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MFM SPEAKS OUT

MFM SPEAKS OUT

Musicians For Musicians

Launched on February 14, 2020, the MFM Speaks Out podcast seeks to further the mission of the musician's rights advocacy organization Musicians For Musicians (MFM). Episodes are released monthly and feature interview-style discussions on issues that affect the creative rights of musicians. MFM represents a strong voice in the fight for making music a legitimate profession. The main hosts are MFM members Adam Reifsteck and Dawoud Kringle supervised by MFM President Sohrab Saadat Ladjevardi.
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Top 10 MFM SPEAKS OUT Episodes

Goodpods has curated a list of the 10 best MFM SPEAKS OUT episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to MFM SPEAKS OUT for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite MFM SPEAKS OUT episode by adding your comments to the episode page.

"I'm happy to continue exploring music for the rest of my life"

Our guest for this episode of MFM Speaks Out is Michael Harrison. Michael is a composer, pianist, vocalist, and music educator. His unique approach to piano includes the use of tunings and structures that extend the ancient concept of just intonation, and the incorporation of elements of Indian classical music. He studied piano from the age of 6, composition from the age of 17,and Indian raga from the age of 18. He attended Phillips Academy Andover, graduated from the University of Oregon with a B.M. in composition, where he later received the Distinguished Alumnus of the Year Award, then received his M.M. in composition at the Manhattan School of Music. After moving to New York City, he studied with La Monte Young through a Dia Art Foundation Apprenticeship-in-Residency, and also studied with master raga vocalist Pandit Pran Nath and Ustad Mashkoor Ali Khan. He’s a former faculty member of the Rhode Island School of Design, Manhattan School of Music’s Contemporary Performance Program, and the Bang on a Can Summer Institute. He is music director at Arts Letters & Numbers (a non profit arts, education, and publishing organization), and the co-founder and president of the American Academy of Indian Classical Music. In addition he was also a reputable music instrument retailer having been co-founder and partner of Faust Harrison Pianos and presently the co-founder and partner of Cantabile Harrison Pianos.

Topics discussed:

Michael’s beginnings as a musician and composer, his musical and spiritual inspirations, discussions about his compositions, his bridge building between Western and Indian classical music, his innovative use of tunings and temperaments, his innovative approach to the piano, his work as an educator and as a musical instrument retailer, and the business and economic realities of being a professional composer.

Music on this episode:

“Vision in the Desert”

“Mureed”

“Hayy: Revealing the Tones”

(All music written and performed by Michael Harrison)

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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"If one person's sense of value as a human being is renewed, their family, their community, all of us are affected by it in a positive way. We all benefit"

In this episode of MFM Speaks Out, our guest is Alina Bloomgarden. Alina was the original producer of Jazz at Lincoln Center (JALC), the Lincoln Center Reel to Real series, and Director of Visitors Services for 23 years, where she received the Directors Emeriti Award for outstanding achievement. Proposing that jazz had a rightful place at America’s preeminent performing arts center, she invited Wynton Marsalis to participate as Artistic Advisor. She produced the first critically-acclaimed seasons of Jazz at Lincoln Center. Alina is also the founder and executive director of Music On the Inside (MOTI), an organization that works with professional musicians to bring the transformative power of music education and mentorship to people who are incarcerated, facing the challenges of re-entry or impacted by incarceration.

Topics discussed: How did the Jazz at Lincoln Center Project begin, Wynton Marsalis' involvement in JALC, the founding of Real to Reel, founding Music On The Inside and introducing it to the Department of Corrections, MFM member's involvement in MOTI, and the positive response inmates have to the music programs and performances MOTI brings to the prisons.

Visit Music on the Inside at musicontheinside.org.

Visit Jazz at Lincoln Center at jazz.org.

Visit Musicians for Musicians at musiciansformusicians.org

Music featured on this episode:

"Embraceable You" (written by George and Ira Gershwin, performed by Wynton Marsalis)

"On the Sunny Side of the Street" (written and performed by Louis Armstrong)

"Havana Blues" (performed by Arturo O'Farrill and the Chico O'Farrill AfroCuban Orchestra)

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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"Music is service."

