Cities In Dust: Siouxsie & the Banshees with Images In Vogue, the International Centre, Toronto, Ontario, July 10, 1984.
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With this episode, the series jumps back in time to a Cabaret show I saw in Portsmouth, UK, in August 1977 with my parents when I was 14.

The cabaret took place between my first (Roxy Music at the London Arena, February 8, 1975) and second (Bob Seger at the London Gardens on May 19, 1978) official concerts.

My initial plan was to include it as part of an upcoming compilation episode.

However, I’ve decided that this cabaret was a unique live performance along with being the only one I ever saw with my now 96-year-old mother. Therefore, I am giving this show its own entry.

I wanted to take this opportunity to capture not only what she remembers of the event, but also her music-and-technology-related memories from her life growing up in the UK, having been born in December 1926.

Taking in this show with my folks occurred during a three-week trip to the UK. The vacation could not have possibly been more fortuitous for me.

I had been following punk rock from its 1975-ish NYC inception via the underground press, and then later the British arm of the punk scene through the weeklies (when I could get hold of or afford them) which was absolutely exploding through the UK at the time of my visit. Getting to be there and experience it happening real time was one of the luckiest tunes-y strokes of my life.

So, in this episode, I interview my mother about the music she’s enjoyed and seen live, but also about the variety of technologies she has used to hear and enjoy it, starting with her hand-cranked family radiogram in the 1930s through to her love of streaming music today.

Later on, I turn from looking at my mother’s musical youth to my own experiences, including this live cabaret show we saw in 1977, but even more so about the excitement and impact of being able to spend time in the UK at the peak of punk.

My mother had In Town Tonight. I had In the City. (Listen or read to find out more about all that).

Listen to the podcast to hear the full interview as she talks about the musical journey of her life.

Tune in for Worker's Playtime, “Attention K-Mart Shoppers!,” The Man in Black, children with acid batteries, revelations at Boots—or was it Woolies?—and what was Ethel Merman really like live?

Next on Stage -> I jump a bit more into the future with The Stray Cats at Alumni Hall here in London on March 26, 1983. Technically this should have been Episode 16 but, as with this 1977 entry, this show was initially meant to be included with the upcoming compilation episode.

I don’t have a ton of memories about this show, but luckily MLIC podcast regular Phil Robinson as well as Noëlle from the Police Picnic ’83 episode (no. 27) both have lots of great recollections from the night.

Tune in for stage dancing, artistic representations, Britt Ekland sightings, and what was the unforgettable message that Brian Setzer imparted to Noëlle backstage?

Episode 032 (Concert no. 025) Rock This Town: The Stray Cats with The Bopcats, Alumni Hall, Western University, London Ontario, March 26, 1983

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Ten days after the final Police Picnic in Toronto at the massive CNE Exhibition Stadium, I took in a more intimate, but hotly anticipated, show by the legendary Marianne Faithfull. The by-then gravel-voiced ‘60s pop icon and former Jagger paramour was in the final throes of a triumphant, early ‘80s comeback.

She was undertaking her first-ever tour of Canada, where her records had performed very well, conveniently beginning her tour at my local watering hole here in the Forest City.

The episode also features a four-minute interview that I did with Marianne six years after this gig, in 1989.

Tune in for thigh-slappin’ rhythms, shitfaced patrons, contented smiles and ... dangerous acquaintances.

Next On Stage –> This is the big one! THE ultimate! The single most anticipated show I ever attended, when I—along with my co-hort Miss Bennies—and 60,000 other fans, all of whom going Absolutely Freakin’ Bananas, moseyed on down to a packed CNE Exhibition Stadium on the Sunday night of a swelting Labour Day weekend in 1983, for DAVID BOWIE, on his Serious Moonlight tour for his worldwide smash hit album, Let’s Dance, with the great ROUGH TRADE opening the show and warming up the troops.

On the exact same weekend a year earlier, I had seen The Clash, and in the podcast for the show, Episode 18 and the blog entry as concert no. 12, I discuss how seeing them made for the most-anticipated gig I had attended up until that time.

Well, this David Bowie concert one year later—at the same venue but utilizing the full stadium—left that prior show’s sense of anticipation in the dust as I finally got to see the performer who had long occupied the No. 1 spot on my “Must See” list.

Bowie and his seventies output made a seismic and enduring impact on my life, and in this next episode I will discuss this along with looking at the actual show, on that gorgeous Labour Day weekend in 1983, ending one of the most memorable summers of my young life with an unforgettable climax.

Also, the great Rough Trade, another act I love and made an impact on me in the 70s and 80s, was the opening act, and I will be talking about them as well.

