MovieMaker

The Nicholl Fellowship is one of the most important and prestigious screenwriting competitions. There are countless articles online about how to win — but we thought it would be best to just ask the 2021 Nicholl Fellows about their achievement.

Here are their names and some details about their winning scripts:

Haley Hope Bartels (Los Angeles), Pumping Black: After a desperate cyclist takes up a team doctor’s dangerous offer, he seems on course to win the Tour de France. But as the race progresses and jealous teammates, suspicious authorities, and his own paranoia close in, he must take increasingly dark measures to protect both his secrets and his lead.

Karin delaPeña Collison (West Hollywood), Coming of Age: In 1965 Britain, Charlotte, a sheltered, studious schoolgirl, lands on a British Farce tour her mother stage manages, where private tutoring by company members replaces her formal schooling, with surprising success, and she experiences a Lolita-like flirtation in the morally wobbly era of Free Love, which leads both her and her mother to "come of age."

Byron Hamel (Winnipeg, Manitoba, Canada):Shade of the Grapefruit Tree: When a severely abused white boy befriends his sci-fi obsessed Black landlady, his fantasy of becoming a robot empowers him to recklessly confront his murderous stepdad.

R. J. Daniel Hanna (Los Angeles), Shelter Animal: A fiery, female prison trustee working at the county animal shelter finds purpose rehabilitating an abused pit bull, but her attempts to rally employees and the broader community for shelter

reform puts her own freedom at risk.

Laura Kosann (New York City), The Ideal Woman: Set in American suburbia during the Cuban Missile Crisis: A 1960’s ex-actress and housewife finds her house-of-cards world begin to tumble as she continues to be pitted against two identities.

Here's some information on how to enter the competition this year.

Hosted on Acast. See acast.com/privacy for more information.

In Juneteenth: Faith & Freedom, host and executive producer Rasool Berry travels to Galveston, Texas to learn about the real origins of Juneteenth, our newest national holiday. He talks with the descendants of the people who were emancipated on the first Juneteenth, June 19, 1865, to learn the true story of the day — and how the truth has been twisted to help people feel better about the past. He also met with Opal Lee, the grandmother of Juneteenth, whose long quest to gain recognition for the day ultimately led her to the White House.

You can watch the full film, Juneteenth: Faith & Freedom, here.

You may also know Rasool Berry from his podcast Where Ya From? And if not, check it out!

Hosted on Acast. See acast.com/privacy for more information.

Brandon Cronenberg looked to real life horror — from data mining to election meddling — to inspire the sci-fi/horror hybrid Possessor. Andrea Riseborough stars as Tasya Vos, a woman who carries out assassinations by taking control of other people's bodies using brain-implant technology.

Cronenberg talks to Eric Steuer about how his team used practical effects because skin and blood are particularly difficult to achieve realistically through CGI. He also talks about the real-life scientist who carried out experiments similar to those in Possessor.

And he explains how at one point Christopher Abbott plays Andrea Riseborough's character playing him.

If you like this episode, please subscribe and review us, and follow @EricSteuer and @MovieMakerMag.

Hosted on Acast. See acast.com/privacy for more information.

Vera Drew is the creator of The People's Joker, which evolved from an attempt to re-edit Todd Phillip's 2019 into its own completely original work of art — a very affectionate parody of Batman mythology and all the ideas it takes for granted.

Combining comedy, animation, and Tim Burton and Joel Schumacher's flair for cartoonish drama, it's a punkish, dreamy dismantling and rebuilding of Gotham as we know it, made with verve and daring.

We talk with Drew about making a microbudget masterpiece, dealing with some legal issues, and scoring a cameo by Robert Wuhl.

Hosted on Acast. See acast.com/privacy for more information.

Fisher Stevens' career in film has spanned four decades as an actor, writer, producer, and director. His latest movie as a director is Palmer, a very good indie drama in which ex-con Palmer (Justin Timberlake) returns to the small Louisiana town where he grew up and, through a series of events, ends up caring for 7-year-old Sam (Ryder Allen), a boy who is bullied for liking princesses, dresses, and dolls.

You can see Palmer now in select theaters and on Apple TV+.

Hosted on Acast. See acast.com/privacy for more information.