0039: I Suspect His Days Are Numbered

02/04/20 • 62 min

How was EON's new film received and what lies in store for 007 after 2020?

In this episode, Bill draws the straw to go to one of the first US screenings of EON Productions' new film The Rhythm Section and files his report. Back in the world of James Bond, we follow up on the Billie Eilish news and ponder what the Oscar ceremony may have in store (or not), and from one long production to another, debate the merits of a 3-hour runtime. Along the way, we worry about Ben Whishaw's comments, reach down the back of the couch to help Aston Martin's rescue deal, wonder what might be in store with a second trailer, and kick around preferences for an MGM takeover between Apple, Netflix, Amazon, and Disney. We round out by making a couple of bold predictions for the next ten years.

The recording took place on January 31st 2020 in the USA and Spain.

James Page is co-founder of MI6-HQ.com and the magazine MI6 Confidential

Bill Koenig runs the Spy Command at hmssweblog.wordpress.com

David Leigh runs thejamesbonddossier.com

Music credit 'Spy & Die' by Jay Man

How was EON's new film received and what lies in store for 007 after 2020?

The recording took place on January 31st 2020 in the USA and Spain.

James Page is co-founder of MI6-HQ.com and the magazine MI6 Confidential

Bill Koenig runs the Spy Command at hmssweblog.wordpress.com

David Leigh runs thejamesbonddossier.com

Music credit 'Spy & Die' by Jay Man

Previous Episode

0038: Three Point Five Aston Martins

How will the music choices – and late changes – affect No Time To Die?

This week we recap all of the music news hurriedly released after the press got wind of both composer Hans Zimmer and title-song artist Billie Eilish at work on No Time To Die. We talk about the integration of the title song with the score, plus the lacklustre attempts to do so on SPECTRE and Skyfall; the young age of Shirley Bassey, Sam Smith, Adele, Sheena Easton, and Nancy Sinatra at the time of their Bond themes; the perspective a young title-artist will bring to the Bond sound; directors’ choices of composer and artistic impact of key personnel; why Dan Romer was dropped; who proposed a Young Bond prequel television series and why it got nixed; and the possible three-hour running time.

Along the way we stumble on listening to Wings without earmuffs, when good artists experiment and fail, flogging DB5 replicas to keep Aston Martin afloat, the missing melodies, Michael Wilson's naps, cross-dressing Felix, recycled scripts and set-pieces, foreign tax breaks, and why David would never buy the 4-door Aston.

The recording took place on January 17th in the USA and Spain.

James Page is co-founder of MI6-HQ.com and the magazine MI6 Confidential

Bill Koenig runs the Spy Command at hmssweblog.wordpress.com

Joseph Darlington is Head of Section at beingjamesbond.com

David Leigh runs thejamesbonddossier.com

Phil Nobile Jr is Editor-in-Chief of Fangoria magazine, former Bond correspondent for Birth.Movies.Death

'No Time To Die' end song by Catherine Cassell Music

Music credit 'Spy & Die' by Jay Man

Next Episode

Mission Debrief (003 Music)

What makes the Bond musical ‘sound’?

This week Warren Ringham of Q The Music returns to the show to talk about the James Bond sound and his life as a performer dedicated to 007. We discuss the challenge of composing an original Bond-esque song as Warren has just completed his first composition. Along the way we tackle mainstream journalists writing about Bond music; Bond themes as a snapshot of their musical era and embracing the contemporary; melody replaced by rhythm and ambiance in much modern film scoring; Newman’s scores and where to from here with Zimmer; and the atmospheric scoring of Moonraker, Thunderball and From Russia With Love.

We then transition to Warren’s personal story, growing up in a musical family, attending Music college and then 15 years of building the Q the Music tribute band. He notes the particular challenge of arranging the Bond music for his group and his commitment to creating an authentic Bond sound; Q the Music’s little flourishes or takes on some of the Bond themes; the buzz of the live performance; writing and performing a 20 minute medley for the 50th Anniversary event at Piz Gloria; and what might happen if he met his musical hero.

The recording took place in the UK and New Zealand.

Paul Atkinson is a co-founder of MI6-HQ.com and the magazine MI6 Confidential

Warren Ringham is the founder of Q The Music (qthemusicshow.com)

Music credit 'Spy & Die' by Jay Man