Tune in next time for life-changing radio Oddities, bamboo steamers among the Bowie masses, and the most exciting show of my life with Episode 29, Concert no. 22, Let’s Dance: David Bowie with Rough Trade, CNE Stadium, Toronto, Ontario, Canada, Saturday September 3, 1983

You can also read the initial blog entry at mylifeinconcert.com, broken down into two blogs: 022a. Changes: Bowie, The 70s, & Me; and 022b. Let’s Dance: David Bowie with Rough Trade, CNE Stadium Toronto, Ontario, Canada, Saturday September 3, 1983.
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It’s the third and final Police Picnic on August 5, 1983, once again at CNE stadium as well as the 4th and final consecutive summer of attending a huge, open air festival.

This time around the fest featured James Brown, Peter Tosh, King Sunny Adé, Blue Peter, and The Fixx along with the titular hosts.

While the first fest ran overlong but otherwise smoothly, the 1982 edition was the worst concert experience of my lifetime, even if the music was good.

As was also the case with 1982, this 1983 excursion came complete with a drug misadventure .... wait, scratch that last bit. What’s the opposite of “misadventure”?

For this episode, not only will Special Guests aka Phil Robinson be re-joining in looking back on this event, his pal from back in the day, Noelle, also joins us in this episode. The two of them went to festival along with a group of people and reconnect live for the first time since the 80s, and help each other piece together their experiences from that day.

So, it’s a first for the podcast, with a 3-way interview and reminiscence. We not only recall the show but also touch on late-night speakeasys, mammaried Police enthusiasts, how lucky we were to have The New Music, import 45s, and where did Simple Minds play here in London in the early 80s?

Tune in dear listeners for a euphoric day of great music, accidently taking narcotics, being trapped in a revolving door, smashed porcelain smokers on Queen Street West, and a goodbye to the tea-drinking Police, who were in Synchronicity with the world at that moment.

Click here to read the original 2011 blog entry.

Next on Stage -->: Join me next time as I recall one of my Top Three best shows I have ever seen here in my hometown of London, Ontario, Canada, when the one, the only, the legendary & the regal Marianne Faithfull grants us an audience on a packed-to-the-rafters Fryfogles on a steamy, August night.

This hotly anticipated show was a distinctly more intimate experience than the Police Picnic. By this point in time, the former Jagger paramour and ‘60s pop icon was in the final throes of a triumphant, early ‘80s comeback, triggered by her late 1979 LP Broken English, one of the true all-time classics. At this point in ’83, she was touring her third Island disc, A Child’s Adventure.

Conveniently, she began her tour at my local watering hole.

Indeed, this date kicked off her first-ever Canadian tour, with London lucking into hosting this debut performance.

Join me next time for thigh-slappin’ rhythms, backstage gossip, contented smiles and ... dangerous acquaintances.

021. (EP 28) Dangerous Acquaintances: Marianne Faithfull, Fryfogle’s, London, Ontario, August 15, 1983

Click here to read the original 2011 blog entry.

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The Velvet Underground’s John Cale comes to Fryfogle’s and plays an intense, riveting solo set in June 1983.

It was particularly extraordinary for me that I finally got to see him at this point in time, not only because I was way deep in Velvets-mania in the early 80s — with all the original Velvets albums finally being widely and easily available, arriving alongside “Edie: An American Biography” — but also because I ended up sitting cross-legged on the stage about two feet in front of Cale as he performed. Indeed, this was the best seat I have ever had at a live show!

And I thought I’d had it good during the previous fall when I got to park my elbows on centre stage during a Joe Jackson show (EP 19).

Tune in for a disciplined bladder, a set list of my dreams, and being able to see the pores on John Cale’s face.

Go to mylifeinconcert.com to read the original 2011 blog entry.

Next on Stage --> It’s the third and final Police Picnic on August 5, 1983, once again at CNE stadium as well as the 4th and final consecutive summer of attending a huge, open air festival.

While the first fest ran overlong but otherwise smoothly, the 1982 edition was the worst concert experience of my lifetime, even if the music was good.

As also was the case with 1982, this 1983 excursion came complete with a drug misadventure .... wait, scratch that last bit. What’s the opposite of “misadventure”?

For this episode, not only will Special Guests aka Phil Robinson be re-joining me to look back on the day, his pal from back in the day, Noelle, also joins us in this episode. The two of them went to festival along with a group of people and reconnect live for the first time since the 80s, and help each other piece together their experiences from that day.

So, it’s a first for the podcast, with a 3-way interview and reminiscence.

Please return next time dear listeners for a euphoric day of great music, accidently taking narcotics, being trapped in a revolving door, smashed porcelain smokers on Queen Street West, and a goodbye to the tea-drinking Police, who were in Synchronicity with the world at that moment.

Go to mylifeinconcert.com to read the original 2011 blog entry, (EP 27, no.19) Police Picnic ’83 featuring The Police, Peter Tosh, James Brown, King Sunny Adé, Blue Peter, and The Fixx: Walking on the Moon, CNE Stadium, Toronto, Ontario, Canada, Friday August 5, 1983.

