Coming (Back) to America

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Music today via www.freemusicarchive.org through Creative Commons licensing by Evil Bear Boris and Lee Rosevere. Social media assistance by Kris Shapar. Show image via Flickr through CC licensing https://www.flickr.com/photos/concellon/. Produced and hosted by Gregory Haddock.

understanding White Power

Black Power. White Power. BET, the Black Entertainment Television network. The White Entertainment Television (which would be the unfortunate acronym WET).

Let’s face it. For good reason - the term “white power” invokes almost the exact antithesis of that sentiment. It stokes fear, manipulation, inequality, and it perpetually pokes and prods the scar tissue of a wound never quite healed, occasionally reopening it for all to see the damage inside.

There is a plenitude of writing, argumentation and critical thinking in support of the position that “white power” should be a statement and mentality closeted for good. A position that has exposed the many inequities given toward people disenfranchised not only for the color of their skin, but their country of origin, their culture, sexual orientation, gender identification, and the list goes on and on. This conversation could be expanded to the treatment of Native Americans, to Eastern Europeans, Asian, and those of Middle-Eastern decent. We could have an entire discussion about the relationship between whites and Hispanics, and the obvious problems of treating everybody south of the American border as simply “Mexican”. Because of the limited scope a single podcast episode can offer, I focus on our true original sin as a nation - that of slavery. And no other racial group in America knows that as well as that of African-Americans.

But this isn’t really even about them right now. Now if you are progressive or conservative you might already be weary of where I’m heading with this, but I’m asking you to hear me through to the end of this, because I’m going to do the rather unwise act of a defense of white power.

What we don’t hear enough of is thoughtful exploration of the foundation of the fears of a dissolving “white power” that acts out in anger as it lies on the cusp of a major global shift of power. That shift being this: White European ancestry is no longer a guarantee of prosperity, and the demographic changes happening in Western Countries is rapidly resulting in a diminishing dominance economically, culturally, and ideologically.

Many may say “Good!” This is exactly what we need more of or less of - whatever the proper grammar here is.

Okay, but if you are a straight white male, born and raised in the US of A, and you “did” all that you were supposed to do as a proud American, and for the last 40 years you’re seeing progress or what looks like progress in any case of all other groups around you - except that of your own home - you are likely to become extremely confused, and then scared, and then angry. More so, as the final throes of this involuntary acquiescence of social capital becomes more and more evident - those unwilling to give in to change may become violent as their options become seemingly less and less. Hence, Charlottesville.

So if confusion fuels fear, which fuels anger, which fuels violence, we need to understand where the confusion comes from. I come from a white-dominated, small, middle-America town. And in some ways I feel I can say I was witness to, even participatory in what W.E.B. Du Bois eloquently called “double consciousness”. The black scholar coined this term at the turn of the 20th century to give vocabulary to the huge numbers of black Americans, many of the time still living vivid memories of slavery, a way to describe the feeling of being trapped between various identities. “Who am I?”

I’m well aware that co-opting a black scholar’s work that was intended for a black audience to describe white culture is culturally taboo. I’m aware it is incredibly insensitive and not much less than radically inappropriate. But, using this term speaks so well to the point I am making. In many ways, white culture has been co-opting Black culture for at least a century. Art, fashion, and music have been cornerstones of Black-American culture. Blacks in America have had to create identity for themselves in a way that whites never could imagine. For this reason, I’m sure it must be rather frustrating to many whites when they see how they’ve been “kept out” from a culture that is understandably reluctant to let them in.

Hip-hop and rap is a prime example as many white people are consistently reminded that the music they buy, listen to, and learn the lyrics of is not intended for them. This ...