
Season 4 Episode 5: Celia Craig
04/01/24 • 51 min
In this episode of Legends of Reed, oboist Celia Craig shares her journey of how she accidentally started playing the oboe and fell in love with it. She discusses her experiences as an orchestral player, touring the world and adapting to different cultural expectations. Celia also talks about her memorable concerts, including playing with Leonard Bernstein and the London Symphony Orchestra. She shares her experience of synesthesia, seeing music in colors, and how it enhances her musical performances. Celia explains why she chose to leave the orchestra and start her own recording label, Artaria, and the importance of diversity and mental health in the music industry. In this conversation, Celia discusses her experience with synesthesia and how it influences her music. She shares and describes the colors she sees when playing certain pieces. Celia also talks about her passion for photography and how it helps her relax away from music. She emphasizes the importance of innovation in the classical music industry and breaking barriers between audiences and performers. Celia discusses her efforts to create intimate concert experiences and showcase the skills of musicians in film recordings. She also highlights the need for arts bodies to support independent artists and provide career planning guidance for young musicians. To find out more about Celia, visit her website: https://www.celiacraig.com.au https://www.instagram.com/celiacraigonline/ Legends of Reed is sponsored by Barton Cane, use coupon code, "legendsofreed" for free shipping on https://www.bartoncane.com
Chapters
00:00 Introduction and Background
02:54 Discovering the Oboe
04:16 Career as an Orchestral Player
06:05 Cultural Differences in Orchestras
07:27 Memorable Concerts
08:24 Mentored by Leonard Bernstein
09:47 Leaving the Orchestra and Starting a Recording Label
13:07 Synesthesia and Music
18:43 Discovering Synesthesia
21:02 Promoting Diversity and Mental Health
23:00 The Importance of Music and Color in Modern Life
25:23 The Flow State and Synesthesia
26:18 Associating Colors with Music
26:45 Synesthesia and Mental Health
27:14 Perfect Pitch and Synesthesia
28:09 Challenges of Synesthesia
28:37 Synesthesia in Music
29:34 Describing Colors in Music
30:03 Synesthesia Experience with Elgar's Symphony
31:00 Unexpected Performance Experience
32:46 AI-Generated Art and Chamberworks
33:16 Unwinding and Relaxing with Photography
34:13 Innovating the Classical Music Industry
35:07 Intimate Concert Format
36:30 The Power of Live Music
37:28 Recognizing Performers in Film Music
38:24 Importance of Independent Art Scene
39:23 Supporting Independent Musicians
40:18 Teaching Career Planning and Entrepreneurship
42:06 Breaking Barriers and Unmasking Performers
43:03 Connecting Double Reed Players
43:58 Advice for Young Musicians
45:21 Playing in a Relaxed and Flow State
46:16 Practicing in the Dark
49:04 Upcoming Project: Researching Miriam Hyde
In this episode of Legends of Reed, oboist Celia Craig shares her journey of how she accidentally started playing the oboe and fell in love with it. She discusses her experiences as an orchestral player, touring the world and adapting to different cultural expectations. Celia also talks about her memorable concerts, including playing with Leonard Bernstein and the London Symphony Orchestra. She shares her experience of synesthesia, seeing music in colors, and how it enhances her musical performances. Celia explains why she chose to leave the orchestra and start her own recording label, Artaria, and the importance of diversity and mental health in the music industry. In this conversation, Celia discusses her experience with synesthesia and how it influences her music. She shares and describes the colors she sees when playing certain pieces. Celia also talks about her passion for photography and how it helps her relax away from music. She emphasizes the importance of innovation in the classical music industry and breaking barriers between audiences and performers. Celia discusses her efforts to create intimate concert experiences and showcase the skills of musicians in film recordings. She also highlights the need for arts bodies to support independent artists and provide career planning guidance for young musicians. To find out more about Celia, visit her website: https://www.celiacraig.com.au https://www.instagram.com/celiacraigonline/ Legends of Reed is sponsored by Barton Cane, use coupon code, "legendsofreed" for free shipping on https://www.bartoncane.com
Chapters
00:00 Introduction and Background
02:54 Discovering the Oboe
04:16 Career as an Orchestral Player
06:05 Cultural Differences in Orchestras
07:27 Memorable Concerts
08:24 Mentored by Leonard Bernstein
09:47 Leaving the Orchestra and Starting a Recording Label
13:07 Synesthesia and Music
18:43 Discovering Synesthesia
21:02 Promoting Diversity and Mental Health
23:00 The Importance of Music and Color in Modern Life
25:23 The Flow State and Synesthesia
26:18 Associating Colors with Music
26:45 Synesthesia and Mental Health
27:14 Perfect Pitch and Synesthesia
28:09 Challenges of Synesthesia
28:37 Synesthesia in Music
29:34 Describing Colors in Music
30:03 Synesthesia Experience with Elgar's Symphony
31:00 Unexpected Performance Experience
32:46 AI-Generated Art and Chamberworks
33:16 Unwinding and Relaxing with Photography
34:13 Innovating the Classical Music Industry
35:07 Intimate Concert Format
36:30 The Power of Live Music
37:28 Recognizing Performers in Film Music
38:24 Importance of Independent Art Scene
39:23 Supporting Independent Musicians
40:18 Teaching Career Planning and Entrepreneurship
42:06 Breaking Barriers and Unmasking Performers
43:03 Connecting Double Reed Players
43:58 Advice for Young Musicians
45:21 Playing in a Relaxed and Flow State
46:16 Practicing in the Dark
49:04 Upcoming Project: Researching Miriam Hyde
Previous Episode

Season 4 Episode 4: Michaela Špačková
Michaela Špačková is a curious and creative artist who seamlessly integrates her passions for music, humanity and nature into her musical work, lifestyle and intercultural activities – from music education concerts to her development of permaculture gardening.