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Flipper, San Francisco’s sludge rock contrarian refuseniks, come to town one month after that Beat/R.E.M. show from April of 1983. An evening of debauchery and over-indulgence ensues for myself and crew of people on that night, with Flipper — both as persons and performers — interweaving with us at various points of our night (and their lining up to see Return of the Jedi, too).

Tune in for missing persons, dangerous fire escapes, hostile groupies, and massed stimulant consumption.

Next On Stage –> June was bustin’ out all over when The Velvet Underground’s John Cale came to Fryfogle’s and played an intense, extraordinary set.
It was particularly extraordinary for me that I finally got to see him at this point in time, not only because I was way deep in Velvets-mania in the early 80s — with all the original Velvets albums finally being widely and easily available — but because I ended up sitting cross-legged on the stage about three feet in front of Cale as he performed.

Tune in next time for a disciplined bladder, a set list of my dreams, and being able to see the pores on John Cale’s face.

Click below to read the original 2011 blog entry.

(EP 26, no.18) John Cale: I Keep A Close Watch, Fryfolge’s, London, Ontario, Canada, Monday June 13, 1983

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One month after The Clash—and from one Joe to another—I take in a second, very different five-star, three-hour show from Joe Jackson.

This marathon set is the subject of Episode 19, Night & Day . Once again, the effervescent triumvirate of Lady B, Le Chateau et moi take in another concert together: one that far surpassed all our expectations.

And with the best view in the house.

The music was ebullient, spirited and unforgettable, even if a certain someone was intermittently beset by curmudgeonness.

This concert also marks my return to Alumni Hall on the campus of Western University for the first time since seeing Elvis Costello and the Attractions there in November 1978 (Episode 8, Concert no. 3). Luckily, the student rent-a-cops had officially chilled since then.

Stay tuned for on-stage elbows, the bitter toll of insincere clapping, and going into Another World.

Next on Stage: Three weeks after the Joe Jackson concert, Iggy Pop comes to town with Toronto’s bandaged electronic mummy, Nash the Slash, in tow.

I first and finally got to see Iggy the previous year when he gave a spirited performance at Police Picnic ’81, a festival I covered in EP 15: The Boiler.

So how did this second appearance, this time at the historic Wonderland Gardens, stack up against that first one from the previous year?

Please return next time dear listeners for musical scuffles, pushed buttons, and a mini lake of spilled beer.

To read the original 2011 blog entry, go to Episode 20 (Concert no. 14) Gimme Danger: Iggy Pop with Nash the Slash, Wonderland Gardens, London, Ontario, Canada, Wednesday October 27, 1982

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My last live show of the 1970s was an even smaller and more intimate gig than The Jam’s Toronto concert seven months earlier, featuring a trio of the city’s then most-prominent punk bands: NFG, The Regulators, and Sinners.

I’ll be discussing how important our local scenebut also local music scenes in generalwere and are, especially to and for marginalized people and communities.

1979 was the year I started seeing local live music in bars such as The Cedar Lounge and The York, something that would become akin to “breathing” in my life during the 80s and early 90s. These counterpoints to a local conservative milieu were an inspiration and creative oxygen for many outsiders within and around the municipality, not to mention providing an essential social service and network.

These nights out and this show pointed to where things in my life were going to be going.

Stay tuned for underage drinking, musical lifelines, and escaping before the police turned up.
NEXT PODCAST:
Dublin’s Boomtown Rats surfaced at the London Gardens in March of 1980: my first live show of the new decade.

They had been an obsession of mine over the previous 2.5 years since I had picked up their debut 45, the charging and furious “Lookin’ After No. 1,” on a trip to the UK in ’77. At this point, they were three albums in, superstars in the UK, and just coming off an international smash (except in the US), “I Don’t Like Mondays,” which went Top 10 here in Canada.

I kicked off a boatload of ‘80s gig-going in this freezing arena on a bitterly cold night (the bolt opposite of the Bob Seger steambath at this venue in 1978... so much for insulation), warmed up by an engaged and energetic Rats fronted by an animated Bob Geldof (the “Sir” and Live Aid were years in the future).

My pal “Special Guests”—then of London, Ontario, now of Leeds, UK—who you first met in Episode 3 on The Ramones, returns with his recollections and reflections on the evening.

Stay tuned for onstage pyjamas, photo awkwardness, and how our present shapes the memories of our past.

(EP 14, no.6) The Fine Art of Surfacing: The Boomtown Rats with B.B. Gabor, London Gardens, London, Ontario, Canada, Wednesday March 19, 1980 + A Meditation on the Amorphous Nature of Memory & Why the Present Is Always in the Past

(Get a sneak preview by reading the original 2010 blog entry here .)

Coming in December

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Here is Part Two of my look back at 22 Performances I Missed.

