Material Girls

For our final regular episode, we decided to revisit Fan Studies! We begin with a review of our episodes on Foucault and authorship, Michel de Certeau and the tactics of the disempowered, Jane Tompkins and circulation and Michael Warner's idea of discourse publics. Even though it's our last regular Witch, Please episode, don't be fooled, our Transfiguration segment is a HEADY one and Hannah leads us through mind-bending theory about affective economies and affective economics (two different things!!). If you like feminist theory, you'll love the discussion of Sara Ahmed's 2004 article “Affective Economies," and if you're a media theory nerd (which we suspect you may be...), you'll appreciate when Hannah brings Henry Jenkins into the mix to think about the relationship between media industries and fandoms.

Ultimately, the conversation, inevitably, gets a bit meta and we apply our newly discovered/uncovered/learned theory to the test with a discussion about the changing face of the Harry Potter fandom, the fandom around Witch, Please the podcast and the radical possibilities AND limits of both.

For this episode, we invited our Faculty Club to join in for OWLS so if you hear some unfamiliar voices and brains at work, that's why! Big shoutout to our Faculty Club (a high Patreon tier) for helping us with this last episode and for the financial support. You're why Coach has the hours to add so many sound effects. Hoot, hoot.

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Hey you! We're launching a new show called MATERIAL GIRLS! We've shared our first two episodes on Patreon to get the input of all our Patreon supporters as we develop the series which will launch this summer after we wrap up the Appendix Season. Join our Patreon today to listen to the first episode of our new show and to get access to a ton of audio perks like unedited audio, bloopers, comics, Q&As, and so much more! Become a supporter at patreon.com/ohwitchplease. If becoming a paying subscriber isn't in the cards right now, no stress! Please leave us a review instead — it truly helps sustain the show. Of course, you can always follow us on Instagram or Twitter @ohwitchplease to stay connected. We need your help to start this next chapter of Witch, Please Productions!

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This week we've brought together the Who's Who of the Wizarding World for the event of the season you won't want to miss – an episode on Celebrity Studies! Notable guests include the winner of Witch Weekly's Most Charming Smile Award (five times in a row!) and Poor Famous Harry Potter, who can't even go into a bookshop without making the front page. With a little help from Colin Creevey's camera, we focus our critical lens on how celebrity is constructed in the Wizarding World and our own, what it means to be a 'reluctant celebrity', and how the fame of a certain Author Who Shall Not Be Named gives her license to publish utter nonsense and get away with it.

NB: You may notice that mid-way through this episode, Marcelle's voice starts to sound different. Unfortunately, her microphone failed while recording and we couldn't find the right spell to fix it!

Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!

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Citations:

Trevor Parry-Giles (2011) Harry Potter and the paradoxical critique of celebrity culture, Celebrity Studies, 2:3, 305-319, DOI: 10.1080/19392397.2011.609338

Susan K. Martin & Kylie Mirmohamadi (2014) Harry Potter’s Secret: The Rise of Publishing Sensations from Mary Braddon to J. K. Rowling, English Studies, 95:2, 131-148, DOI: 10.1080/0013838X.2014.882126

Su Holmes & Sean Redmond (2010) A journal in Celebrity Studies, Celebrity Studies, 1:1, 1-10, DOI: 10.1080/19392390903519016

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In this week's episode, we’re talking about the conspiracy theory that Canadian pop punk icon Avril Lavigne died and was replaced by a body double named Melissa. You heard us right! To help navigate the mess of this theory, we have an esteemed guest, Cristen Conger (she/her), who is deep in conspiracy discourse. Cristen is the cofounder of Unladylike Media, author of the book Unladylike: A Field Guide to Smashing the Patriarchy and Claiming Your Space and the host of the new breakout hit podcast Conspiracy, She Wrote. We absolutely love Cristen, her podcast and her perspective on how conspiracy theories begin, mutate, crawl into various corners of the internet and influence our relationship to what is real. Tune in for a discussion about Avril Lavigne's rise to popularity, the popular replacement theory, our cultural relationship to celebrity women's bodies and privacy, and so much more.

For more Cristen, check out Conspiracy, She Wrote! Follow her on Instagram @cristenconger and check out her website: https://cristenconger.com/

To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!

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Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.

*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.

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There are no book spoilers in this episode!

Fourth Wing by Rebecca Yarros (Entangled Publishing) was an undeniable hit in the world of romantasy fiction. But in a saturated market, how did Fourth Wing rise to such fame?

To get to the bottom of this book's popularity, resident publishing expert, Hannah explains how Entangled's market-driven approach to publishing and reader engagement set Yarros up for a certain kind of success. They then dig into the complexities of authorship and copyright in a rapidly evolving literary landscape — particularly in genres like romance and fantasy (i.e. genres that consistently play with and rely on tropes). To add some much-needed theory to the mix, Hannah draws on Foucault to consider "authorship" and the "the author function."

At the end of the episode, Hannah offers a thesis about authorship, originality and modern publishing that is not to be missed!

If you liked this conversation, be sure to check out these related episodes:

Bridgerton x Reading the Romance

Twilight x Girl Culture

The Night Circus x Reading Ecosystems

To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there!

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Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.

*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.

Music Credits:

“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020

Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Hosted on Acast. See acast.com/privacy for more information.

Here comes another Material Concerns episode containing new and familiar segments! In this episode, Marcelle gets an opportunity to sing her Kreacher Report remix (facilitated by our wonderful sound engineer, Malika) and Coach gives an update on Jodie. Hannah talks about her time in Duncan and Coach wreaks havoc with a new segment that stirs up some drama.

Reminder to head to Patreon.com/ohwitchplease to get part two!! For as little as $54/year, you'll get ad-free episodes, bloopers, a backlog of content and part two of all Material Concerns episodes! Head to patreon.com/ohwitchplease now to join a tier that works for your budget!

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Music Credits:

“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020

Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.

Hosted on Acast. See acast.com/privacy for more information.