She regularly performs works dedicated to her for solo bassoon by contemporary composers, She began playing the bassoon at the age of 12 and made her debut five years later with the PKF Prague Philharmonia, following appearances with the ORF Vienna, Munich Chamber Orchestra and Czech Philharmonic, receiving more than 20 prizes at various competitions such as the ARD Music Competition and Prague Spring Competition, and performing worldwide in the most prestigious halls such as the Berlin Philharmonie, Philharmonie de Paris, Suntory Hall Tokyo, etc.
She was solo bassoonist in the Konzerthausorchester Berlin with Christoph Eschenbach and Academist with the Staatskapelle Berlin under Daniel Barenboim, played with conductors such as Sir S. Rattle, Z. Mehta, I. Fischer, W. Jurowski and others.
In this episode, we speak about her start on the bassoon, her experiences and insights on taking part and winning numerous competitions, some of her favorite contemporary composers, educational music concerts, her passion for permaculture gardening, how she overcome a challenging moment in her career and we are joined by a super-cute guest right at the end!
Legends of Reed is sponsored by Barton Cane. Use coupon code "legendsofreed" for free shipping.
Find out more about Michaela here: https://www.michaelaspackova.com
Next Episode

Season 3 Episode 9: Benjamin Coelho
Benjamin Coelho, professor of bassoon, has been at the University of Iowa since 1998. He has appeared as a soloist, chamber musician, orchestral musician, teacher, and clinician in several countries including the United States, Brazil, Argentina, Bolivia, Panama, Portugal, France, Romania, Australia, Canada, and the Czech Republic.
An avid chamber musician, he has performed with the Gramado Woodwind Quintet (Brazil), the Alaria Chamber Ensemble (New York), and the Contemporary Music Group of Minas Gerais (Brazil). As a founding member of the Manhattan Wind Quintet, Mr. Coelho performed numerous recitals and concert tours throughout the United States. The group won various chamber music competitions including Artists International, Coleman, and Monterey Peninsula Chamber Music Competition.
An enthusiastic proponent of new music, Mr. Coelho has commissioned, performed, and recorded many works by European, American, and Latin American composers. His recordings include Bassoon Images from the Americas (2003), released by Albany Records; Bravura Bassoon (2005), Pas de Trois (2006) released by Crystal Records; and Explorations (2007), Dreaming in Colours (2011) and Agnus Dei (2012) all released by MSR Classics. The specialized media has continuously praised his recordings "...Ben has such a gorgeous sound, such impeccable technique, and such sensitive musicality, that it is a real pleasure to recommend this album very strongly to all of you!" (Ronald Klimko, IDRS Journal), "Coelho's program is an international affair that shows the range of colors and character that the bassoon can explore in tandem with string colleagues. His playing is unfailingly sonorous, expressive, and alert, and he champions the pieces on this recording as if he believed in them without reservation." (Donald Rosenberg, The Gramophone), "Coelho is fantastic. His sound is brilliant, resonant, and strong, and he has a warm tone that blends superbly with the strings." (Schwartz, American Record Guide). As a member of the group Wizards! A Double Reed Consort, Coelho has recorded two CDs released by Crystal and Boston Records in 2000 and 2003 respectively.
Mr. Coelho has written articles on bassoon performance and literature. His work has been published in the International Double Reed Society Journal, as well as the British Double Reed Society Journal. His article "Francisco Mignone and the Sixteen Waltzes for Solo Bassoon" has been translated into German, and published in the German double-reed magazine ROHRBLATT.
Before his position at the University of Iowa, Mr. Coelho was the vice dean and bassoon professor at the Federal University of Minas Gerais (Brazil). He also worked extensively as a performer in his native Brazil, including principal positions with symphony orchestras in Rio de Janeiro, Campinas, and Belo Horizonte.
In the United States, Mr. Coelho has played with the Waterloo/Cedar Falls Symphony (Iowa), The Camerata Chamber Orchestra (Indiana), The Bloomington Pops Orchestra (Indiana), The Bronx Opera Company (New York), and Orchestra Iowa. Currently, he performs as the principal bassoon with the Quad City Symphony Orchestra (Iowa/Illinois).
Ben attended Indiana University, Manhattan School of Music, S.U.N.Y. at Purchase, and the Tatuí Conservatory in his native Brazil. His major teachers include Clóvis Franco, Donald MacCourt, Arthur Weisberg, and Kim Walker.
Ben lives in Iowa City, IA, with his wife Karen and their wonderful daughters Liliana and Julia.
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