The Making of SONG CYCLE - featuring Van Dyke Parks and Richard Henderson

12/13/22 • 81 min

For the 55th anniversary of Van Dyke Parks’ debut solo album, SONG CYCLE, we take a detailed look at how it was made. After being born in the South, Parks grew up studying music and working as a child actor before settling in Los Angeles, California in the early 1960s. While playing guitar in different folk groups around town, he got his first job as an arranger on “The Bare Necessities” for Disney’s The Jungle Book. Parks began working as a session musician for Producer Terry Melcher, who later introduced him to Brian Wilson of the Beach Boys. Parks was hired as a lyricist for the Beach Boys SMILE project, but ultimately left due to the rapidly deteriorating recording sessions and resistance from other members of the Beach Boys about the new lyrical direction. Producer Lenny Waronker then signed Parks to a contract with Warner Bros. as they recorded the first single “Donovan’s Colours” before beginning work on a full-length album.

In this episode, Van Dyke Parks reflects on his fascination with the developing technology of recorded music in the late 1960s. He also describes his fragile emotional state after the death of his brother and how traumatic personal and political events of the era informed his songwriting. Richard Henderson, author of the 33 1/3 book Song Cycle, offers his perspective on Parks’ working methods at the time and how he was able to convince Warner Bros. to bankroll this massively expensive project. From the gold rush of Laurel Canyon to confirming his fellow struggling artists in song to the recording studio as an instrument to the orchestra as pop art to an insulting marketing campaign in the wake of SONG CYCLE’s release, we’ll hear the stories of how the record came together.

Intro/outro music by ings from her song, "Love You." Episode art by Scott Arnold.

Intro/outro music by ings from her song, "Love You." Episode art by Scott Arnold.

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The Making of VS. by Mission of Burma - featuring Roger Miller, Clint Conley and Peter Prescott

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