This episode of MFM Speaks Out will be different from our usual format. Dawoud Kringle will be interviewing his guest; a professional musician and recovering drug addict and alcoholic. Out of respect to our guest and the tradition of Alcoholics Anonymous and other substance abuse recovery programs, we are protecting our guest’s anonymity and referring to him as Dave. Our discussion will center around alcoholism, drug abuse, and substance abuse recovery among musicians.

Topics discussed: How did substance abuse and music enter Dave's life and how they intersected, the presence of drugs and alcohol, stigma of addiction among musicians, how it affected his life and career, the turning point where he decided he’d had enough, the difficulties of cleaning up and staying clean, and advice to musicians (and all others) who are suffering from drug and alcohol addiction.

Music featured on this episode:

"Cocaine Blues" (written by Porter Irving & Rev. Gary David [c. 1905], performed by Dave Van Ronk)

"Heroin" (written by Lou Reed, performed by The Velvet Underground)

"Master of Puppets" (written by James Hetfield, performed by Metallica)

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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"Success in music is not guaranteed, but as long as you are persevering and helping others along the way, you will reach your goals."

In this episode of MFM Speaks Out, Adam Reifsteck interviews conductor and pianist Geraldine Anello about immigrating to the United States from France in her early 20s which ultimately led to a career as a Broadway musician. Topics discussed include how she created an online community and professional development resource called Theatre Music Directors, the issue of gender inequality on Broadway, and finding a new creative outlet as a writer and poet during the pandemic.

Geraldine Anello has conducted Kinky Boots and School of Rock on Broadway, The Fantasticks off-Broadway, and played in the orchestras of Broadway’s School of Rock, Bronx Tale, Aladdin, and On the Town. She has also worked on the Broadway productions SpongeBob the Musical, An American in Paris, On Your Feet, and Matilda. Anello served as music director of We Are the Tigers off-Broadway, and of Renascence for the Transport Group, Finian’s Rainbow at the Irish Repertory Theatre, and Children of Salt at the New York Musical Festival.

Visit Geraldine Anello at geraldineanello.com

Order Geraldine's new book of poetry on Amazon.

The following music is featured in this episode:

Opening track: "Fragmented Fractals" by Adam Reifsteck featuring Geraldine Anello (piano) and Roberta Michel (flute)

Middle track: "Wallflower” from the musical We Are the Tigers by Preston Max Allen; Geraldine Anello, music director and pianist

Ending track: "Renascence” from the musical Renascence by Carmel Dean, Dick Scanlan. Edna St. Vincent Millay; Geraldine Anello, music director and pianist

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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“Stay true to yourself, and stay true to the game. If you give music your all, and be honest with yourself, you will be rewarded.”

In this episode of MFM Speaks Out, Dawoud Kringle interviews Royal Bayyan. Royal is a Musician, Songwriter, Producer, Music Supervisor, Personal Manager, Executive Brand Consultant. He played with and was a founding member of Kool & the Gang. He established several Production Companies such as Bayyan Internationale’, “The Forecast”, America’s Best Entertainment, Spook Productions Inc.& Urban Media Sound. He is the CEO of Raven Entertainment Group Distribution, partnered with Nile Rogers’ & Andy Uteroni, worked as a consultant for National R&B Music Society, Good Tree Media, Mos Def Mgmt, RUFF RYDERS Entertainment, and others.

Royal, individually or collectively with his family, has discovered, managed, developed, or produced artists such as: Freddy Jackson, Gloria Gayner, Latoya Jackson, Ray, Goodman & Brown, The Main Ingredient, Mos-Def, Teddy Riley, Pink, The TUPAC Poetry Project, Color Me Badd, and many others. He was the New York Entertainment Coordinator at Harlem World Promotions, and the A&R Director of Black Music @ The Sound of New York Records with Gene Griffin. Between 1988 & 1989 Royal & Kool Bell sponsored and promoted the “Def Jam in the Motherland Tours” in Africa with EPMD, Eric B and Rakim, and LL Cool J. On top of that, he's an accomplished jazz guitarist, instrumentalist, and songwriter.

The topics of the interview include Royal's beginnings as an early member of Kool and the Gang, the problems and pitfalls of the music business, the art of record production, Bringing live hip hop concerts to Africa, the evolution of music production, surviving in the music business, an alternative perspective of the COVID-19 pandemic and its effect on the music business, and the spiritual aspects of life as a professional musician and as a Muslim.

