
Questioning John Brown’s Sanity: A Historical Thread Considered
09/09/22 • 48 min
Many people in the United States, especially (but not exclusively) white people, tend to think of John Brown as someone who was "crazy." In this episode, Lou surveys what he calls a historical "thread" regarding the alleged insanity of Brown. Beginning with affidavits filed in Virginia in 1859 in an attempt by friends and relatives in Ohio to spare Brown's life, as well as Republican insanity rhetoric designed to dissociate Brown from their party, it is clear there is otherwise no historical evidence for the insanity notion. In the twentieth century, however, academics promoted Brown's alleged insanity, and the notion was disseminated in popular culture. In the late twentieth century, although scholars began to back away from this unwarranted notion, it was replaced by notions of Brown being manic. Lou traces this thread through three publications by Robert McGlone, Kenneth Carroll, and Tony Horwitz. He also suggests secular inclinations among scholars make them inclined to attribute mental instability to Brown's fundamentalist religious beliefs.
Guest music: "Climbing" by Reed Mathis
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Many people in the United States, especially (but not exclusively) white people, tend to think of John Brown as someone who was "crazy." In this episode, Lou surveys what he calls a historical "thread" regarding the alleged insanity of Brown. Beginning with affidavits filed in Virginia in 1859 in an attempt by friends and relatives in Ohio to spare Brown's life, as well as Republican insanity rhetoric designed to dissociate Brown from their party, it is clear there is otherwise no historical evidence for the insanity notion. In the twentieth century, however, academics promoted Brown's alleged insanity, and the notion was disseminated in popular culture. In the late twentieth century, although scholars began to back away from this unwarranted notion, it was replaced by notions of Brown being manic. Lou traces this thread through three publications by Robert McGlone, Kenneth Carroll, and Tony Horwitz. He also suggests secular inclinations among scholars make them inclined to attribute mental instability to Brown's fundamentalist religious beliefs.
Guest music: "Climbing" by Reed Mathis
Hey friends, click on this link to get your JOHN BROWN TODAY Podcast Mug!
Previous Episode

John Brown’s Trial: The “Lost” Narrative of George H. Hoyt
In this episode, Lou presents a narrative written by John Brown's young lawyer, George H. Hoyt, written only a few years after the abolitionist's hanging. Hoyt went to join John Brown in Charlestown, Virginia (today West Va.) and support his lawyers, but really went as a spy for Brown's supporters in the North who wanted to launch a rescue. But not only was the rescue impossible by the time that Hoyt arrived in Virginia, but Brown did not want to escape. Hoyt thus became part of the drama of Brown's trial and last days, a story that can be found in more detail in Lou's book, Freedom's Dawn: The Last Days of John Brown in Virginia (2015).
The Hoyt narrative is provided in ten short segments that somewhat follow the serialized narrative that appeared in the Leavenworth Conservative in 1867, as well as a kind of epilogue that Hoyt published in The Kansas Weekly Tribune in 1870. The narrative, written from a firsthand eyewitness reveals a great deal about Brown's trial and the supposed "fair trial" that he received at the hands of a court dominated by slaveholders and guided by Sen. James Mason of Virginia, the architect of the Fugitive Slave Law of 1850 and one of the ringleaders of the slaveholders' betrayal that would follow in 1861 following Lincoln's election.
Guest music: "Bittersweet" by Silent Partner
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Next Episode

What Did Blacks Really Think of John Brown? The Question of "Sambo Mistakes" (Part 2)
In Part 2 of this two-part episode, Lou reflects upon the question of white allies, particularly in the case of John Brown's story. What did black leaders and other associates really think of John Brown? Recalling Brown's devotion to black liberation and notable devotion to human equality, Lou suggests nevertheless that human interaction is by nature complex and even Brown might grate upon his black associates. How should these tensions be understood? Was he a paternalistic racist as some have charged in recent times? Did he presume too much despite being a notable and respected white ally in the struggle for justice? Regardless, would-be allies and those otherwise interested in the theme of black-white alliances and intercultural alliances, in general, may find this historical reflection of interest.
Guest theme music: "Progressive Moments" by Ugonna Onyekwe (YouTube Audio Library)
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