
Love That Album Episode 151 - Interview with Serge Fiori of Harmonium
10/16/21 • 65 min
You know what it's like when you discover a band that was around a long time ago, and then you inevitably go down a rabbit hole and discover a whole lot more music in a “Kevin Bacon six degrees of separation” kind of way? That's happened to me over the last few months.
Welcome to episode 151 of Love That Album.
A few months back, Christian Swain at Pantheon Podcasts (who supports Love That Album, See Hear and a ton of other music shows) asked me if I knew of the 70s band from Montreal called Harmonium. At the time, I'd never heard of them, so I did some investigating.....I fell in love with what I heard. Their small but wonderful back catalogue started out as Laurel Canyon-esque like folk which evolved into progg-ish and art rock. It's not quite prog rock in the way that early Yes or Genesis were – there's not millions of time signature changes for one thing – but it does share some of the more classical song structures those bands started out with. Listening to their music led me to discover that Montreal was a major centre for prog bands, so I listened to some of those other bands as well.
The band were hugely popular in Canada, but separated in 1978 at the top of their game. In 2020, their songwriter and lead singer Serge Fiori was approached to give his blessing for a re-arrangement of the entire Harmonium catalogue as a symphonic work. The result is Histoires Sans Paroles: Harmonium Symphonique. This is not the first time that a classically oriented interpretation of rock music has been attempted, but Harmonium's music seemed tailor made for such a reinvention. There's a wider sonic palette for the music to work under.
I was offered the opportunity to speak with Serge for the show, and I was hugely keen to do so. He's a lovely guy who had a lot to say about the Quebec music scene of the 70s, as well as hearing his music translated into a medium different from its original conception. It's not easy to hand off your creative work to someone else to reinterpret, but to say Serge was delighted with the result would be an understatement. This album is all the more amazing considering it was recorded under pandemic conditions!!!!! A big feat for an orchestra.
Serge is completely grateful for all that being a musician and composer has given to his life, and he is grateful to Simon LeClerc, arranger and conductor of the Montreal Symphony Orchestra, for respecting the spirit of the music.
Obviously, many thanks to Serge for his time, but additional thanks also go to Christian Swain for starting this off and and to Lisa Roy at Rock & Roy for making it happen.
You can get Histoires Sans Paroles: Harmonium Symphonique in physical medium or download formats from https://www.harmoniumsymphonique.com/
Download this episode of LTA from wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media....whatever way you choose, consider me grateful.
Proudly Pantheon
Learn more about your ad choices. Visit megaphone.fm/adchoices
You know what it's like when you discover a band that was around a long time ago, and then you inevitably go down a rabbit hole and discover a whole lot more music in a “Kevin Bacon six degrees of separation” kind of way? That's happened to me over the last few months.
Welcome to episode 151 of Love That Album.
A few months back, Christian Swain at Pantheon Podcasts (who supports Love That Album, See Hear and a ton of other music shows) asked me if I knew of the 70s band from Montreal called Harmonium. At the time, I'd never heard of them, so I did some investigating.....I fell in love with what I heard. Their small but wonderful back catalogue started out as Laurel Canyon-esque like folk which evolved into progg-ish and art rock. It's not quite prog rock in the way that early Yes or Genesis were – there's not millions of time signature changes for one thing – but it does share some of the more classical song structures those bands started out with. Listening to their music led me to discover that Montreal was a major centre for prog bands, so I listened to some of those other bands as well.
The band were hugely popular in Canada, but separated in 1978 at the top of their game. In 2020, their songwriter and lead singer Serge Fiori was approached to give his blessing for a re-arrangement of the entire Harmonium catalogue as a symphonic work. The result is Histoires Sans Paroles: Harmonium Symphonique. This is not the first time that a classically oriented interpretation of rock music has been attempted, but Harmonium's music seemed tailor made for such a reinvention. There's a wider sonic palette for the music to work under.
I was offered the opportunity to speak with Serge for the show, and I was hugely keen to do so. He's a lovely guy who had a lot to say about the Quebec music scene of the 70s, as well as hearing his music translated into a medium different from its original conception. It's not easy to hand off your creative work to someone else to reinterpret, but to say Serge was delighted with the result would be an understatement. This album is all the more amazing considering it was recorded under pandemic conditions!!!!! A big feat for an orchestra.
Serge is completely grateful for all that being a musician and composer has given to his life, and he is grateful to Simon LeClerc, arranger and conductor of the Montreal Symphony Orchestra, for respecting the spirit of the music.
