
Severance x the Kafkaesque
Explicit content warning
04/08/25 • 67 min
1 Listener
In this (spoiler-free) episode, we give YOU, the listener, all the tools you need to confidently and appropriately use the term Kafkaesque the next time Severance comes up in conversation. During Why This, Why Now?, Hannah guides Marcelle through some very compelling ideas about the show's popularity (did someone say "pandemic?"). We then move into The Theory We Need where the conversation turns to Marxism, surrealism, anti-capitalism and, you guessed it, Franz Kafka! The best news? By the end of the episode, you earn a MUSIC DANCE EXPERIENCE! Not really, (because we're a podcast), but we do end the episode with Hannah's thesis about state power, repression of grief, corporate culture and entertainment — and in a way, isn't that just as "elite" and "coveted AF?"
To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there! We're currently doing a Patreon push, so please consider joining today to get all our extra perks, along with the backlog of bonuses!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Hosted on Acast. See acast.com/privacy for more information.
In this (spoiler-free) episode, we give YOU, the listener, all the tools you need to confidently and appropriately use the term Kafkaesque the next time Severance comes up in conversation. During Why This, Why Now?, Hannah guides Marcelle through some very compelling ideas about the show's popularity (did someone say "pandemic?"). We then move into The Theory We Need where the conversation turns to Marxism, surrealism, anti-capitalism and, you guessed it, Franz Kafka! The best news? By the end of the episode, you earn a MUSIC DANCE EXPERIENCE! Not really, (because we're a podcast), but we do end the episode with Hannah's thesis about state power, repression of grief, corporate culture and entertainment — and in a way, isn't that just as "elite" and "coveted AF?"
To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back in two weeks with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Thanks again to all of you who have already made the leap to join us there! We're currently doing a Patreon push, so please consider joining today to get all our extra perks, along with the backlog of bonuses!
***
Material Girls is a show that aims to make sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.
*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both. Materialist critique is really interested in the question of why a particular cultural work or practice emerged at a particular moment.
Hosted on Acast. See acast.com/privacy for more information.
Previous Episode

Material Concerns: We're Going Weekly! Pt. I
We're going weekly, folks! We're so excited to kick off this new schedule with Part I of Material Concerns. In very fun news, Coach is now our third co-host on these episodes which means 33% more chaos, new segments (including recommendations, a creature report, and improv). To listen to Part II, head to our Patreon right now! We're doing a Patreon push during the month of April to hit $7000/month (to better support our team!) so you if you join by May 1, you'll be helping us hit our goal! Check out your membership options at patreon.com/ohwitchplease.
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
Next Episode

Material Concerns: Not for Everyone! Pt. I
On this week's Material Concerns, we revisit some familiar segments and introduce some new ones! We also make an official request for jingles to be emailed our way at [email protected]. We sing, we giggle, we give recs, and so much more. Happy listening!
This month, we're running a Patreon push! We need to hit $7k/month to sustain our show and the labor that goes into making it possible! Please consider joining today for as little as $54/year. You'll get ad-free episodes, bloopers, a backlog of content and part two of all Material Concerns episodes! Head to patreon.com/ohwitchplease to join a tier that works for your budget!
***
Music Credits:
“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020
Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”.
Hosted on Acast. See acast.com/privacy for more information.
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