Since the Covid Summer of 2020 is also The Summer Without Live Music, I am going to pause my story and instead present two sets of podcast episodes devoted to performances that I missed by artists such as U2, Arcade Fire, The Grateful Dead, Simon & Garfunkel, Lollapalooza 2004, Bonnie Raitt, & more.

Hindsight is 20/20, or so the saying goes. So, for my Concert no.020 entry in the original blog series, I published a two-part tribute looking back at what DIDN’T happen: one remembering 20 specific performances/concerts I was slated to or wanted to see—but didn’t or couldn’t—from 1980 onward, and another listing the 20 Acts I Wish I’d Seen (and will never be able to) who were performing between the ‘20s and 1980.

The original list dates from 2012, and so I am updating it for 20/20 with two covid-related cancellations for what were to have been my first set of live shows of the new decade.

In this Episode 9B (no.020b) Waiting in Vain: 22 Performances I Missed (Part Two nos. 9-22 1991-2020), join me for the second of a heartwarming two-part podcast looking back at cancelled shows and tours, this time involving U2, Arcade Fire, Leonard Cohen, Simon & Garfunkel, The Grateful Dead, George Clinton, Bonnie Raitt, and more.
I'll be fondly remembering student penury, inclement weather, limited mobility options, instant sell-outs, undersold annulments, ticket-vacuuming bots, competing options and obligations, health-related complications, a global pandemic, and sometimes just being a lazy bugger.

NEXT PODCASTS:
Episodes 10 A&B will look back at the
20 Acts from the Past I Wish I’d Seen

Episode 11 will look back at the 40th Anniversary of the Heatwave Festival outside of Barrie, Ontario (Coming April 23, 2020).
Episode 12 (no.004) This Is the Modern World: The Jam with The Dwight Twilley Band, Rex Danforth Theatre, Toronto, Ontario, Canada, Tuesday April 10, 1979 (Get a sneak preview by reading the original 2011 blog entry here.) (Coming in September)
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After years of devoted fandom, I finally get to see the one and only Siouxsie Sioux and her plucky Banshees in a cavernous—but wonderfully air conditioned—venue on Toronto’s outskirts.

I’d been following Ms. Sioux since the early days of punk rock reporting in the UK press, and fell in love with their debut 45, “Hong Kong Garden” in 1978. It was a UK smash hit and remains one of my favourite singles of the ‘70s.

I was a Banshees nut from then on, and when I finally got to see them live in 1984, I was pretty damned stoked.

HOWEVER .......... this gig is Another in an ongoing sub-thread in the mylifeinconcert.com series that could be called Concert Disasters, with said Disaster happening before, during, or after the show—OR during all 3, for those extra-lucky occasions. (See also: Heatwave, Police Picnic ’82, Flipper, etc.)

Frequently they involve some of the cheap and old cars I was driving in the 80s malfunctioning in some way. And this is the first of those Car Nightmare Episodes.

Phil Robinson once again returns to the podcast to share his memories of the show. We each went down with other people with meant Phil was spared the “journey” that the other 3 of us went through.

There is also a newly-written blog entry for this show below.

So, what the hell happened with this one? Tune in to find out and hear all about leg casts, “rumours of a gig,” smoking fuses, the little Honda that couldn’t ... and cities in dust.

NEXT ON STAGE: I’ll be selecting and looking back on my favourite London, Ontario shows that I’ve seen through the years, as well as those I missed that I would most like to have seen.
Following that will be an episode looking at two concerts by The Smiths. Stay tuned for EP 36 I Know It’s Over: The Smiths with Billy Bragg, Kingswood Music Theatre, Canada’s Wonderland, Vaughan, Ontario, June 9, 1985; and with Phranc, Centennial Hall, London, Ontario, July 30, 1986.

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FAQ

How many episodes does My Life in Concert.com have?

My Life in Concert.com currently has 36 episodes available.

What topics does My Life in Concert.com cover?

The podcast is about Americana, Live Music, Punk, Electronic, London, Canada, Music, Music History, Podcasts, Memoir, Rock, Toronto, Alternative and Music Commentary.

What is the most popular episode on My Life in Concert.com?

The episode title '(EP 32, no.015.5) The Stray Cats: Rock This Town, Alumni Hall, UWO, London, Ontario, Canada, Saturday March 26, 1983 and Dr. Rockits, Wednesday, October 5, 1988 (also London) with Phil, Noelle, and Marc' is the most popular.

What is the average episode length on My Life in Concert.com?

The average episode length on My Life in Concert.com is 61 minutes.

How often are episodes of My Life in Concert.com released?

Episodes of My Life in Concert.com are typically released every 34 days, 18 hours.

When was the first episode of My Life in Concert.com?

The first episode of My Life in Concert.com was released on Feb 6, 2020.

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