Visit Royal Bayyan at www.royalbayyan.com

The following music is featured in this episode:

Opening track: "Love & Understanding" by Kool & the Gang

Middle track: "All I Wanna Do” by Royal Bayyan

Ending track: "Corona Blues” by Royal Bayyan

(All tracks composed by Royal Bayyan)

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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Musicians With Attitude...in order to be active collectively you have to change as a person. So in order to become not only a better musician but also a better human being, you must change yourself.

In this episode of MFM Speaks Out, Dawoud Kringle interviews Sohrab Saadat Ladjevardi (a.k.a. SoSaLa). Ladjevardi is a saxophonist, composer, improviser, producer, entrepreneur, activist, and the founder and president of Musicians For Musicians (MFM. He has lived in and performed in Germany, Switzerland, Japan, and the United States as well as releasing several independently produced albums. The topics discussed focused on MFM, the ideas and philosophies behind it, its founding and history, Ladjevardi’s music and how it interrelates to the message of MFM, and the future of MFM and its place in the music community.

Visit SoSaLa at https://sohrab.info/ and at musiciansformusicians.org

The following music is featured in this episode:

Opening track: "Welcome Nu World" by SoSaLa, Hubl Greiner and Paul Amrod

Middle track: "Enough is Enough” by SoSaLa

Ending track: "Mystical Full Moon: Hymn for Ornette Coleman” by SoSaLa and Genetic Drugs

(All tracks released on Nu World Trashed).

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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"Employers benefit from the disorganization of freelance musicians. But when we come together and have conversations about our working conditions, there is a power that arises which brings about change."

In this episode of MFM Speaks Out, Adam Reifsteck interviews multi-instrumentalist Chris Reza about his work in the Broadway music scene. His performance credits include Fun Home, Radio City’s Christmas Spectacular. Book of Mormon, Matilda, How to Succeed in Business Without Really Trying and many more. Reza is also composer, lyricist, and book writer for the musical Question 1 , a satirical musical dramedy about a closeted politician who becomes the center of Maine’s 2009 same-sex marriage debate.

While serving as vice-chair of the Broadway Theatre Committee, the liaison between the Broadway Musicians Community and the American Federation of Musicians Local 802, Reza founded the Electronic Music Committee in early 2018 and served as its Facilitator through late 2019. He oversaw the development and rollout of Broadway’s first-ever industry-wide assessment of electronic music practices, the creation of Local 802’s first-ever Guide to Electronic Music, and the establishment of recommendations to help modernize our union’s contractual electronic-music provisions.

Topics discussed in this episode include Reza's approach to the music business, his insight into how musicians are coping during the coronavirus pandemic, the importance of becoming an activist, and his involvement with MFM.

Visit Chris Reza at chrisrezamusic.com.

The following music featured in this episode are:

Opening track: "Intermission Song" from the 2019 Off-Broadway Pulitzer Prize-winning musical A Strange Loop by Michael R. Jackson. Featuring Chris Reza on flute and tenor sax

Middle track: "Ring of Keys" from the 2015 Broadway musical Fun Home by Lisa Kron and Jeanine Tesori. Featuring Chris Reza on clarinet and flute.

Ending track: "Come to the Fun Home" from Fun Home. Featuring Chris Reza on tenor sax and flute.

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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"An Alternative (music business) infrastructure is one of the things that helps us keep this sustainable."

In this episode of MFM Speaks Out, Dawoud Kringle interviews Oakland, California based guitarist Karl Evangelista is among the new wave of 21st century experimental / improvisational musicians. His work blends contemporary improvised music with popular song, 20th century composition, psychedelic rock, free jazz, and multicultural concepts. The topics discussed include his beginnings and inspiration as a professional improvisational / experimental musician, his work with Oliver Lake, Fred Frith, Eddie Gale, Trevor Watts, Hafiz Modizradeh, Muhal Richard Abrams, Roscoe Mitchell and many others, his involvement in music education (including lecturing at UC Berkeley and directed guitar ensembles at the East Bay Center for the Performing Arts and San Francisco Waldorf High School, and as a licensed instructor in the Kinderguitar method), his prolific recording output, his GREX project with Rei Scampavia, his iconoclastic interpretation of John Coltrane's A Love Supreme, his approach to the music business, the production of four "Lockdown Festivals" during the coronavirus pandemic, music activism, and his involvement with MFM.

