
Little Women in Letters: Conversation with Barbara Heller, Editor of Little Women
06/06/22 • 44 min
If you’re anything like us, you’ve watched the Little Women film adaptations looking for the props and pieces that really bring the book to life–the vivid renderings of your own thoughtfully-imagined ephemera.
Barbara Heller worked on movie set designs for feature films for many years, bringing all kinds of stories to life through location scouting and other roles. Then, she was rereading Pride and Prejudice when she had a sudden and visceral desire to hold characters' letters to each other in her own hands. She set out to find the right artists, paper, and materials to make that dream come true.
After the success of her edition of Pride and Prejudice, Barbara turned her focus to Little Women, another novel that uses letters within the story. Again, she worked with artists to bring these pieces of writing into removable replicas that are tucked into the book itself. The reader feels the thrill of unfolding a letter as if they are from real, dear friends.
In this episode, Barbara discusses the research, process, and design behind these familiar letters, now turned into beloved works of art.
Barbara Heller's career in film and television encompasses finding furnishings and props for many shows including The Americans and When They See Us; location managing films for Francis Coppola, Nancy Meyers, and Barbet Schroeder; and directing award-winning short films that have played at festivals around the world (Cannes, Berlin, Sundance). To satisfy her curiosity, she reported on why hotels fold the end of the toilet paper into a point for NPR. She graduated from Brown University with a degree in English Literature and lives with her son in New York City.
See the book and purchase your own copy at https://www.barbaraheller.org/little-women or at your local bookstore.
If you’re anything like us, you’ve watched the Little Women film adaptations looking for the props and pieces that really bring the book to life–the vivid renderings of your own thoughtfully-imagined ephemera.
Barbara Heller worked on movie set designs for feature films for many years, bringing all kinds of stories to life through location scouting and other roles. Then, she was rereading Pride and Prejudice when she had a sudden and visceral desire to hold characters' letters to each other in her own hands. She set out to find the right artists, paper, and materials to make that dream come true.
After the success of her edition of Pride and Prejudice, Barbara turned her focus to Little Women, another novel that uses letters within the story. Again, she worked with artists to bring these pieces of writing into removable replicas that are tucked into the book itself. The reader feels the thrill of unfolding a letter as if they are from real, dear friends.
In this episode, Barbara discusses the research, process, and design behind these familiar letters, now turned into beloved works of art.
Barbara Heller's career in film and television encompasses finding furnishings and props for many shows including The Americans and When They See Us; location managing films for Francis Coppola, Nancy Meyers, and Barbet Schroeder; and directing award-winning short films that have played at festivals around the world (Cannes, Berlin, Sundance). To satisfy her curiosity, she reported on why hotels fold the end of the toilet paper into a point for NPR. She graduated from Brown University with a degree in English Literature and lives with her son in New York City.
See the book and purchase your own copy at https://www.barbaraheller.org/little-women or at your local bookstore.
Previous Episode

Louisa Through the Ages: Conversation with Daniel Shealy
Most Alcott scholars cannot imagine what it would be like to do research without the Selected Letters and Selected Journals of Louisa May Alcott, these two seminal works that make Alcott's work so accessible.
Dr. Daniel Shealy, however, knows exactly what it's like--because he was part of the team that edited these two publications, bringing together hundreds of letters from around the country and compiling them into the legible, useful edition that Alcott scholars depend on for their work. This is the work that has enabled other professors, writers, and filmmakers to shift their perception of Louisa May Alcott, from the famed children's writer to a more serious, scholarly study.
Daniel Shealy shares his experiences working with Joel Myerson, Madeleine Stern, and Leona Rostenberg, giving us a glimpse into the early days of Alcott scholarship. We discuss Louisa's changing legacy over the years, and Daniel even gives his opinion on Little Women films.
Daniel Shealy is Professor of English at the University of North Carolina-Charlotte, where he teaches American literature. He has published thirteen books on Louisa May Alcott, including co-editing Alcott’s Selected Letters and Journals. He also edited Little Women Abroad: The Alcott Sisters’ Letters from Europe, 1870-71, which recounts May Alcott’s first journey to Europe. His most recent book is Little Women at 150.
Next Episode

Louisa as Inspiration: Conversation with Biographer John Matteson
John Matteson's biography, Eden's Outcasts: the Story of Louisa May Alcott and Her Father, has become a foundational work in Alcott scholarship. It brings together the best of Alcott studies to show us an empathetic portrait of the Alcotts who feel as real and alive as ever in its pages.
In our conversation with John Matteson, we cover Louisa's time in Washington as a nurse during the Civil War and why those three weeks were so influential in the rest of her life. We also discuss John's writing process and how he chose the five figures featured in his newest book, A Worse Place Than Hell. We compare and contrast Louisa May Alcott and Margaret Fuller, as well as hearing about John's most interesting research discoveries.
Beyond these concrete topics, John offers us a vision of the Alcotts that is connected to our present-day world and where our future is headed. His conversation focuses on why we study history and why we write. It will resonate with anyone who looks for meaning in life, who sees connections and wonders where they come from.
John Matteson is Distinguished Professor of English at John Jay College of Criminal Justice in the City University of New York. He was awarded the 2008 Pulitzer Prize for his biography Eden's Outcasts: The Story of Louisa May Alcott and Her Father. He is also the author of The Lives of Margaret Fuller and the editor of The Annotated Little Women. His most recent book, A Worse Place Than Hell, was chosen by Civil War Monitor as one of the outstanding Civil War books of 2021.
If you like this episode you’ll love
Episode Comments
Generate a badge
Get a badge for your website that links back to this episode
<a href="https://goodpods.com/podcasts/let-genius-burn-300438/little-women-in-letters-conversation-with-barbara-heller-editor-of-lit-40593865"> <img src="https://storage.googleapis.com/goodpods-images-bucket/badges/generic-badge-1.svg" alt="listen to little women in letters: conversation with barbara heller, editor of little women on goodpods" style="width: 225px" /> </a>
Copy