Lost Notes: Groupies

In 1979, "Rapper’s Delight" was released and went on to become the first Top 40 hip-hop single. Sugarhill Gang almost had no choice but to follow the single up with a full-length. So in the early months of 1980, a six song, nearly forty minute album by a rap group was released. The debut, self-titled album by the Sugarhill Gang wasn’t received without controversy, and wasn’t received without skepticism. When one thinks about the greatest rap groups of all time, Sugarhill Gang might be an afterthought, says Lost Notes host Hanif Abdurraqib. But, sometimes, legacy is not about the spark itself, but about the flame the spark causes.

This season the poet and cultural critic Hanif Abdurraqib explores the year 1980. It was the brilliant, awkward and sometimes heartbreaking opening to a monumental decade in popular music.

Most know Minnie Riperton because of one part in one song. “Lovin’ You” was Riperton’s biggest hit, and she doesn’t sing that magic, piercing note until around the 3-minute mark. Cancer took Riperton away tragically in 1979, and the next year producers got to work on a posthumous album. Filled with leftover recordings and celebrity cameos, “Love Lives Forever” is an album full of ghosts.

Before Soundcloud and Bandcamp, there was Deirdre O'Donoghue and "SNAP!," the LA DJ and radio show that served as a waypoint for underground music, artists, and its fans — and helped shape the sound of independent and D.I.Y. culture today. In the first episode of "Bent By Nature," co-producer Bob Carlson introduces O’Donoghue and goes inside the community she cultivated, her passion for music, and the problems she had with KCRW’s management and staff. Featuring archival live performances by Camper Van Beethoven, the Meat Puppets, Glass Eye, Jazz Butcher, the Dream Syndicate, and more.

One of the most unlistenable bands of the ‘60s became a cult favorite decades later, gaining praise from the likes of Frank Zappa, Kurt Cobain and Sonic Youth. But did the Wiggin sisters from Fremont, New Hampshire even want to be in a band in the first place? The New Yorker’s Susan Orlean recounts her reporting on the band’s strange trip to unexpected fame.