
The Mental Health of Working Jazz Musicians
07/26/23 • 54 min
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
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In conversation with Christopher Hale and Minyoung Woo
Hear from acclaimed Melbourne bassist Christopher Hale and Korean percussionist Minyoung Woo as they discuss their myriad influences and approach to cross-cultural collaboration. Facilitated by Owen McKern. Translated/interpreted by Chloe Kim.
Hosted on Acast. See acast.com/privacy for more information.
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Makaya McCraven & Marquis Hill
Immerse yourself in an enriching artist talk featuring two distinguished musicians and collaborators at the vanguard of modern jazz: Makaya McCraven and Marquis Hill.
Makaya McCraven is renowned for his groundbreaking fusion of jazz, hip-hop, and electronic elements, pushing the boundaries of post-genre, jazz-rooted 21st century music. According to the New York Times, “McCraven has quietly become one of the best arguments for jazz’s vitality”. With numerous critically acclaimed albums and collaborations with the likes of Jeff Parker, Willie Pickens, Nubya Garcia, Shabaka Hutchings and Brandee Younger, McCraven is an artist at the top of his game.
Internationally renowned musician, composer and bandleader, Marquis Hill has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz, hip-hop, R&B, Chicago house, neo-soul—to Hill, they’re all essential elements of the profound African-American creative heritage he’s a part of. Hill’s mission to bring styles together, complemented by his absolute mastery of his instrument, is a through line connecting his many achievements, including winning the prestigious Thelonious Monk International Trumpet Competition in 2014.
Hear these two fascinating musicians share their perspectives on pushing artistic boundaries, their creative journeys, and shaping the future of contemporary jazz.
Facilitator: Samira Farah
Hosted on Acast. See acast.com/privacy for more information.
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