Obviously, many thanks to Serge for his time, but additional thanks also go to Christian Swain for starting this off and and to Lisa Roy at Rock & Roy for making it happen.
You can get Histoires Sans Paroles: Harmonium Symphonique in physical medium or download formats from https://www.harmoniumsymphonique.com/
Download this episode of LTA from wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media....whatever way you choose, consider me grateful.
Proudly Pantheon
Learn more about your ad choices. Visit megaphone.fm/adchoices
Previous Episode

Love That Album Podcast Episode 150 - Interview with Steve Berlin about Los Lobos' "Native Sons"
Anyone who's listened to the podcast for a while or hung around the LTA Facebook group long enough knows that my favourite working band is Los Lobos. You'd also possibly be aware that group saxophonist and keyboard player Steve Berlin has joined me on LTA in the past AND on See Hear.....well, Steve's baaaaaaaaaaaaaaaaaaaaaaaaaaaaaack.
Welcome to episode 150 of Love That Album.
Los Lobos have released a new album in 2021 called Native Sons. The fact that they (or any band) are able to record and release new music in lockdown is astonishing. As great as Louis Perez, David Hidalgo and Cesar Rosas are as songwriters, for this album, they are drawn to the music that influenced them along the way by heroes and peers specifically from Los Angeles....people like Lalo Guerrero, Jackson Browne, The Blasters, The Beach Boys, War and others.
Steve and I speak about the role of these musicians in Los Lobos' development, Christmas music, working through Covid, the father of Chicano music, Ry Cooder, Tom Waits and a lot of other topics. Once again it was my privilege to have him back on the show – recorded 3 hours before Lobos were due to hit the stage!!!
If you're in the US and are able to see Los Lobos live, DO IT. They put on wonderful shows, and you'll be supporting working musicians in this crazy time. You can check out their gig listings at loslobos.org
Download this episode of LTA from Spotify, Stitcher or iTunes (search for “Love That Album podcast”)....or wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media....whatever way you choose, consider me grateful.
Proudly Pantheon
Learn more about your ad choices. Visit megaphone.fm/adchoices
Next Episode

Love That Album Podcast Episode 152 - Nick Drake "Five Leaves Left"
Think of any number of singers of the 20th century to take to a stage: Elvis Presley, Aretha Franklin, Bon Scott, Nina Simone.....”shyness” would not be any sort of adjective you'd use to describe these people.
We're not focusing on any of them this time around.
Welcome to episode 152 of Love That Album Podcast.
To say that Nick Drake suffered from shyness could be the greatest understatement you could make about him. He only performed live a few times in his short life, and from all documented accounts, those performances were memorable for the wrong reasons – not acknowledging his audiences, looking down, walking off stage mid song....the same can be said for his interactions with people off the stage.
However, it would also be fair to say that Drake knew his way around a song – both as composer and musician.
I am joined by fellow Nick-Head, Antony Rotunno. Antony is the host of three excellent podcasts: Life & Life Only, Film Gold, and Glass Onion: On John Lennon. It is the third of these shows that got my attention. On every show he tackles Lennon related subjects (with occasional forays into The Beatles) to work out what made Lennon tick. I am sure that he relished the opportunity to talk about a musician with no Beatles connection whatsoever for a change. The focus of the show is Drake's debut album, Five Leaves Left. However, we speak in detail about all three of his albums as well as events in his life, his string arranger Robert Kirby, similar musicians, and speaking in a posh accent.
In addition, there are two real treats for you this time around. We hear from Antony's friends, Kester Jones and Melanie Lawrence who pre-recorded their take on a beloved Nick Drake tune, and Antony himself armed with his guitar tackles another tune. These performances are wonderful and a great part of the show.
My gratitude to Antony for bringing his time and thoughts to the show. A really exciting development is that going forward, Glass Onion: On John Lennon will be part of the Pantheon Network.
You can find much Antony related shenanigans (blog posts, albums, podcasts) at https://www.antonyrotunno.com/
Kester's music can be heard at https://soundcloud.com/kesterjones
Download this and any other episode of LTA from wherever you prefer getting your podcasts.
Love That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.
You can send me feedback at [email protected] (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum
If you’d consider writing an iTunes review I’d be immensely grateful. However, it’d be even better if you told a friend about the podcast and Pantheon – at a barbecue, over coffee, on social media....whatever way you choose, consider me grateful.
Proudly Pantheon
Learn more about your ad choices. Visit megaphone.fm/adchoices
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