Visit Karl Evangelista at grexsounds.com

The following music featured in this episode are

Opening track: "Apura!" by Karl Evangelista w/Alexander Hawkins, Louis Moholo-Moholo, and Trevor Watts

Middle track: "The Other Mouses: by Grex

Ending track: "Acknowledgement: A Love Supreme" by Grex

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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"There needs to be a mechanism in place so that sampling is no longer a controversial issue and that all musicians are fairly compensated for their work." - Philo Farnsworth

In this episode of MFM Speaks Out, Adam Reifsteck interviews an electronic musician and founder of sampling record label Illegal Art who goes by the alias Philo Farnsworth about the use of samples in recorded music. the label gained immediate notoriety from legal threats surrounding Deconstructing Beck, a compilation made exclusively from sampling Beck's music. While Philo believes that the use of samples of music copyrighted by other artists is an expression of artistic freedom that does not co-opt or compete with the original music, there is a crucial difference between bootlegging/piracy and in the creative transformation of existing culture into new and original works of collage. Nevertheless, this obviously creates a bit of a dilemma in that the copyright holders should be compensated for the use. The solution will require both legislative and technological mechanisms for copyright clearance so that musicians and sound artists can be unhindered in their pursuit of furthering the art form of sampling. Other topics discussed are the evolution of Philo's music through the use of modular synthesis and his latest collaboration with the improvisatory ensemble the Shoshin Trio.

Visit Illegal Art at http://illegalart.net

The following music featured in this episode are:

Opening track: "Once Again" by Girl Talk, from the album Night Ripper

Middle track: "Lesson 2 (James Brown Mix)" by Steinski, from the album What Does it All Mean (Disc One - Retrospective)

Ending track: "Part 1, In Gratitude" by Yea Big and Shoshin Trio, from the album The Shape of Emptiness Now

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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"It's All About Building Relationships" - Jeffrey Green

Our guest today is Jeffery Green. Jeffrey is a professional sales engineer, musician, composer, and theorist with Sweetwater, the world’s largest online musical instrument retailer, based in Fort Wayne, Indiana. He holds a Bachelor of Music & Music Engineering Technology from Ball State University, where he also won a Distinguished Music in 2012. He holds certifications from Avid/Digidesign, Apogee, Moog Pro, and is skilled with recording, synthesizers, software/DAWs, MIDI, and controllers. He is also a talented and experienced cellist, with experience performing on the electric cello at raves, classical recital halls, clubs and festivals.

Topics discussed:

Jeffrey's beginnings and interest in the cello, his background in electronic music and recording, his career in musical instrument retail with Sweetwater, Sweetwater’s founder Chuck Surack. his certifications from manufacturers such as Avid, Apogee, Moog, etc., the unique ideas behind Sweetwater's campus and their philanthropic efforts, Providence Equity's purchase of a majority share of Sweetwater stock, the historical changes and predictions for the future of musical instrument retail, Jeffery's most unusual experiences in this business, and the relationship between MFM and Sweetwater and possible collaborating to empower musicians. He also offered some information about possible Sweetwater discounts for MFM members.

Music on this episode:

"Tangled" by Jeffrey Green and Steve Stoll, from the album Tangled, for the ambient label Datebloem in 2009

"Rift Raft" by Jeffrey Green and Griffin Green, for the TV series of the same name

"Cello Improvisation" Live performance by Jeff Green

Credits
Producer and host: Dawoud Kringle
Publisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat Ladjvardi
Technical support: Adam Reifsteck
Links
Be sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm\_association/).

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FAQ

How many episodes does MFM SPEAKS OUT have?

MFM SPEAKS OUT currently has 51 episodes available.

What topics does MFM SPEAKS OUT cover?

The podcast is about Entrepreneurship, Music, Podcasts, Business and Music Interviews.

What is the most popular episode on MFM SPEAKS OUT?

The episode title 'EP 32: Jeffrey Green on Musical Instrument Retail and its Relation to the Professional Musician' is the most popular.

What is the average episode length on MFM SPEAKS OUT?

The average episode length on MFM SPEAKS OUT is 64 minutes.

How often are episodes of MFM SPEAKS OUT released?

Episodes of MFM SPEAKS OUT are typically released every 27 days, 23 hours.

When was the first episode of MFM SPEAKS OUT?

The first episode of MFM SPEAKS OUT was released on Feb 14, 2020.

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