Hidden in the Details: Adania Shibli and Maaza Mengiste

03/31/24 • 68 min

The year is 1949, and the state of Israel is in its infancy. In the Negev desert, bordering Egypt, Israeli armed forces have set up camp with the mission to “cleanse it of any remaining Arabs” after the war the preceding year. They happen upon a Beduin family, a teenage girl among them, whom the soldiers rape, kill and bury in the desert.

In present-day Ramallah, a young woman discovers these events through a small newspaper story. It catches her attention because the events took place exactly 25 years before the day she was born. The woman becomes compelled to find out what actually happened in that desert, and embarks upon a highly dangerous journey to come to the bottom of the story.

Adania Shibli is a critically acclaimed Palestinian writer, and holds a PhD in media and cultural studies. She has published three novels in Arabic, and Minor Detail is the first to be translated into Norwegian. While slim in size, the novel contains far more than the modest number of pages would suggest. Shibli explores themes such as belonging and loss, depicting the everyday absurdities under a normalized occupation. Shibli’s language is precise and sparse, the story concise. The many gaps in the story creates a tension, quivering beneath the surface and increasing by each page.

The novel was shortlisted for the International Booker Prize in 2021, and in 2023, it won the prestigious German LiBeraturpreis. However, they chose to postpone the award ceremony indefinitely after Hamas’s terror attack on October 7th and Israel’s following war on Gaza, a decision met with extensive criticism internationally.

At the House of Literature, Shibli will meet writer colleague Maaza Mengiste for a conversation about language, the past, borders and all the minor details that make up our reality.

Hosted on Acast. See acast.com/privacy for more information.

At the House of Literature, Shibli will meet writer colleague Maaza Mengiste for a conversation about language, the past, borders and all the minor details that make up our reality.

Hosted on Acast. See acast.com/privacy for more information.

Previous Episode

Censorship in East and West. Ian Buruma and Helge Jordheim

Freedom of expression is never absolute, but subject to laws and social conventions. Threats to freedom of thought and speech can come directly from authoritarian states or religious institutions. But they can also be self-inflicted, in the form of self-censorship. Both forms of censorship exist in democracies as well as dictatorship, and often overlap.

Throughout history, authors in particular have been made the object of the limitations set by powerful institutions, be it by explicit decree or through the trepidations felt at writing challenging or shocking literature.

Few know this landscape better than historian, author and critic Ian Buruma. He has written a host of books on East Asian (especially Chinese and Japanese) culture and history, the West and Islam, and European history, including this year’s The Collaborators. Buruma is also highly respected columnist and critic for The New Yorker and The New York Review of Books, the latter of which he also served as editor-in-chief.

This evening, Buruma will give an introductory lecture on how censorship has shaped culture and the arts in both Eastern and Western countries, before being interviewed by author and professor of cultural history at the University of Oslo, Helge Jordheim. He will join Buruma on stage for a conversation on how threats to expression have changed over time, and the challenges that writers face today.

This event marks the beginning of The House of Literature’s series on “Forbidden books”, which sheds light on the ways in which literature is made forbidden, censored, or otherwise suppressed, historically and today.

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Next Episode

History In the Footnotes: Leila Aboulela, Maaza Mengiste and Bhakti Shringarpure

History is written by the victorious. But do we not also need to hear the story from the other side, from ordinary people caught in the middle of historical upheavals, forced to pick a side, or just try to survive? To those relegated to the footnotes in the history books, or not mentioned at all.

This can be said to be the starting point for the novels of Sudanese-Scottish Leila Aboulela and Ethiopian-American Maaza Mengiste, both writing about historical events in their home countries.

The backdrop in Aboulela’s new novel River Spirit is the dramatic time in the Sudan’s history in the late 19th century. In the span of just a few years, the country underwent several occupations, as well as a bloody revolution led by a man claiming to be al-Mahdi (the Islamic Messiah). Through a multitude of voices from different sides of the conflicts, and with the young orphaned girl Akuany as a turning point, Aboulela leads us through a central historical time in the Sudan.

A young, poor woman is also central in Maaza Mengiste’s The Shadow King, telling the story of 1935 Ethiopia invaded by Mussolini’s Italy. Told from as different perspectives as Ethiopia’s emperor Haile Selassie, the Italian soldier Ettore and the servant girl Hirut, the novel offers a complex picture of the events. Mengiste has emphasized that she was particularly interested in exploring women’s role in the resistance movement.

Mengiste was born in Ethiopia, and is currently living in the United States. She has explored Ethiopia’s recent history in both her critically acclaimed novels Beneath the Lion’s Gaze and The Shadow King, with the latter shortlisted for the prestigious Booker Prize. Mengiste has also made her mark as a photographer and an essayist.

Aboulela was born in the Sudan, today she lives in Scottland. She has published a number of award winning novels, short story collections and plays. River Spirit is the first novel in a planned series exploring Scotland’s role in the British colonization of the Sudan.

At the House of Literature, Aboulela and Mengiste meet writer and creative director of the Radical Books Collective, Bhakti Shringarpure, for a conversation about writing historical fiction, and about foregrounding the stories of women and ordinary people within big historical events.

Hosted on Acast. See acast.com/privacy for more information.