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Kunafa and Shay - Palestinian Storytelling

Palestinian Storytelling

07/23/24 • 47 min

Kunafa and Shay
Hosts Marina Johnson and Nabra Nelson are joined by Fidaa Ataya, a Palestinian storyteller who talks with us about the tradition of the hakawati and how she and her work are looking at different forms of storytelling from ancient traditions to new ways of storytelling in Palestine.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you’ll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre.
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Hosts Marina Johnson and Nabra Nelson are joined by Fidaa Ataya, a Palestinian storyteller who talks with us about the tradition of the hakawati and how she and her work are looking at different forms of storytelling from ancient traditions to new ways of storytelling in Palestine.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you’ll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre.

Previous Episode

undefined - Nubian Theatre

Nubian Theatre

Nubia has a long history of theatre, both before and after the displacement of the 1960s. In this episode, hosts Marina Johnson and Nabra Nelson highlight Nubian theatre, including the only Nubian opera, Opera El Aml by Mohy El Din Sherif. With special guest Mazen Alaa from Nubian Geographic, this episode focus on Nubian theatre in Abu Simbel and the effect that the displacement had and continues to have on theatre in Nubia and the Nubian diaspora today.Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you’ll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre.

Next Episode

undefined - Iraqi Theatre History

Iraqi Theatre History

Hosts Marina Johnson and Nabra Nelson learn from Dr. Amir Al-Azraki about Iraqi theatrical traditions, the birth of modern Iraqi theatre springing from church drama in Mosul in the late nineteenth century, Iraqi plays in translation, and Afro-Iraqi theatre. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you’ll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre.

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